Lin Ji
Tianzhu is back in autumn, attracting green forests.
I've heard of japs several times, but I don't remember Yin Shan.
Feng Xiaoyun's clothes are shabby, and the cold stone in the stream is black.
All victories are similar, and so is dugu disease.
"Wen Yue monk Jiao Ling visited Tianzhu Mountain, so he sent it" is a reward when Lin Hejing lived in seclusion and heard that Jiao Ling came to visit Tianzhu Mountain. Jiao Ling, a monk from Yuezhou, now lives in Shaoxing, also known as Yin Shan. In He Jing's poems, Jiao Ling's name appears very frequently. Such as sending Mr. Jiao to Yue, giving books to Mr. Yue, giving Mr. Yue tea, and returning Mr. Wen's confidence in Yue with poetry. It can be seen that the friendship between them is deep.
The whole poem consists of four parts, which are natural and sincere. The scenery is the best scenery in autumn, and love is the regret of hating illness and negative friends.
The first couplet is about the scenery, and it is about the re-entry of autumn scenery in Tianzhu Mountain, and the Tianzhu Temple is hidden in the green forest in the mountains. "Zhao Ti", a Buddhist term, is translated into Sifang. The monks in Sifang are called Zhao Ti monks, and their offerings are from Zhao Ti monks. The residence of the monks in Sifang is called Zhao Ti Monk's Square. Founded by Wei and nominated by Zhao, this is the alias of the temple. At the beginning of the poem, Tianzhu Mountain in autumn and the upper, middle and lower Tianzhu temples separated by verdant forests are presented to readers with panoramic landscapes, giving them an overall understanding.
Turn your face from scenery to emotion. After the Mid-Autumn Festival every year, Tianzhu Temple often keeps the wonders of Jiao Ling in the middle of the month, and encourages friends to swim with peace of mind, so they don't have to stay in Yin Shan's former residence. The story of "Wen Guizi" is recorded in legends and poems. For example, in the Tang Dynasty, Bai Juyi's poem "Tianzhu Lingyin Temple" notes that "Tianzhu tastes the moon and falls in Guangxi" is an example. This connection is filled with a feeling of loving friends between the lines.
Necklace couplets depict the autumn morning light of Tianzhu Mountain with beautiful scenery. The colorful clouds at dawn are pierced by towering peaks, and the scenery is magnificent and gorgeous; The cold mountain stream dyed the rocks in the water deeply, and the scenery was so quiet and beautiful. The first couplet has the word "Gang" and the second couplet has the word "Qing". It goes without saying that you don't spit fast. Send it with the scenery of "Gang" and "Qing", and you will feel the ambition of "Gang" and "Qing". Appreciate each other and relax. It's all in the text.
Because of the change of scenery, William imagined that Jiao Ling would see many scenic wonders during the process of inviting monks to visit, so she felt that she was ill in a lonely mountain and it was difficult to travel, which really failed her original intention of finding a good place with her friends. "Romon", pulling vines and grass up, also extended to visit hermits. Tang Song Wenzhi wrote in his poem Looking Down at the Light: "When you climb the tower, you will find spring in the distance. Frost and sparse flowers are more hair, and the ice lantern leaves are not withered. " The word "Luomeng" means seclusion in Chinese. "Victory" means scenery. At this point, the poem ended with infinite regret.
The whole poem is full of scenery, which is complicated and has scenery in the middle. Scenes and feelings are innate, and thoughts and conditions are combined. Wang Changling's poem said: "Poetry has three realms: one is the realm of things. If you want to write a landscape poem, Zhang Quan's scenery in Shi Yunfeng is beautiful, with immortals in his heart and immortals in the environment. They put the environment in their hearts, put it in their palms, and then use their thoughts to understand the image of the environment, so it is similar. Second, the situation. The troubles and grievances of the entertainment circle are all in the body, and then think about it and get your own feelings. Third, artistic conception. Think about it in your heart and you will get it. " The situation and artistic conception of Jiao Ran pushing from his destination to a distant place is the secret of the aesthetic feeling of China's classical poems. He Jingfu's poem "I don't know why it's so bleak and distant" belongs to the third realm. His own poem talks about a middle point: "Poetry is sincere and indifferent, and Zen is high and sparse." Poetry is weak, because he is honest and does not deliberately write poetry; The rare Zen language is rooted in his ambition of becoming a monk without seeking form. He didn't want to be famous for his articles all his life, so his poems were not preserved, preserved, edited or engraved. It is difficult to chronicle and annotate the poems of He Jing collected by later generations, so he had to classify them according to the number of words and sentences. His poem "Living in Seclusion on the Lake" wrote: "When a lake enters a hedge mountain for seclusion, it should go against the world. The idle door was covered with moss, and when the visitor arrived, Bai Niao flew. Selling medicine is more valuable than tasting medicine, and gardening will eventually love inorganic. " This "anti-world" and "love inorganic" is one of the reasons for the formation of his article style. "Inorganic" means that there is no intention to climb for results. Harmony and tranquility are poems, so don't "never stop talking", don't ask "the depth of thrush is out of place", don't say "an article is a great cause of classics and an immortal event", and don't engage in the mystery of "every word goes into Zen" and "subtle words".
Therefore, when reading He Jingfu's poems, there is an obvious feeling that the language is "casual" and the genre is "monotonous". He is used to using five or seven words, and seldom uses ancient customs. However, his "randomness" is not that he does not pay attention to tempering, but that he is indifferent and clear, and the monotony of genre does not limit his ability to change when using it. When commenting on his poems, there is always a reference to the phrase "the thin shadow is shallow and the moon is fragrant" in plum blossom poems. It is said that Wang Juqing, Sun Juyuan and Su Zizhan met in Yangzhou to talk about poetry. Wang Juqing thinks that we can chant apricots and peaches and plums with "thin shadow" and "faint fragrance". Su Zizhan said, "Yes, but I'm afraid peaches, apricots and plums won't listen." It can be seen that the language in Hejing's poems seems to be arbitrary, but in fact it is convenient and decent after "natural observation, integration of things and me" and it is difficult to change. Plum blossom poems are excellent works, but they cannot represent Lin Bu's major achievements. There are a large number of farewell and singing works, and in a large number of five-character poems, you can find unique words and poems everywhere. Lu You's Postscript to Lin Hejing said: "Between Xiangfu and Tianxi, literati literature is famous all over the world, Wei Zhongxian is in the suburbs of Shaanxi, and the forest is in Qiantang. Ouyang Xiu said, "When you die, the lakes and mountains are lonely and there are no healthy people". It seems that his reputation is not excessive.