Introduction to China's misty poems

Obscure poetry rose in the late 1970s and early 1980s, and it is a new artistic trend of thought of poetry with the overall recovery of literature, represented by Shu Ting, Bei Dao, Gu Cheng, He Jiang, Shi Zhi and Munk. Obscure poetry takes the inner spiritual world as the main object of expression, and uses the artistic strategies and methods of overall image symbol and gradual intention concealment, thus making the poetry text between expressive meaning and implicit meaning, showing the characteristics of vague poetry context, poetic ambiguity, rich meaning and diversified theme interpretation.

The so-called misty poetry takes the inner spiritual world as the main object of expression, and uses the artistic strategies and methods of overall image symbol and intentional gradual change to cover up feelings, thus making the poetry text between ideographic and implicit, showing the characteristics of vague poetic context and ambiguous theme.

The characteristics of misty poetry can be summarized as: imagery, symbolism and three-dimensional.

1。 Paying attention to the concept omission and theme suggestion of poetry makes the theme of obscure poetry vague and ambiguous. The hazy poet adopts this kind of looming expression, and the artistic means such as symbol, image, synaesthesia, suggestion, metaphor and deformation are used, which makes the theme of his works reflect the ambiguity of "inseparable and elusive" and the ambiguity of "poetry is meaningless"

2。 Paying attention to the artistic creation method centered on symbol is contrary to the traditional poetic creation method centered on metaphor. In meditation, the poet dismantled the observed object, delivered his life to the inanimate creature, endowed him with a still life and soul, and entered the realm of the same thing from two things. Applying this "empathy theory" to literary and artistic creation has produced symbolic techniques. Symbolizing attachment, pinning the wandering imagination of hazy poets, has irreplaceable meaning, and is often used to express multi-level themes, complex feelings and abstract consciousness and feelings.

3。 Pay attention to the three-dimensional combination of image and image, and often adopt artistic synaesthesia (empathy) and artistic deformation.

4。 They pay attention to the emotional rhythm of jumping and the internal structure and rhythm of liberalization, with the purpose of expressing emotions and venting their hearts, so they don't pay attention to the external structure. It is not limited to the external sound cycle as the rhythmic beauty of poetry, but attaches importance to the internal sound beauty and other internal rhythmic beauty in poetry lines. Pay special attention to the combination of external rhythm and internal rhythm, so as to make the rhythmic beauty of poetry reach an unprecedented level.