The quatrains are one of the nine.
The willows next door are weak, just like the waist of the fifteenth daughter.
It is said that whoever has no consciousness of the future will be blown by the wind.
There are nine quatrains, including the second one.
Hand-planted peaches and plums are not ownerless, and wild old walls are like home.
Just like the spring breeze deceives each other, blowing off a few flowers at night.
The quatrains are the third of the nine.
What I am familiar with is that Maozhai is extremely low and small, and swallows come frequently on the river.
Dirty piano books with mud, even catching flying insects and hitting people.
The quatrains are the fourth of nine.
February has been separated from March, and it can grow old several times every spring.
Don't think about infinite things outside, try your best to have a limited drink before you die.
The quatrains are the fifth of the nine.
Heartbroken desire to come to an end, while Zhang Xubu stood.
On crutches, on crutches, standing on the Zhou Fang, I only watched catkins flying wildly in the wind like crazy, chasing the flowing peach blossoms lightly.
The quatrains are full of nine and six.
Lazy and slow, he couldn't get out of the village, so Hu built Chai Men on the second day.
The moss in the forest is turbid and the wine is quiet, and the clear water in the wild is faint in the spring breeze.
The quatrains are the seventh of the nine.
The diameter of poplar flowers is covered with white felt, and the lotus leaves in the stream are stacked with green money.
No one has seen the young child with bamboo shoots. The young child in the sand sleeps next to his mother.
The quatrains are full of nine and eight.
Shexi soft mulberry leaves can be picked, and fine wheat fibrillates along the river.
Geometry of life Spring is summer, and no fragrant mash is as sweet as honey.
There are nine quatrains.
Seeing the guest's worries, the rogue comes to Jiangting in spring.
Even if I send flowers for further study, I think Yingying speaks too Ding Ning.
Introduction to ancient poetry
"Nine Poems Wandering" is a group of poems written by Du Fu, a great poet in the Tang Dynasty. This group of quatrains was written in the second year of Du Fu's residence in Chengdu Caotang, and it is called "Wandering", which means to write casually when he is happy. Don't write all, don't write all, and it's not the same time. Judging from the contents of these nine poems, there is another place where it can be found that it was written in spring.
Translation/translation
One of the nine quatrains:
The willows outside the door wall are delicate and slender branches, just like the slender waist of a fifteen-year-old girl. At the age of fifteen, the ancient woman was in her prime of life, and her posture was the most graceful and charming. Who said she didn't care and stretched herself this morning? It turned out that the branches were broken by the strong wind.
The quatrains are the third of nine poems:
Swallows on the river know that my hut is too low and too small, so they often fly here to nest. The mud that swallows brought into their nests stained my piano and books. They kept chasing flying insects and touching people.
The quatrains are the fourth of nine:
In the past March, February came. How many times can people who are getting old meet in spring? Don't think about countless things outside, drink the ones in front of you first.
The quatrains are the fifth of the nine:
It is said that the riverside scenery is beautiful, and spring is coming to an end. How can I not be sad? Walking on crutches at the head of the river, standing on the Zhou Fang, I only saw catkins jumping wildly, dancing unscrupulously with the wind, and thin, self-respecting peach blossoms chasing the running water.
The quatrains are the seventh of the nine:
Fragments of Yang Shuhua falling on the path are spread out like white felt, and lotus flowers are dotted on the stream, one after another, like copper coins. Next to the bamboo shoots in the bamboo forest, no one noticed the tender bamboo shoots that just broke through the ground. The newly hatched duckling snuggled up to the mother duck and fell asleep sweetly on the beach.
To annotate ...
(1) Man Xing: Whenever you come, write with a pen.
(2) Zhou Fang: a place with abundant water plants.
(3) Madness: this refers to mental disorder and is extended to debauchery.
Appreciation/appreciation
One of the nine quatrains:
The first two sentences of this poem describe the beauty of the willow tree, while the last two sentences express the poet's own frustration by borrowing why the willow tree did not show its posture because its branches were blown off by the strong wind. Although the poet is not in the imperial court, he always cares about the national economy and people's livelihood. I am like a willow tree that can't stretch out, because I was hit by the reality of society and couldn't save the people. You can't be reused as an official, and your ambition is hard to pay.
There are nine quatrains, and the second one is:
The first poem in the group summed up the guests' worries about spring, and the second came from the first poem, complaining that the spring breeze cheated the flowers. The first two sentences say that peaches and plums are taken from home. The words "Fei" and "Huan" emphasize tone and emotion. The last two sentences are "second study" to urge flowers to spring, and the spring breeze came to bully them again, blowing off a few flowers overnight! "Like" means "exactly the same". "De" is an auxiliary word in spoken language and spoken language in Tang Dynasty. The poet's emotion is in the scene, creating an atmosphere of opposition between emotion and scene. In the poet's view, the spring breeze is intended to deceive God. In the poet's pen, the spring breeze and peaches and plums are personified. Obviously, the poet was annoyed by spring, but he wrote spring breeze to deceive people.
The quatrains are the third of nine poems:
This poem describes the disturbing scene that swallows frequently fly into the study of the thatched cottage. The first sentence said that Mao Zhai was extremely low and narrow, and he was "familiar", but it was just the words of swallows. Even the swallows on the river are familiar with the height of this thatched cottage, so it is probably more suitable for nesting here! So the second sentence goes on to say, "The reasons are frequent." Swallows often come, which naturally causes their owners' troubles. Three or four sentences describe in detail the activities of swallows in the layer: not counting the nest stained with mud, flying insects are chased and even people are touched. The poet made a delicate and vivid description with clear spoken language, giving people a cordial and realistic feeling; And through real feelings, it reminds people of this low and small Mao Zhai. Because Jiang Yan often intrudes, it is difficult for the host to take shelter. In this way, the plight of the thatched cottage is written, and the poet's mood is much more disturbing. There is a poem in Wang Si's Du Yi in the Ming Dynasty: "People who live far away live alone and meet each other for a while, and there are many unhappy people." This unpleasantness is caused by the guests' worries, and it is also a lie to attract birds by Yan.
Wang Fuzhi said in "Jiang Zhai Shi Hua": "The name of the scene is two, which is inseparable. God is infinite to poets. Skilled people have feelings in the middle and feelings in the scene. " Du Fu's poems are also examples of being good at expressing feelings in scenery. The whole poem was written by Mao Zhai and Jiang Yan, and three or four sentences were scenic words describing the movements of swallows. It is in this fine description of "dirty piano books" and "beating people" that many troubles and restless expressions of distant guests are contained, and the body and things are in love, and the gods and things are in harmony. Although there is not a word in the poem, the "unhappy" mood is expressed in the description of the scenery. The whole poem is full of charm and chewy.
This poem is full of emotion. The poet put pen to paper from swallows, and described the scene of them flying into the study of the thatched cottage frequently, "soiling the piano book" and "hitting people" in a delicate and realistic way. These descriptions not only highlight the lovely state of swallows, but also vividly show their love for the study in the thatched cottage and their close relationship with poets. The whole poem is permeated with a strong flavor of life, giving people a natural and cordial feeling, and also revealing the joy and leisure of the poet's stable life in the thatched cottage.
The theme of this poem can also be understood as the poet's vivid description of the disturbing scene of frequent swallows flying into the study of the thatched cottage. The feeling of swallows attracting birds seems to be bullying people, which shows the poet's troubles and anxiety when he lives far away.
The quatrains are the fifth of the nine:
This quatrain was written in the second year of Du Fu's living in Chengdu Caotang, that is, the second year of Dai Zong Shang Yuan (76 1). The title is "Wandering", which means writing casually when you are happy. Don't write all, don't write all, and it's not the same time. Judging from the contents of these nine poems, there is a second place where it can be found that it was written in spring.
The scenery around Du Fu's Caotang is beautiful, and his life there is relatively stable. However, poets who have suffered from chaos have not forgotten that the national disaster has not been removed, so it is difficult to return to their homeland; Despite the flowers in front of me, the worries of home and country still haunt me from time to time. Its original intention is to write scenery and express feelings, and it does not mean to criticize women's style, but because the images of "willow" and "peach blossom" used in two of them are also used to describe women. The so-called broken flowers and defeated willows have a face like peach blossom. Moreover, the poem is extremely frivolous, so it is often used by later generations to imply the frivolous and bohemian style of women.
The quatrains are the seventh of the nine:
This song "Wandering" is about the scenery in early summer. The first two sentences describe the scenery, and the last two sentences describe the objects in the scenery. The scenery blends with each other and has its own charm.
The poem shows a beautiful early summer landscape: flying poplars are scattered on the path, as if covered with a layer of white felt; The green lotus leaves in the stream are dyed in the middle, and they are like round green money piled on the water. The poet turned his eyes and suddenly found a young pheasant hiding beside the root of a bamboo shoot, which was really hard to see. On the beach, the chicks snuggled up to their mothers and fell asleep peacefully. "Tan Jing" in the first sentence describes the flowers scattered on the road, with refined words and full images. The words "dot" and "stack" in the second sentence vividly describe the state of lotus leaves in the stream, which makes the whole sentence come alive. In the last two sentences, Pu Yin Long said when reading Du Xinjie that it "contains pity for Xiao Ji". Judging from the whole poem, "including Xiao Ji" may exist, but the pity for children is too deep.
These four poems, one sentence and one scene, literally seem to be independent, one poem and one painting; Together, they form the natural landscape of the countryside in early summer. Careful observation and description reveal the author's lingering appreciation of the wonderful natural scenery in early summer when he strolls through the forest stream, and he feels lonely when he is quiet. These four sentences, such as couplets in the seven laws, are correct and can be carefully stitched back and forth and taken care of. The first two sentences describe Huayang and He Qing clearly, which implies the meaning of streams in the forest. The last two sentences describe pheasants and chickens, but they are all in the sand of the forest. Take care of the front and back, set off each other, and blend in the sloppy. This poem is exquisite and lifelike, its language is popular and vivid, its artistic conception is fresh and meaningful, and it is full of profound and simple life interest.
The quatrains are all nine poems:
In Du Yi, there is a saying: "The word Hakka is the outline of nine poems", which is about the feeling that Hakka poets are worried about spring. "I can't wake up when I see the guest's worries" generally means that the poet is immersed in the guest's worries and can't extricate himself. The word "not waking up" describes this kind of intoxicated and confused psychological state. However, spring scenery is inhuman and rushes into the poet's eyes. Spring was originally pleasant. "No one opens the peach blossom. Lovely scarlet loves light red? " However, in the minds of poets who are entangled in guest worries, how disturbing it is that the spring scenery suddenly falls on Jiangting! You see, it rushed to send flowers in front of the poet, which made Yingying cry frequently. It seems that he is deliberately playing tricks on those foreign wanderers who are worried about their home country. Here and now, with such a mood and such flowers, the goddess Sichun is really "studying", and her hospitality is too rash. Du Fu is good at using contrast to deepen his thoughts and feelings in the opposition between emotion and scenery and enhance the artistic effect of poetry. The scene in this poem is like the artistic conception of "the petals are in tears, and the lonely bird has sung sorrow" in "Spring Hope". Just in the chaos, I am very anxious; One is temporarily safe and the guest is disappointed. Although the feelings expressed are different to some extent, they are all written in the way of "happy scenery and sad" (Wang Fuzhi's "Jiang Zhai Shi Hua"), which is doubly sad. Therefore, in the poem, Wang Jiangting's spring scenery made him feel like a rogue, but when he saw the flowers in full bloom in the spring breeze, he felt that he was too Ding Ning, which doubled the poet's troubles and worries. This artistic expression conforms to the reality in life. Qiu commented on this poem and said: "When people are comfortable, spring is also affectionate; People are frustrated and spring scenery becomes hooligans. " (Detailed Interpretation of Du Fu's Poems, Volume 9) It was the poet who fully described the true feelings at that time, which deeply touched the readers' hearts and aroused * * *.