1. "Liu Yong and His Ci", monograph, 310,000 words, first published by Sun Yat-sen University Press in 1990 and reprinted in 2001. This book is the first and so far the only academic monograph in China that comprehensively, systematically and in-depth studies Liu Yong's works. It has had important repercussions in the field of Ci studies at home and abroad, and is recognized as a work on Ci studies with "constant new ideas". It has been included in the "must-read list" or "important reference books" in the doctoral programs, master's programs and "excellent ancient literature courses" of many universities in China. The author himself is recognized as a famous domestic Liu Yong research expert.
2. Monograph "Geographical Distribution of Chinese Writers in Past Dynasties", 370,000 words, Hubei Education Press, 1995 edition. As a "National Social Science Foundation Project of 1990", this book has had important repercussions in the circles of historical geography and ancient literature research since its publication, and is recognized as my country's first monograph on literary geography. The "Textbook for the 21st Century" "Chinese Historical Geography" (published by Higher Education Press) compiled by Lan Yong lists this book as an "important reference book" and quotes the views and materials of this book many times, including "Literature This section "Geographical Distribution of Homes" is adapted from the relevant content of this book. Today, the study of literary geography has become popular in the academic world, and the author himself is recognized as the "pioneer" of Chinese literary geography research.
3. "Hero Worship and Beauty Worship", monograph, 200,000 words, China Federation of Literary and Art Circles Press, 1999 edition. This book is the "1996 Guangzhou Philosophy and Social Sciences Planning Project" and is divided into two parts. The first part is "Cultural Interpretation of Popular Songs" and the second part is "North and South Folk Songs and North and South Culture". Since its publication, it has received wide acclaim. It is considered to be the first monograph in China to study contemporary pop songs from a cultural perspective, and also the first monograph to study ancient Chinese folk songs from a comparative perspective of northern and southern cultures. Some domestic universities use it as a "reference book for art appreciation courses".
4. "The Starry Sky of Ci Studies", monograph, 320,000 words. This is the first biography of a famous poet in the 20th century in China. It is called a "biographical history of Ci" by academic circles, "with rich thoughts, detailed historical materials, and clear analysis" and "at the same time, it allows readers to enjoy the pleasure of reading."
5. "Introduction to the Classics of Ancient Chinese Songs and Songs", monograph, co-written with Liu Qinghua. 350,000 words, 2009 edition by Higher Education Press. Among them, Zeng Daxing is responsible for the Tang and Song Ci poems, which is about 300,000 words. It brings together the author’s experience in teaching and studying Tang and Song Ci poems for many years. Liu Qinghua is responsible for the Yuan opera part, which is about 50,000 words.
6. "Research on Famous Ci Masters of the 20th Century", monograph, 300,000 words, Zhonghua Book Company, 2011 edition. This book is a companion volume to "The Starry Sky of Ci Studies". "The Starry Sky of Ci Studies" is a biography about the famous poets of the 20th century, and "Research on the Famous Ci Masters of the 20th Century" is a research monograph about the famous poets of the 20th century. Ci study in the 20th century is a new field of Ci study. This book examines the works of 10 Northern Ci poets such as Wang Guowei, Hu Shi, Hu Yunyi, Feng Yuanjun, Yu Pingbo, Pu Jiangqing, Gu Sui, Wu Shichang, Liu Yaomin, Miao Yue, and Zhu Zumou, etc. An in-depth, systematic and creative study of the ideas, research methods, etc. of 10 famous Southern Ci poets, including Kuang Zhouyi, Zheng Wenzhuo, Xia Jingguan, Long Yusheng, Tang Guizhang, Xia Chengtao, Chen Xun, Liu Yongji, and Zhan Antai, was conducted for the first time. He proposed the concepts of "Southern Ci Studies" and "Northern Ci Studies", which received good response in the academic world and was considered to have filled a gap in the field of Ci Studies.
7. "Research on Literary Geography", monograph, March 2012 edition of The Commercial Press. This book is China's first academic work named "Literary Geography" and is a summary of the author's years of research on literary geography. The whole book consists of three parts, thirteen chapters and four appendices. The five chapters of the first part are "Macro Research", which explores the history and current situation, objects and tasks, significance and goals of literary geography research, as well as the discipline of literary geography. Positioning and main theoretical issues, the geographical distribution of writers, the relationship between literature and climate, and the definition, type and value of literary landscapes; the fourth chapter of the middle part is "Comparison of Folk Songs in the Two River Basins", comparing the Yellow River and Yangtze River Basins The differences in cultural connotation and aesthetic characteristics of ancient folk songs belong to the regional study of literature. The next four chapters are "Literary Geography of Lingnan", which explores the climate and literature of Lingnan, the geographical distribution and background of literary writers in Guangdong, the geographical distribution and regional characteristics of Guangdong's literary landscape, and the significance and basic concept of establishing the Guangzhou Literature Museum. It uses the basic theories and methods of literary geography to study regional literary geography. Appendix 1 discusses Mei Xinlin’s research on literary geography; Appendix 2 discusses the theory of ancient ballads; Appendix 3 defends Guangdong culture; Appendix 4 provides a statistical table of the geographical distribution of Guangdong writers in the past dynasties. Since its publication, this book has had an important response in the academic community and readers. It is considered to be another masterpiece of literary geography research by the author after "The Geographic Distribution of Chinese Literary Writers in the Past Dynasties".
8. "Twelve Lectures on Tang Poetry", handout, Sun Yat-sen University Press, July 2012 edition. In September 2011, "Super Star Academic Video" decided to film the "Poetry of the Tang Dynasty" course that the author taught for undergraduates in the Chinese Department of the university. This book is a handout written for this filming work. It can also be said that A summary of the author's lectures on Tang poetry in the Chinese Department of the university since 1985.
9, "Eighteen Lectures on Tang and Song Ci", handout, Sun Yat-sen University Press, July 2012 edition. In February 2012, "Super Star Academic Video" decided to film the "Tang and Song Ci" course that the author taught for undergraduates in the Chinese Department of the university. This book is a handout written for this filming work, and it can also be said that the author A summary of Tang and Song poetry taught in the Chinese Department of the University since 1985.
10, "Literary Geography" (1), editor-in-chief, People's Publishing House, 2012 edition. This book is the annual publication of the "Chinese Literary Geography Society".
11. "Research on Ancient and Modern Popular Songs", monograph, World Book Publishing Company, 2013 edition. This book studies the lyrics of pop songs from the perspective of culture and literature, and combines ancient pop songs with contemporary pop songs for investigation, aiming to improve people's understanding of contemporary pop songs. The general part examines the literary evolution of ancient and modern popular songs; Chapters 1, 2, 3, 4 and 5 examine ancient popular songs, including Liu Bang, Cao Cao, Li Bai, Bai Juyi, Li Houzhu, Liu Yong, Li Qingzhao, Xin Qiji, Lu You Pop songs created by others; Chapters 6 and 7 examine contemporary pop songs, mainly pop songs from the 1980s. The author believes that the literary level of contemporary pop song lyrics is not high, mainly because poets have not yet participated in the creation of pop song lyrics. If poets could put down their modesty, learn music, and participate in the creation of lyrics of contemporary popular songs, their literary level would be significantly improved, and there would even be an era of literary prosperity. The development history of Tang and Song lyrics (popular songs in the Tang and Song Dynasties) can prove this point.