This is an implicit love poem. When I have love, I understand that there is a kind of emotion in this world that can't be described in words: primitive and sad. I call for love, but love is full of twists and turns (describing the twists and turns of love), and I only keep it: persistence.
And love is like a plateau in the moonlight. The faint moonlight seems to be laughing at myself like a fool, laughing at the flashy plainness, laughing at the smoothness of the moonlight without whitewashing, and laughing at the ten thousand flying flowers just now, which has quietly passed away; I want to ask: Who is the lily that gets up gently in your moment and never changes under your light?
(You mean moonlight, the brilliance of the moon, from ancient times to the present), who has those burning and warm eyes that climbed up in your moment (eyes, here is a general term; Instantly, refers to the moonlight at the bow); Distant sadness can cross Qian Shan. Even the wind on the plateau can't blow away the persistent back (the back in the text is my back), and even the frost before morning can't melt the warmth in my heart.
You waited quietly under the moon, (you mean my love in the text) came quietly and left quietly. After you left, you also took away that tenderness.
I finally understand: I finally understand that there is an idea in the world that cannot be described in words. Rough and sad, the echo is full of twists and turns, but what is waiting is persistence, just like the plateau in the moonlight, with a faint silly smile.
Laugh that glitz has gone, the moonlight has been washed, laugh that it has quietly passed away, flying flowers. Who is the lily that quivers gently? It will never change under your brilliance. Who has those burning and warm eyes, climbing in your moment. Distant sadness, separated by thousands of waters in Qian Shan, even the wind on the plateau, can't blow away, and persist in coming back. Even if the frost before morning can't melt, my heart is warm. You stay quietly under the moon, come quietly, walk quietly, and take away that tenderness.
Appreciation of the poem Cang Yang Jia Cuo;
1. Most of Cangyang Gyatso's poems describe the love between men and women. The shyness of meeting for the first time, the joy of two of a kind, the regret of missing the good opportunity, the firmness of vows of eternal love, and the resentment of betrayal fully express the author's eager desire and sincere pursuit of love life.
2. Cangyang Jiacuo is a religious leader, but he dares to write his own practical actions, inner feelings and life ideals, breaks through the bondage of religion to human nature, boldly challenges traditional forces and shows great courage. Many of Cangyang Jiacuo's poems sum up rich philosophy of life while narrating, which is popular and profound and enlightens readers.
3. Cangyang Jiacuo's poems use the rhythm of the language itself and the characteristics of Tibetan harmonious folk songs, which makes the poems have a strong sense of rhythm and present a harmonious musical beauty, which is catchy and melodious to read. Mainly manifested in: First, the characteristics of folk songs and the cadence of voices are used to reflect the beauty of rhythm.
Cang's poems are mostly composed of four sentences, each with six syllables and neat syntax, one meal every two syllables and three meals every sentence, that is, four sentences and six tones. Together with one or three sentences that express the unfinished sound, two or four sentences that end in a descending form have a clear rhythm, ups and downs, short and powerful, and form a beautiful musical effect.
4. In Cangyang Jiacuo's poems, metaphors, puns, symbols, parallelism and other techniques are widely used to set off the atmosphere, shape a distinctive artistic image, create a distant artistic realm and achieve perfect artistic effects. Cangyang Jiacuo is a master of lyricism with images, and various images abound in his poems. In fact, the richness of images has become one of the remarkable features of Cangyang Jiacuo's poems.
5. In the era in which Cangyang Jiacuo lived, most of the literati were influenced by the style of reciting poems in Afghanistan, advocating elegance and profundity and stressing the prevalence of rhetoric, but he insisted on writing poems in popular language, making the language of love songs simple and fresh, plain and simple, natural and smooth, soft and euphemistic.