A series of activities of "Liu Zhongyang's Poetic Works Seminar" jointly sponsored by China New Literature Society and Hubei Federation of Literary and Art Circles were held in Beijing from 20 14 to 12 to 15. Tu An, a famous poet and translator, famous scholars and critics, Yang Kuanghan and Wu Sijing, as well as dozens of critics and poets from Chen Ding, including Jia, Xia, Qi, Yang Zhixue, Beita, Gao Chang, Gao Wei, Zhuang, Xiong and so on, attended the seminar.
Mr. Tu An, a famous poet and translator, thinks that Liu Chongyang's poetry works are innovative, pure in language and full of classical meaning. He said, "Innovation is very important. Without innovation, the life of poetry will shrink. " Qi You, poet and secretary-general of China Poetry Organizing Committee, said: "I have carefully read Liu Zhongyang's Lingnan Song, which is a classic text. Local poets in Guangdong rarely write about Guangdong, and those who write about Guangdong are all from other places. " Song of Lingnan describes a wanderer who lives in Lingnan and is infected by Lingnan culture. Liu Zhongyang is sincere. He completely exposed himself to us and conveyed his true nature. In the latest "Crying the Yangtze River", Liu Zhongyang began to diversify his writing style, which is quite different from the expression of Lingnan Song Dynasty. "
Yang Zhixue, a poetry critic and director of the editorial department of Poetry magazine, said: "Liu Zhongyang is a cultural scholar, but he has a poetic heart. His poems are full of lofty sentiments and diverse genres. He writes both ancient poems and modern poems. Many of his old-style poems are well written, such as "White Clouds" and "Seeking Dreams", which read smoothly and well.
Tan Wuchang, a poetry critic and director of the Center for Contemporary Poetry Research of Beijing Normal University, said: "So many critics have come to discuss Liu Zhongyang's poems, which is an affirmation of his poetry creation. Liu Zhongyang's ancient poetry is full of modern spirit, and he insists on localized writing. His poems are permeated with the wild spirit of Chu culture and are the inheritors of contemporary Chu culture. For example, there is a dialogue with Qu Yuan in Songs of the South and Sacred River. He brought the China experience of Chu culture to life, which is worthy of recognition. I always believe that when a poet reaches a high level, what matters is no longer his poetic skills, but his personality. I think Liu Zhongyu has a big mind, a big weather and a big pattern. "
Wu Zilin, a critic and editor of Literary Criticism, thinks that Liu Zhongyang wrote "great poems". "This' great poem' can't be written by ordinary people. Only people with distinctive personalities can write it. You can't write without that kind of mind and talent. Liu Zhongyu's poems inspired me a lot. When writing poetry, you must cultivate your internal strength and learn. " North china university of technology Feng Lei, a poetry critic, also said that Liu Zhongyang's poems are excellent, which makes people feel that "I will fail if it doesn't last long". Modern poetry emphasizes personalized writing and personal spiritual writing, but we live in the same earth and China, and we experience many same things every day. Individualized writing will lead to the same works. Liu Zhongyang's writing about the Yangtze River and Lingnan is just right and refreshing.
Zheng, a young scholar, said: "The experts and scholars present here spoke highly of Liu Zhongyang's poems. In recent years, modern poetry tends to decline. And classical poetry tends to flourish more and more, except for a landmark event and a landmark figure. At this time, Liu Zhongyang stood up and shouted for ancient poetry and modern poetry, trying to make his own contribution to the revival of ancient poetry. I think, judging from the text of Liu Zhongyang's poem, it is really good. Recently, I wrote him an article "Eight Realms of Liu Zhongyang's Poetry", from worrying about the country and the people to worrying about the country and the people, ups and downs, especially criticizing the world. For example, Liu Chongyang's Crying for the Yangtze River criticized the environmental pollution and the decline of civilization in the Yangtze River. Liu Zhongyang's autonomy is very important. He can innovate in poetry because he is autonomous. Liu Zhongyang's autonomous world did not enter Nietzsche's arrogant superman, but entered the realm of the free world. Freedom is not messing around, but based on rationality. "
Professor Jia Zhuang, a poet and critic of Huaqiao University, said: "Liu Zhongyang came all the way from his hometown and wrote many great poems." His works are like a song, showing a strong personal temperament. His poems are cultural epics, which I call' new poetry and new prose style'. I commented on him before, saying that his poems have' three spirits', coquetry, self-confidence and spirit. We watched the recent "Sheng Mei Da Jiang" and "Crying the Yangtze River", and he is changing his form again. Liu's poetry has a strong humanistic flavor and "street flavor". For example, Shengmeidajiang is grateful to 700,000 immigrants. Contact "Crying the Yangtze River" again, and his "Pursuit of the Great River" should be both crying and beautiful. His pursuit of sacred beauty is not only gratitude for mountains and rivers, but also gratitude for beauty and life. Liu Zhongyang is not only a romantic poet, but also a historical poet. His works have personal pursuits and public pursuits, and find a balance between individuality and publicity. "
Chen Dingjia, a critic and researcher at the Institute of Literature, China Academy of Social Sciences, read a blog post he wrote to Liu Zhongyang at the end of 20 12: "Liu Jun's new work" Sound and Beauty "turned out to be a Guo Xiaochuan-style" modern metrical poem ". In my impression, Liu Jun seems to write only ancient poems of Li Bai and Du Fu. I didn't expect his new poems to be as bold and magnificent as his ancient poems, still enjoying the arrangement and lofty sentiments! The first reading is like a waterfall entering a stream, and the fine products quench their thirst like water. May the poet Liu Zhongyang write more and more amazing works on the 20th12nd of the first year of poetry. "
Professor Xia of Renmin University of China said: "Liu Zhongyang's poems are about Chu people, and Lao Tzu's philosophy grew up in Chu. Liu Shi combined different landscapes and formed his own "water cube". His attention to water quality makes his poems flow very carefully. Holdrin of Germany also wrote about many rivers in Germany, where the water is in harmony with the fire in ancient Greece. The characteristics of water in Liu Zhongyu's poems deserve attention. "
The poet, critic and translator Beta thinks Liu Zhongyang's Crying for the Yangtze River is very critical. He said: "Liu Zhongyang is a madman, but he is very measured and modest." Reading Liu Zhongyang's works, I have been thinking about two problems: one is how to use classical resources, and the other is why new poetry has lost its musicality. Liu Zhongyang has great poetic ambition and writing ambition. It is precisely because of his lofty aspirations that he pays attention to major themes and chapters in his poetry creation. Some people think that Liu Zhongyang's poetic style is a' new style', and I think it can also be said to be a' new style'. His works use a lot of contemporary elements, and at the same time, they are very elaborate and pay great attention to the refinement and refinement of words and expressions. "
Yang Kuanghan, a famous critic and researcher at the Institute of Literature of China Academy of Social Sciences, said: "Liu Zhongyang's poems convey exciting things. In other words, we should adhere to the local position, break through the fault, restore history and coexist in multiple ways. Some poets are porters of western poetry. I think China's poetry should pay more attention to the native land and the tradition of China's poetry. I think there is no difference between old and new poetry, and there is no difference between long and short poetry. Mainly depends on the quality and artistic thickness of poetry. Liu Zhongyu's poems are the first of its kind in ancient and modern times. His poems show us that our ancestors are not far away from us. "
Yang Kuanghan further analyzed: "Liu Zhongyang's creation is not a model, he is exploring, and there are various genres of novels and short stories. We must encourage exploration! Liu Zhongyang's poems also tell us to return to nature, soul, classicism and aesthetic feeling.
Yang Kuanghan emphasized: "Returning to classicism does not mean following the trend, but absorbing valuable things from ancient poetry. Liu Zhongyang's works also enlighten us that every poet should have his own style and form a school of poetry. The problem with our contemporary literature is that we have not formed a genre in the past 60 years, which shows that the policy of "letting a hundred schools of thought contend and a hundred flowers blossom" is nominal. I found that Liu Zhongyang and some friends around him have a tendency to form a poetic school. Therefore, I expect Liu Zhongyang and his friends to innovate independently. We are happy with Liu Shi's achievements and hope that he will lead his friends to make greater contributions. "