Appreciate Li Shangyin's Untitled poem, which expresses love psychology in a feminine tone. In sadness and pain, there is burning desire and persistence, and the emotional realm is deep and rich.
? The first two sentences are about the unfortunate experience of love and the mood of the lyric hero: because of some power, it is difficult for a pair of lovers to meet each other, and the pain of separation is unbearable for her. The "don't" in the first sentence does not mean that we say goodbye now, but refers to the established forced separation. The word "difficult", the first refers to the difficulty of meeting, and the second is pain and embarrassment. In previous poems, some sentences such as "It's a piece of cake to meet difficulties" (Ge Yanxing by Cao Pi) and "It's a piece of cake to meet difficulties" (Hugh by Ding Du by Song Wudi) all emphasize the difficulty of reunion and lament the pain of parting. Li Shangyin went further from here, saying that "seeing each other late" means "parting is also difficult"-it is difficult to give up and the pain is unbearable. The poet used the word "difficult" twice in one sentence, and the appearance of the second word "difficult" gave people a slight sense of suddenness because of repetition, which made the whole poem interlocking and made the parting pain of reunion after a long separation particularly profound and lingering because of the low expression; This sentimental modality is not easy to understand in such a straightforward narrative as "Don't be easy to get". This lyric hero is already so sad, but facing the scenery in late spring, of course, it makes her sad. In late spring, the east wind is weak, flowers bloom and fall, and the beautiful spring is about to pass away. There is nothing that human beings can do about it. Their own misfortunes and mental pains are like flowers that wither with the passage of spring, because beautiful things are destroyed, which makes people feel endless disappointment and regret! The phrase "the east wind rises and a hundred flowers blossom" not only describes the natural environment, but also reflects the poet's state of mind. Things blend with me, and the mind and nature reach a subtle fit. This kind of description that reflects people's situation and feelings with scenery is common in Li Shangyin's works. For example, the first two sentences of "A note to friends in the north on a rainy night" say: "Jun asked that the return date is undecided, and the rain rose in the autumn pool in the evening." The second sentence not only symbolizes that the poet stays in Bashu, but also reflects the boredom of leaving. For example, in "And the East Wind Has Arised, Let a Hundred Flowers Bloom", realism and symbolism are integrated into one, giving feelings a tangible external form, which is usually called the lyrical way of feeling in the scene.
? In a few words, it is more tortuous to write the feelings of "seeing each other late" and "inseparable". The word "silk" in "Spring silkworms must weave until they die" is homophonic with "thinking". You miss each other like silkworms until you die. "And the candle will cry the wick every night" is a metaphor for the endless pain of not being together, as if the candle burned to ashes and the wax tears ran out. There is no limit to missing, which shows the deep attachment, but I will miss my life, but it also shows that there is no time to meet and the future is hopeless. Therefore, his pain will accompany him all his life. However, although the future is hopeless, she loves it to death and will be attached to it all her life; Despite the pain, there is only patience. Therefore, in these two sentences, there are both disappointed sadness and pain, as well as lingering and burning persistence and pursuit. Pursuit is hopeless, and we still have to pursue it in hopelessness, so this pursuit is also pessimistic. These feelings seem endless, and it is difficult to find an end; It seems to have formed a multi-faceted solid, and light can't see the whole picture from one angle. The poet successfully expressed such a complicated psychological state with only two metaphors, which shows that his association is very rich. The phrase "Spring Silkworm" is first of all the association between the lingering attachment of human beings and the endless spinning of spring silkworms, and then from the spinning of silkworms to the ending of "death" and then to the unswerving love of human beings. So writing "silk to death" gives this image various metaphorical meanings. "Silkworm should not be old (no, it means' ignoring' here), and it often wears silk day and night. What a pity! When you are exhausted, it is time to be lingering. " The intention is similar to the sentence of "Spring Silkworm" in Untitled. The idea of "how to be tired" of spring silkworms here is a kind of idea of "lingering has its own time", and its future is quite promising. The phrase "spring silkworm" in Untitled is not like this. As far as its pursuit spirit is concerned, its pursuit is hopeless, but it doesn't care if there is hope. Different emotional realms make associations more tortuous. In the Yuefu before Li Shangyin, it was not uncommon to compare burning candles with suffering. For example, "Thinking of you is like a candle, frying in the middle of the night" (Wang Rong's "Gentleman Coming Out"), "Thinking of you is like a candle, frying in tears for a thousand lines" (Chen, same topic) and so on. "Every night the candle will cry the wick away" is also a metaphor of the candle, but it does not simply compare the pain with wax tears. But through "starting from the ashes", it further embodies the painful feeling of life. Lenovo is much more profound and complicated than previous people, and its image is much richer.
? The above four sentences focus on revealing inner emotional activities and concretizing unspeakable complex feelings, which are beautifully written. Five or six sentences are translated into extroverted ideas. The first sentence is about yourself, and the second sentence is about imagining each other. "Changing temples" refers to being unable to sleep at night because of painful torture, resulting in the loss of temples and gaunt face, which is what Wu Yun, a poet of the Six Dynasties, said: "Worrying changes temples, crying makes beauty disappear" (Six Poems with Ma Xiaoxi). However, the sentence "Xiao Jing" in Untitled said that when I looked in the mirror in the morning, I was worried about "cloud change" and it was "but worried"-just worried. This vividly describes the spiritual activities of graceful songs, rather than simply describing the fact that youth is consumed by pain. The night is haggard because of pain, and the morning is haggard and painful. The pain at night is because the pursuit of love cannot be realized; The next day I was worried about haggard, hoping to stay young for love. In short, I am haggard with love, but I am depressed with pain. This lingering feeling day and night still shows a painful and persistent heart. The phrase "nocturne" is to put yourself in the other person's shoes and imagine that the other person is as painful as himself. He guessed that the other party would probably suffer from insomnia at night and often sang poems to mourn, but he was so worried that he couldn't get rid of it, so he felt that the environment was getting more and more desolate, the moonlight was cold, and his mood was even more bleak. The hue under the moon is cold, and "feeling cold in the moonlight" reflects psychological desolation through physical coldness. The word "should" is a tone of conjecture and expectation, indicating that all this is my imagination of the other party. The imagination is so vivid that it reflects her eagerness and deep understanding of her lover.
? The more concrete you imagine, the deeper you miss, and the more you will ignite the desire to meet. Since there is no hope of meeting, I have to ask the messenger to pay tribute to myself and visit him in person. This is the last two sentences. Poems often compare immortal couples. Jade bird is the messenger of a goddess, the Queen Mother of the West. Pengshan is a fairy mountain in myths and legends, so here Pengshan is regarded as the symbol of the other party's residence, and Jade Bird appears as the messenger of the lyric hero. This hope at the end of the messenger has not changed the painful situation of "meeting each other late", but it is a hopeless hope and the future is still slim. When the poem is over, the pain and pursuit of the lyric hero will continue.
? This poem is full of pain, disappointment, lingering and persistent feelings from beginning to end. Every couplet in the poem is a reflection of this emotional state, but the specific artistic conception of each couplet is different. They repeatedly show the complex emotions throughout the poem from different sides, and at the same time reflect the psychological process with this complex emotion as its content vertically with their close connection. This continuous, implicit and profound lyricism successfully reproduces the deep affection in my heart.
? Li Shangyin had similar descriptions in the first, third, fourth and fifth sentences of his previous poetry creation. The poet was inspired, inherited and used for reference by his predecessors. However, he did not simply imitate his predecessors, but took a big step forward with high creativity, transforming the original simple means of expression into more tortuous and vivid, so as to reflect richer and deeper thoughts and feelings. In fact, he has removed the old traces and become a new creation. It can be seen that the poet's rich literary accomplishment and exploration of artistic conception and means of expression are important conditions for the success of this poem.
Li Shangyin has no doubt. Why did you say that it was a long time ago that I met her, but it was much later that we met separately? After all, they are not free men.
It's hard to say goodbye when you can't bear to leave.
At the age of fifteen or sixteen, Li Shangyin was sent to Yuyangshan by his family to learn Taoism. In the meantime, he met and fell in love with Song Huayang, a female Taoist priest in Yuyang Mountain, but their feelings could not be known to outsiders, and there was an irresistible wave of love in the author's heart. He could only remember his own feelings and hide his own topics, thus making the poem look hazy and graceful and affectionate.
"Untitled" Li Shangyin's writing background "I have known her for a long time and left her for a long time" Jia Yi was banished to Changsha, which has always been a common theme for poets to express their misfortunes. The author found a new way, specially selected Jia Yi to recall from Changsha and announced the plot of day and night confrontation as poetry material. Biography of Qu Jia in Historical Records: Jia Sheng's opinion. Emperor Xiaowen was accepted by Li (who just held a sacrifice and was blessed by God) and sat in the propaganda room (the main hall in front of Weiyang Palace). There is a sense of ghosts and gods in the world, so ask the origin of ghosts and gods. Jia Sheng is like a Taoist priest. At midnight, Wendi Deng sat in the front seat (moving her knees close to each other on the dining table). Then he said, "I haven't seen Jia Sheng for a long time. I feel that I have gone too far. I might as well go now."
The next sentence of Li Shangyin's "Meet each other late, don't hate it later": When the east wind rises, a hundred flowers blossom.
The unnamed time was long before I met her, but it has been longer since we separated.
Li shangyin
It was a long time ago that I met her, but since we separated, the time has become longer, the east wind is blowing, and a hundred flowers are blooming.
Silkworms in spring will weave until they die, and candles will drain the wick every night.
In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song.
There are not many roads to Pengshan. Oh, Bluebird, listen! -Give me what she said! .
The writing background of Untitled by Li Shangyin (a long time before I met her, but even longer after we separated) Li Shangyin was the most outstanding poet in the late Tang Dynasty. After "Da Du Li" (Li Bai and Du Fu) in the prosperous Tang Dynasty, he and Du Mu were called "Xiao Du Li". Li Shangyin's contribution to poetry lies in his original "untitled poem". These inscriptions are beautiful, affectionate and implicit, full of symbolic and suggestive colors, which push the lyric art of Tang poetry to a new peak.
In the Tang Dynasty, people advocated and believed in Taoism. At the age of fifteen or sixteen, Li Shangyin was sent to Yuyangshan by his family to learn Taoism. In the meantime, he met and fell in love with Song Huayang, a female Taoist priest in Yuyang Mountain, but their feelings could not be known to outsiders, and there was an irresistible wave of love in the author's heart, so he could only remember his feelings with poems and hide the topic, thus making his poems both vague, graceful and affectionate. According to the examination, there are twenty poems by Li Shangyin entitled Untitled, most of which are poems describing his love. The same is true of this untitled poem, which is the most famous.
This poem is to describe the situation that the two men left each other after a brief meeting in late spring. From the first couplet, "It was long before I met her, and it was longer after we parted, and the east wind started and a hundred flowers blossomed". "East wind" means spring breeze, which means the season; Secondly, the season is pointed out by "hundred flowers", which is for the dusk of spring. In this season, two people who love each other finally come together, but they have to face separation. Meeting each other is extremely "rare", and parting is even more "difficult to give up". Generally speaking, poetry is to write scenery first, and then express feelings; However, here, the author first describes the feelings of separation, and then describes the sad scene, and even highlights the poet's sadness in a "dilemma." The word "difficult" is the poetic eye of the whole article.
Then, the author set two metaphors in the couplets: "The silkworm in spring will weave until it dies, and the candle will drain the wick every night". The appearance of the two images is extremely intimate. Spring Silkworm is a natural inheritance. Compared with silkworm spinning silk and wax shedding tears, Spring Silkworm takes the homonym of silk as thinking, while dying and ashes are compared with doing everything and starting to do things. The witty sentences are natural and convey the unforgettable and unswerving feelings of children. Pain, passion and richness have become eternal famous sentences to express unwavering love. In addition, it also contains a more universal philosophy beyond the content of poetry itself: loyalty to work or career, selfless dedication. The whole sentence is affectionate and full of true feelings, meaningful and intriguing.
Necklace couplets "See the clouds change in the morning mirror, and the evening song dares to be cold in the moon", trying to think about the loneliness after their separation. When dressing in the mirror in the morning, I worry that my hair will turn white because of the suffering of missing; When I whisper to the moon at night, I'm afraid I can't express my thoughts and feel the cold of the moonlight. For the "mirror", it is self-pity; For "month", it is a shadow sheet; Coupled with a "dawn" and a "night" time point, I wrote down all my yearning feelings, so that the image of lovers who were restless because of lovesickness came to the fore.
At the end of the couplet, it reads: "There are no multiple roads from Pengshan to Bluebird. Listen! -bring me what she said! " Is dreamy and mysterious. "Pengshan" originally refers to Penglai, the legendary fairy mountain on the sea. It is very appropriate to mention the lover's residence-the view of the mountain god capital of Yuyang Mountain. "Bluebird" is a mythical bird, which acts as the messenger of the Queen Mother. At that time, the poet was in the Shandong Mountain in Yuyang. Although he and his lover are on the same mountain, the distance is not far, but because their love can't be seen in society, they will encounter various twists and turns and obstacles. The sentence "there are no multiple roads" can be interpreted as "there is no long road" or "there is no other road", but no matter which explanation, the poet can only hope on "Jade Bird" to get information, which shows how difficult it is for them to meet! This counterattack "meeting each other late" further highlights the "difficulty in parting" and makes the whole poem full and seamless.
What is the content of Untitled (a long time before I met her, but longer after we separated) written by Li Shangyin? Untitled
Author: Li Shangyin Age: Tang Style: Seven Laws Category: Boudoir Love
It was a long time ago that I met her, but since we separated, the time has become longer, the east wind is blowing, and a hundred flowers are blooming.
Silkworms in spring will weave until they die, and candles will drain the wick every night.
In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song.
There are not many roads to Pengshan. Oh, Bluebird, listen! -Give me what she said! .
Precautions:
1. Untitled: Since the Tang Dynasty, some poets have often used "."when they are unwilling to mark topics that can express their themes.
Untitled is the title of a poem.
2. exhaustion of silk: silk is homophonic with "thinking", and "exhaustion of silk" means missing only after death.
It will be over.
3. Tears begin to dry: Tears refer to candle oil when burning, and pun here refers to the tears of lovesickness.
4. Xiao Jing: Dress up and look in the mirror in the morning; Yunbin: A woman's beautiful hair is a symbol of her youth.
5. Pengshan: Penglai Mountain, the legendary fairy mountain on the sea, is a metaphor for the place where mourners live.
6. Bluebird: a mythical messenger to the Queen Mother of the West.
Appreciation: This is the most famous love poem among many poems titled "Untitled". The whole song
The content of the poem revolves around the first sentence, especially the word "don't be embarrassed". Dongfeng has finished its season, but
It is also a metaphor for people's lovesickness. Because of lingering feelings, people, like the withered spring flowers in late spring, are gone forever.
Anger. Three or four sentences are a portrayal of mutual loyalty and vows of eternal love. Five or six sentences describe two human factors respectively.
Can't meet and melancholy, resentment, feel cold or even decline. The only thing we can hope for is seven or eight ounces.
Imagine in the sentence: May the bluebird spread acacia frequently.
Untitled was written long before I met her. Was it Du Mu's or Li Shangyin's after we broke up? Untitled Time flies is a love poem by Li Shangyin, a poet in the Tang Dynasty, whose theme is the separation of men and women. Taking the word "don't" in the sentence as the full text, this paper describes the pain of a pair of lovers' parting and their yearning after parting, and expresses their sincere lovesickness. But it also reveals the poet's political frustration and spiritual boredom, full of sadness, and expresses his great love and deep yearning for his lover through myths and legends. This poem incorporates the poet's personal life feelings.
The whole poem revolves around the first sentence, especially the words "Don't be embarrassed". Three or four sentences are a portrayal of mutual loyalty and vows of eternal love. The fifth and sixth sentences respectively describe the feelings of depression, resentment, indifference and even decline caused by not meeting each other. The only thing we can hope for is the idea in those seven or eight sentences: I hope the bluebird can spread acacia frequently.
The unnamed time was long before I met her, but it has been longer since we separated.
? Li shangyin
It was a long time ago that I met her, but since we separated, the time has become longer, the east wind is blowing, and a hundred flowers are blooming.
Silkworms in spring will weave until they die, and candles will drain the wick every night.
In the morning, she saw her hair cloud changing in the mirror, but she bravely faced the cold of the moonlight with her evening song.
There are not many roads to Pengshan. Oh, Bluebird, listen! -Give me what she said! .