Thin shadow
Jiangkui
Moss branches adorn jade, bluebirds are small, and branches stay together. Meet in the guest, hedge corner dusk, nothing to lean on bamboo. Zhao Jun doesn't like Hu Shayuan, but remembers Jiangnan and Jiangbei. I want to wear a ring and come back on a moonlit night to become this flower.
I still remember the old story of the palace. The man sleeps and flies near the moth green. There is nothing better than the spring breeze, no matter what it is, it has already arranged for the golden house to hide its beauty. Still teach a piece to wave, but complain, Yulong lamented. I'll look for the fragrance then, and it's already in the small window banner.
Interpretation of film words:
(1) Film: epigraph name, adjusted by Jiang Kui.
⑵ Xinhai: the second year of Song Guangzong Shaoxi (1 19 1).
(3) Carrying snow: take a boat in the snow. Yi: Here we are. Shihu: In the southwest of Suzhou, it is connected with Taihu Lake. Fan Chengda, a poet in the Southern Song Dynasty, lived in Shihu Lake in the southwest of Suzhou in his later years.
(4) Last month: I just lived for a month.
5. Give a simple sentence: Ask for poems from the paper. Jane: Paper.
[6] Sign a new voice: Ask for a new tune.
(7) Play: refers to repeated appreciation.
(8) Two prostitutes: musicians and geisha. Sixi: Learning.
⑼ Dim fragrance and thin shadow: The poem Xiao Mei in the Mountain Garden by Lin Bu, a poet in the Northern Song Dynasty, said: "The thin shadow is shallow, and the faint fragrance floats at dusk."
⑽ Moss branches adorn jade: Fan Chengda's Mei Pu said that the ancient beauty of Shaoxing and Xing Wu "moss must hang down between branches, or several inches long, and the wind comes, and the hair flutters for pleasure." Zhou Mi's Notes on Gan Chun Dwellings: "There are two kinds of plums, Zhanggong Cave in Yixing, with thick fur and extremely fragrant flowers. One is unearthed, and the moss is like green silk, which is more than a foot long. " Mossy branches, moss-covered plum branches. Decorated with jade, plum blossoms are covered with branches like beautiful jade.
⑾ There is a Jade Bird: a story with Luo Fu's dream. The old title Liu Zongyuan's "The Story of Dragon City" contained Cho Se Ung's visit to Luofu Mountain in the Sui Dynasty, and he had a meal with a woman in plain makeup at night, and the woman was fragrant. There is also a boy in green, laughing, singing and dancing. When Zhao woke up, he found himself lying under a big plum tree, where the kingfisher was singing happily. He saw that "the moon is sinking and crossing, but it is just melancholy." The Yin poem "Friends Mountain Plum Blossoms" says: "A good wind wakes Luo Fu's dream, so don't listen to the sound of the empty forest." Janice's poem "Thin Shadow" says: "Some people get drunk while thinking about Luo Fu's old hatred. "Kingfisher, Kingfisher Jin Guopu" Guest Pride ":"The husband climbs the dragon beard and caresses the jade bird's hair, but he can't escape the summer and can't cross Tianjin. He has never heard of it before. "
⑿ Currie: While away from home. Tang Morong's poem "Send Fan Qidong back to Beijing": "Guests and old friends toast, and wandering around the world hurts people." Baishi was a native of Jiangxi and lived in Suzhou at that time.
[13] Dusk: The sun has set and the sky is not dark yet. Song of Li Chu Sao: "At dusk, I changed the road and stayed in the middle of the road."
[14] "Wordless" sentence: Du Fu's "Beauty" poem: "Forget the thin silk sleeves and the cold, lean on the sunset glow and the bamboo."
⒂ Four sentences in Zhaojun: The third sentence in Du Fu's Five Poems on Historical Monuments: "She left the Purple Palace and went into the desert, and now she has become a green grave in the dusk. Her face! Can you imagine the spring wind? Huan Peikong is the soul of jathyapple. Her face! Can you imagine the spring wind? Back to the soul in the moonlight. The song of Tatar on the jade guitar tells her eternal sadness. " Wang Jian's poem "On Yongmei" says: "There are plum trees on Tianshan Road, which bloom yellow every year. Zhao didn't return to the Chinese ambassador. Who are the horses before and after the recruitment? "
⒃ "Remember" three sentences: Use Princess Shouyang. Moth, describing slender eyebrows; Green, turquoise eyebrows. The book Miscellaneous Five Elements is quoted in Taiping Yu Lan, saying: "Princess Shouyang, a female in Song Wudi, lies under the eaves of the temple containing chapters every day, and plum blossoms fall on the princess's forehead and become five flowers, which cannot be brushed away. The queen kept it for a long time, but after three days, it was washed. The ladies-in-waiting are competing, and this plum blossom makeup is also available. "
⒄ Arrange the Golden House: In The Story of Hanwu, Liu Che, Emperor Wu of the Han Dynasty, said to his aunt when he was young, "If Gillian is a wife, save it as a golden house." Yingying, with graceful manners, refers to plum blossoms here.
Elegy of Yulong ⒅: Ode to Ma Rong's flute: "Long Ming is not in the water, but the sound of cutting bamboo is similar." Yulong is the Jade Emperor. Li Bai's poem "Listening to the Yellow Crane Tower with Shilang Zhong Qin": "The Jade Emperor plays the Yellow Crane Tower, and plum blossoms fall into the river in May." Mourning refers to the flute Plum Blossom Fall. This song is ancient pop music, which makes people sad. Tang Piri's Night Party Q&A shows that listening to the song Plum Blossom Fall is "three plays are not over yet", which can be seen. Therefore, it is called "Jade Dragon Mourning Song".
⒆ (nèn): At that time. Feng Yansi's poem "Recalling Jiangnan" in the Southern Tang Dynasty: "The second time the east wind has flowers, it must be revived."
⒇ Small window banner: Cui Shu's plum blossom poem in the late Tang Dynasty: "Carve a beam and draw a building when it first opens, and worry about Yu Di blowing before it falls." Chen Shi's "Ink Plum": "Painting a window with oblique branches is absolutely better than a snowy night in a thousand villages." This explains its meaning.
Film translation:
The branches of the moss plum are dotted with plum blossoms, glittering and translucent as jade. Two little kingfishers live among the plum blossoms. When I was traveling in a foreign country, I saw her beautiful image, like the sunset slanting on the fence in the dusk, a beautiful woman leaning against a slender bamboo. Just as Wang Zhaojun married the Huns and was not used to the desert in the north, history secretly missed his homeland in the north and south of the Yangtze River. I think she came back in the moonlit night wearing a tinkling iron ring and turned into the ghost of plum blossom, ethereal and lonely.
I still remember the old story in Shouyang Palace. In princess Shouyang's spring dream, a plum blossom is flying down her brow. Don't be like a ruthless spring breeze, no matter how beautiful and fragrant plum blossoms are, they will still blow her away. We should arrange a golden house for her early so that she can have a good home. But it was just a waste of thought, and she drifted away with the waves one by one. Then Ruthenium Yu Di will play sad music. At that time, I wanted to look for the fragrance of plum again. What I saw was a plum blossom, independent and fragrant.
Film creation background:
This poem was written in the second year of Zong (1 19 1). In the winter of the same year as the poet's "Long Pavilion Full of Complaints", Jiang Kui went to Shihu to visit Fan Chengda in the snow. He lived in Shihu for more than a month, and recited Dimfragrance and Thin Shadow, in which he deeply worried about his country and entrusted his personal life with misfortune.
Movie appreciation:
The word "thin shadow" focuses on the beautiful and aloof image of plum blossom and expresses the author's love for youth and beautiful things.
The last one is about plum blossom with both form and spirit. "Moss branches are decorated with jade, and there are small bluebirds, and the branches stay together." At the beginning, a colorful, elegant and beautiful "amphibious map" is presented to the readers. It depicts an ancient plum tree, full of crystal clear plum blossoms, staying with emerald birds. The color of moss branches is similar to that of jadeite birds, and they are all full of vitality "green", which is dotted with jewel-like plum blossoms, which is even more radiant. There is not a word Mei between the lines, but the image of Mei is embossed.
Then the second picture is introduced, which is "Meet at the guest, at the hedge corner at dusk, leaning against the bamboo and saying nothing", which is completely a way to write plum. Plum blossom is a beautiful illusion. Meeting in a "guest room" and a "hedge corner dusk" is a typical environment, which highlights the lonely atmosphere. In such a lonely atmosphere, "beauty" and "self-cultivation". The expression of "silence" and the action of "independence" highlight the image of this lonely and beautiful woman; On the other hand, it also reflects the poet's loneliness of missing his lover in The Guest.
Under the control of this sense of loneliness, the poet must be as lonely and miserable as himself when he thinks of each other. In the next sentence, I will express this feeling through Zhao Jun leaving the fortress and marrying Fanbang. In this typical language environment, seemingly ordinary words such as "unaccustomed" and "secret memory" convey unusually deep feelings. "I want to wear a ring, come back on a moonlit night, and turn it into a solitary flower", which clearly shows the artistic conception of the dreamland of flowers. Putting back a "moonlit night" will highlight the temperament of "solitude". Moonlight and dusk, flowers and jade, loneliness and wordless self-reliance, writing and fine lines, clear emotional context. The word "loneliness" always embodies the essence of the last film and becomes the keynote of the whole word. The last few words of the last film are key words, which write the soul of plum blossom.
The next film, with a new head, shows that plum blossom not only has a beautiful appearance and soul, but also has a beautiful behavior-beautifying and dressing up women. At the beginning of the film, "Remembering the Past in the Deep Palace" echoes the previous film "Remembering the North and the South". This is because the poet always thinks of the beautiful past when he imagines that his sweetheart is lonely in the distance. "People are sleeping soundly and flying close to the moth green" is a story called "Plum Blossom Makeup", which means that the beauty of the past is unforgettable. This wonderful time is very worth cherishing. Don't be like the ruthless east wind, "No matter Yingying, arrange the golden house early." But in the end, the past is empty, and now there are only good memories left. This is just like the plum blossom was finally blown down by the east wind and "floated", so we can't help but dislike the "Jade Dragon Mourning Song".
"But this is a sad song about Yulong" can be regarded as an evocative song for Meihua. This is a musical affirmation of the importance of caring for plum blossoms. Moreover, the "Jade Dragon" here echoes the "Plum Edge Plumbing" in the last article. With the approach of shooting, the author tried his best to make the ending of Thin Shadow echo the beginning of Dimfragrance, obviously in order to form a trend of continuity, so as to make the "comic book" he created structurally complete.
"When you come to find Xiang again, you have already entered the small window banner." It also deepened the theme from the perspective of painting. The "small window banner" in the last sentence of Thin Shadow should echo the "old moonlight" in the first sentence of Dimfragrance, so the "small window banner" can be interpreted as both a painting and a plum shadow. The bamboo shadow and plum shadow reflected by moonlight and sunlight on the paper window are also a kind of "natural picture scroll", which is very beautiful. The image, characters, soul and experience of Plum Blossom in a Thin Shadow entrust the author with a sigh about his lost life experience, and show the idea of caring for beautiful things in time.
The brushwork of this word is very strange, with five allusions in succession, and five female characters as metaphors to set off plum blossoms, which makes plum blossoms personalized and personalized, which is higher than the general brushwork of "judging the spirit by appearance".
The first allusion of this word is used in the sentence "Moss branches compose jade". It tells the story of Cho Se Ung who met a fairy in Luofu Mountain in the Sui Dynasty, which can be found in The Record of Aliens quoted by Yao Zeng's Lei Shuo. The author uses this allusion skillfully, and simply points out it with "Cuiqin". Only when readers know the allusions used can they know that "moss with branches adorning jade" can also describe the wind-induced modality of goddess Luo Fu, and "staying on the branches together" is also the fairy adventure of Zhao Xu Shixiong. Jiang Kui loves to use this code. There is a cloud in his "Ximeiling": "Looking for Yingying at the foot of the lonely mountain, the bluebirds sing all spring." This allusion makes the plum blossom and the goddess of love merge into one, like flowers instead of flowers, like people, and adds a layer of mystery to elegance and comeliness.
The three sentences of "being apart" changed from "being together" to loneliness, which led to the second allusion-the beauty written by the poet Du Fu. Du Fu's poem "Beauty" begins with a cloud: "Who is cuter than her? However, she lives alone in an empty valley. She forgot the thin silk sleeves and the cold, leaned on a tall bamboo and bathed in the sunset. " This beautiful woman is the poet's ideal artistic image. Jiang Kui is used as a metaphor for plum blossom to show her noble character, and she would rather admire herself than go along with it. In the poem "Mo Shan Xi" written by Cao Zuyongmei, a poet in the Northern Song Dynasty, there is a sentence of "There is a slanting branch outside the bamboo, and the cold light shines in the sunset", which also uses the allusions in Su Shi and Du Fu's poems. The use of allusions in poetry must be reorganized and carefully arranged by the author. Before introducing the artistic image of beauty, Jiang Kui wrote a sentence "Meet in the Guest", which made his works have a feeling of falling in the dust, and also wrote a sentence "The pink corner is faint", which is a very suitable environmental background for plum blossoms, revealing a little cold and withered sigh, showing the noble character of plum blossoms.
Wang Zhaojun's allusions are used in the epilogue from Zhaojun to the first part, and the author's conception is mainly based on Du Fu's Mourning Poems. Jiang Kui imagined the sentence of "going to Zitai", emphasizing that Zhaojun "has a crush on Jiangnan and Jiangbei" and concretizing her resentment with homesickness: the sentence of "returning to heaven" was also played out, saying that Zhaojun's moonlit night turned into a solitary flower and plum. Finding a home for Zhaojun's soul is a comfort to those who sympathize with her suffering. At the same time, giving her sad life experience to Meihua adds a distinct charm to the image of Meihua.
The first three sentences are the allusions of Princess Shouyang. The sentence "recalling the past in the palace" is a combination of two allusions. Wang Zhaojun has been in the palace for a long time, but he is unlucky and resentful. He asked to leave and marry the Huns far away, which is also the past of the deep palace. When the word "recalling the past" changed, the story of "plum blossom makeup" came. The man is sleeping, near the moth green ",which describes the innocence of the princess and the lightness of plum blossoms falling with the wind." This allusion brings a lively and relaxed mood and makes the atmosphere of the whole word a little better.
The last allusion is the story of Emperor Wu of the Han Dynasty. The phrase "nothing is like spring breeze" has aroused the feeling of cherishing flowers through the fall of plum blossoms, and then it is linked with measures to protect flowers. This echoes other sentences such as "Zhaojun" in the last part and is the theme of the whole word. "Nothing is like the spring breeze, regardless of Yingying" is an ardent call, and "arranging the golden house as soon as possible" is an ardent hope. But in the end, "teach a piece to go with the flow". When the flower falls into the water, only the heart that cherishes the flower has no power to protect it, and the plum blossom finally withers again.
Five allusions and five women, including historical figures, legends and myths, and literary images; Their status is different. They are gods, ghosts, rich, cold, spoiled and frustrated. There are complex and simple descriptions, key points and reflections, and the connection and transformation between them is closer and more appropriate.
The lyrics of Dimfragrance and Thin Shadow by Jiang Kui are really "independent innovation". Its novelty lies in that it completely breaks the traditional writing method of predecessors, and it is no longer a single-line and flat description, but absorbs the theology of things and creates a multi-line, multi-level and three-dimensional artistic realm and a spiritual and personalized artistic image. The author mobilized a lot of materials and used a lot of allusions, including true and false, metaphors and symbols, and criss-crossing descriptions; Support a wide range of time and space, so that the past and present, here and there can be inserted and jumped flexibly; With chanting things as the clue, lyricism as the core, scenery, narration and reasoning interweave, rendering and describing with color, sound and dynamics, and turning virtual into real with more words. In this way, Jiang Kui made the most wonderful vivid portrayal of plum blossoms.
Personal data:
Jiang Kui (Kuí) (1154-1221) was born in Poyang, Raozhou (now Poyang County, Jiangxi Province). Writers and musicians in the Southern Song Dynasty. He is a poor boy, who has tried many times. He has never been an official all his life, and he has been wandering the rivers and lakes all his life, helping his friends by selling words for a living. He is versatile, proficient in temperament, able to compose his own music, and clear pronunciation and mellow voice. His works are famous for their ethereal subtlety. Jiang Kui is good at poetry, prose, calligraphy and music, and is another rare artistic all-rounder after Su Shi. Jiang Kui's ci has a wide range of themes, such as feeling of time, lyricism, chanting things, love, writing scenery, remembering trips, arranging festivals, making friends and giving gifts. In his poems, he expressed that although he was in the Jianghu, he never forgot the feelings of the monarch and the minister and the thoughts of harming the heavens and the earth, described his wandering life, and expressed his depressed mood of being unworthy of the world and frustrated in love, as well as his transcendent and refined character like a lonely cloud and wild crane. Jiang Kui lived in the West Lake at night and was buried in Ximacheng. Many books have been handed down, including Poems of Taoist White Stone, Songs of Taoist White Stone, Continued Book Score and Jiang Tieping.