The wind is fast and high, the ape cries sadly, and the birds are circling in the white sand.
The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably.
Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness.
After all the hardships and hatred, the white hair is full, and the wine glasses are damaged.
translate
It is very sad that there are birds hovering on the river with clear water and white sand.
Endless trees rustling leaves, endless Yangtze River water rolling in.
Sad to autumn, I feel that Wan Li has been wandering all the year round and has been sick all his life. Today, he is alone on the high platform.
After a lot of hardships, white hair covers the temples, and poverty hangs a cup of sorrow.
Make an appreciative comment
This is a seven-character poem, which can best represent the desolation and vastness of Du Zhong. The first two couplets are about climbing mountains to see the scenery, while the last two couplets express the feelings of climbing mountains. Choosing scenery with emotion and embedding scenery with emotion fully expresses the poet's complex feelings of wandering for many years, worrying about the country and hurting the time, and being sick and lonely. But Gao Shuang's style is majestic, generous, vigorous and high-spirited, which is unique in ancient and modern times.
This metrical poem is very special Its four rhymes are all right, and the first two sentences are self-correcting. It can be said that "every sentence has a rhythm, and every sentence has a rhythm." As far as landscape description is concerned, there are meticulous descriptions (the first part), which describe the shape, sound, color and state of six kinds of scenery, such as wind, sky, ape, island, sand and bird. Each scene has only one word description, but it is vivid, refined and vivid; There are a lot of freehand brushwork couplets, which convey the charm of autumn. The lyrics are written for a long time, and they are written about the memories of "often visiting"; There is also a blank space, writing about the "solo stage" after the trip to Wan Li. From life wandering to soul and bone wandering, finally, the difficulties of the times are attributed to the root of poverty. The use of such intricate techniques makes the poet feel depressed and tragic when he is worried about the country and the people and hurts the heart of the country. It is no wonder that Hu Yinglin's poems in the Ming Dynasty say that the whole poem is "56 words", such as coral on the sea floor, which is thin and hard to name, unfathomable, but brilliant and powerful. There has never been anyone before, but it is Du Fu's poems that say something, not Tang Poetry. However, this poem should be the first of the seven laws in ancient and modern times, not necessarily the first in the Tang Dynasty. "