The rhyming features of Qin stone carvings are: three rhymes.
The most striking feature of Reese's prose is to lay out details and compare them.
Lu's Spring and Autumn Annals:
First, it was compiled by Qin Xiang Lv Wei;
This book has always been regarded as an essay;
The greatest literary achievement of this book is the creation of colorful fables.
Lu's Spring and Autumn Annals:
Written before Qin unified China; Organized by Lv Buwei and collectively compiled by its customers; Taoism, Confucianism, Buddhism, and Yin-Yang school are the main ideological components. The greatest literary achievement is the creation of colorful fables.
The characteristics of Lu's Spring and Autumn Annals are: plain and smooth, not gorgeous.
Lu's Spring and Autumn Annals has always been regarded as a miscellaneous work.
The article "Cha Jin" in Lu's Spring and Autumn Annals is inferred from several fables one by one. They are: watch at night; Carve a boat for a sword; Take a baby into the river.
Judging from the original intention of Lu Chunqiu Chajin, the story of "carving a boat for a sword" is to express the idea of adapting to local conditions.
Judging from the original meaning of Lu's Spring and Autumn Cha Jin, the story of "following the watch and traveling at night" expresses the idea of adapting to the times.
Lu's "Spring and Autumn Annals" and "Ancient Music" recorded that primitive people imitated animal movements, singing and dancing: three people fucked oxtails and stepped on songs.
F. Historical records:
The style of historical records initiated by Historical Records (Sima Qian) is biographical.
Among the five ways of writing Historical Records, the way of writing "Benji" is to record the rise and fall of emperors in past dynasties.
Among the five ways of writing Historical Records, the way of writing "aristocratic family" is to record the rise and fall of princes and princes.
Among the five writing methods of Historical Records, "Biography" mainly describes special people or groups in ancient and modern times.
At the core of Historical Records, the highest literary achievements are: biography, aristocratic family and biographies.
Among several styles adopted in Historical Records, one as the program of the whole book is: Biography.
The method of "knowing each other" used in the description of characters in Historical Records refers to writing the deeds of the same character in this biography and other biographies as needed.
The psychological expressions of the characters in Historical Records are as follows: a. Through the monologues of the characters, b. In other people's languages; C. the author directs.
The artistic techniques of engraving and hiding characters commonly used in Historical Records are as follows:
A. write alone to reveal the character; B. express the character through words and deeds;
C. highlight the character with vivid details; D. compare the characteristics of the characters;
E. show the character's temperament in a specific environment.
Xin, the son of Wei in Biography of Historical Records, is a typical corporal.
The transformation of the style of Historical Records by Hanshu includes: a. Renaming the book in Historical Records to "Zhi". B. Cancel the "aristocratic family" in Historical Records and merge it into Biography.
Historical Records and Hanshu: Both reflect the history of the Han Dynasty.
It is pointed out that most of the stone carvings in Qin Dynasty are Ode to Qin Morality: Sima Qian's Historical Records.
G. Han Shu (Ban Gu):
Hanshu records the history of the Western Han Dynasty.
The stylistic feature of Hanshu, which is different from Shiji, is that there is no "aristocratic family".
Hanshu is the first biographical dynastic history of China.
The earliest book that recorded that "the ceremony of worshipping Emperor Wu in the suburbs was to set up Yuefu" was Hanshu.
The characteristics of Hanshu are: the narrative is plain and steady; This article is well organized; Rich and elegant language; But I can't write freely
The narrative characteristics of Han Shu (Ban Gu) are: accurate and meticulous.
The writing characteristics of Hanshu are: recording historical facts.
The writing characteristics of biographies in Hanshu are: imitating sounds and drawing shapes.
The narrative of the collection theory of Hanshu Shihuozhi says: "Meng Chunyue, the group will disperse and pedestrians will follow the path."
The Biography of Han Su Wu depicts Su Wu's character: loyalty and righteousness.
Among the ten pre-Qin schools of thought recorded in Hanshu, Confucianism, Mohism, Taoism and Legalism have the greatest influence.
The most distinctive description of Li Ling and Su Wu in the Biography of Su Jian in Han Shu and Li Guang is: meticulous description.
H. Han dynasty:
The creative tendency of Liang Xiaowang's Seven Poems, Forget the Pavilion and Worry, is: flattery and game writing.
From the literary point of view, the creation in the early Han Dynasty was mainly "I am": Ci Fu.
Proses in the early years of the Western Han Dynasty mainly include: political papers related to governing the country and ensuring the security.
The characteristics of prose creation in the early years of the Western Han Dynasty are: a. Writing to solve practical problems; B. the line quality is smooth; C. influenced by strategists in the warring States period.
Among the "Four Books" of Han Dynasty, Qilu Han belongs to Confucian Classics.
Prose writers in Han Dynasty: Dong Zhongshu (Western Han Dynasty), Liu Xiang (Western Han Dynasty), Jia Yi (Early Western Han Dynasty) and Huan Kuan (Western Han Dynasty).
In the early years of the Western Han Dynasty, Jia Shan's Yan Zhi not only analyzed the causes of Qin's death, but also focused on the relationship between monarch and minister.
Chao Cuo's masterpiece on politics (Western Han Dynasty): On your preciousness and transience.
Characteristics of Chao Cuo's political essays: practicality and pertinence: simple and thick quality; Good at analysis.
Famous essayists in the middle and late Western Han Dynasty: Dong Zhongshu, Liu Xiang and Sima Qian.
Dong Zhongshu was called "the leader of Confucianism" in the Han Dynasty.
The main idea expounded in the third strategy of Dong Zhongshu's Three Strategies for Heaven and Man is the idea of correspondence between heaven and man and "great unity".
The writing characteristics of Dong Zhongshu and Liu Zheng's papers are: quoting classics and discussing politics with disasters.
The main features of Liu's essays are: 1. Inheriting the characteristics of quotations from Dong Zhongshu's essays; B. Rigorous structure and clear logic; C the structural model of "positive theory-negative evidence-summary of temporary events" is often adopted.
Liu Xiang was ordered to proofread and compile some ancient books, the most famous of which was Narration of the Warring States Policy.
The Warring States Policy was compiled by Liu Xiang.
Among the characteristics of New Preface and Shuoyuan, the most literary value is to describe the words and deeds of the characters and convey their appearance and spirit.
To the Qin dynasty:
The core of an article points out that the fundamental reason of the king of Qin lies in his lack of kindness;
This article embodies the characteristics of Jia Yi's prose, full of enthusiasm, clear organization and full of rendering power.
Jia Yi was the thinker with the deepest sense of hardship in the early Han Dynasty.
Jia Yi's articles are full of atmosphere.
Jia Yi's "Pengniao Fu" shows the main emotional tendency: open-minded life and death.
The genre of Jia Yi's Tune Qufu Garden is: Sao Style Fu; The creative characteristics of Sao Style Fu: lyrical narration.
The most striking artistic feature of Jia Yi's Qu Yuan Fu is to express one's mind directly.
On Qin by Jia Yi: Layout and Rendering;
Jia Yi's "On Qin" summed up the main reason for the demise of the Qin Dynasty as: "No mercy, but different offensive and defensive trends."
Jia Yi's masterpiece Lun Ji Shu is compact and rigorous, with thorough reasoning.
Jia Yi's representative works: Public Security Policy, On Accumulation and Sparse Storage, and On Tongqin.
The prose style of Huan Kuan's On Salt and Iron is straightforward and simple.
The main differences between Salt and Iron Theory and contemporary prose are: the style of writing is plain, and it does not talk about disasters and differences, and it does not frequently quote classics.
Sima Qian's strong desire to write Angry and a book is to protect An Shu.
Sima Qian, a historian with the ideal of "when no one studies, the changes of ancient and modern times become a family statement"
Among the "five styles" of Historical Records (Sima Qian), Historical Records is the program of the whole book.
In the early years of the Western Han Dynasty, the development trend of Ci and Fu creation was from emotional richness and simplicity to lack of true feelings and flowery rhetoric.
As a stylistic name, "Fu" first appeared in Xunzi Fu Pian (Warring States Period).
Fu: "Narrating things and expressing feelings".
Mei Cheng's "Seven Hair" is a typical work that marks the formal formation of the three-body fu in Han Dynasty.
The question and answer between subject and object is the basic structure of Han Fu. In Qi Fa, the subject and object are King Chu and Wu Ke.
The creative characteristics of Mei Cheng's Seven Hairs: narration and exaggeration.
Compared with all kinds of essays in the early Han Dynasty, the main features of Mei Cheng's To the King of Wu are metaphor and euphemism.
Yang Xiong's Fu: Changyang Fu, Hedong Fu, Ganquan Fu, Poverty Alleviation Fu and Feather Hunting Fu.
The theme of Yang Xiongda's Fu "Changyang Fu" is mainly: hunting in Tian Zi.
The content of Yang Xiong's Hedong Fu is a sacrifice to the emperor, and the content of Ganquan Fu is also a sacrifice.
Yang Xiong's contribution to the development of Dafu mainly includes:
First, expand the subject area of Da Fu; B. The color of "persuasion" in Dafu's exhortation and irony has been strengthened; C. the description object is concentrated and the length is relatively shortened; D. often use the expression of "taking beauty as irony".
It was Yang Xiong who put forward the famous view that "a poet should be beautiful and obscene".
Han Da Fu: Yang Xiong's Fu on Hunting Feather, Ganquan Fu, Sima Xiangru's Fu on Shanglin and Ban Gu's Fu on both capitals.
Great Fu in Han Dynasty: Er Jing Fu by Zhang Heng.
The author who pushed Dr. Han's creation to the peak was Sima Xiangru.
Sima Xiangru's lyric fu is "Longmen Fu".
The creative technique of Changmen Fu: lyrical narration.
It can be seen from the "Tianzi Youhun Fu" that the creative mentality is "scholar".
The main expressive techniques of Tian Zi's Ghosts Fu are description and description.
The main features of Han Da Fu, represented by The Son of Heaven's Travel and Hunting Fu, are as follows:
A does not have the author's true feelings; B. extreme parallelism of space; C description and painting are the main means of expression;
D. adopt a difficult posture; E. the wording is complicated and difficult to understand.
The difference between Han Fu and Sao Fu represented by Tian Zi's safari Fu lies in:
A. Sao style fu mainly shows resentment and sadness; B. "Tian Zi You Hunting Fu" shows off competitive materials and game words; C. "The Son of Heaven" describes things and looks like carvings; D "Tian Zi" takes the form of a question and answer between the subject and the guest.
The pioneering work of "Ji Xing Fu" in Han Dynasty: Sui Chu Fu/Liu Xin's Sao Style Fu.
In the middle and late Western Han Dynasty, there were Liu Yang Fu, Dong Xiao Fu (Poem on Things by Wang Bo), Self-mourning Fu and Sui Chu Fu.
(Liu Che, Emperor Wu of the Han Dynasty) Fu on Li Furen is a word that expresses the theme of loving the people.
Huai Nan Zi by Liu An, King of Huai Nan in the Western Han Dynasty: "Those who hold big trees today call out' evil words' and then respond to them, which is a song of persuasion."
The basic way to express the theme of "inviting hermits" in Xiaoshan, Huainan is to describe the harsh seclusion environment to express the theme.
In the middle of the Western Han Dynasty, the famous lyric short fu "Difficult to Answer a Guest".
The emotional connotation expressed in Yang Yun's Bao Shu in the Western Han Dynasty is: complaining about others.
-Eastern Han Dynasty:
The overall development trend of Fu-style literary creation in the Eastern Han Dynasty is: from big Fu to lyrical small Fu.
The first lyric poem in the Eastern Han Dynasty was "Return to Tianfu" (Zhang Heng), and its artistic expression features are: short style.
Elaborate and detailed, it became the pinnacle of Kyoto Fu in Han Dynasty: Erjing Fu (Zhang Heng).
Fu writers in the Eastern Han Dynasty: Ban Gu, Zhang Heng and Cai Yong.
The creative intention of Cai Yong's Shu Xing Fu in the Eastern Han Dynasty is to mourn the past and hurt the present.
According to the available data, the early classification of Han Yuefu is: Cai Yong.
When Emperor Gaozu Zhang was ordered to write "The White Tiger with the Same Theory", it was: Ban Gu.
The origin of five-character poems: a. Five-character poems written by scholars in the Eastern Han Dynasty and previous dynasties are the symbol of the formation of five-character poems; B. the formation of five-character poems is a long-term gestation.
The earliest five-character poem of literati with a complete system appeared: In the early years of the Eastern Han Dynasty, Ban Gu wrote "Ode to History".
A work that marks the maturity of literati's five-character poems in Han Dynasty: Zhang Heng's "Simultaneous Songs"&; Qin Jiashi's poems
Cao Zhi's greatest contribution in the history of literature is five-character poetry. (Cao Pi: Seven-character Poem)
The highest artistic achievement of Liu Changqing's poetry is five-character poetry.
The basic situation of prose creation in the Eastern Han Dynasty: opposing fallacies in the early stage, refuting divination, discussing current politics in the later stage, and angrily pointing out shortcomings.
The main creative tendency in the early years of the Eastern Han Dynasty: refuting the pseudo-political culture of Chen Wei, represented by Wang Chong-; Huan Tan.
From the ideological tendency, Huan Tan is a representative figure who opposes pseudo-superstition divination.
Repressing and rewarding diligence belongs to Huan Tan's new theory.
Wang Chong's important proposition in article writing is to oppose vanity and advocate sincere application.
"Speak clearly and write clearly", which shows that Wang Chong's thesis proposition is: advocating truth and using truth.
The characteristics of Wang Chong's prose creation are also: advocating truth and still using it.
The writing purpose of Wang Chong's Lun Heng is: "Illness is virtual, honesty is honorable".
At the end of the Eastern Han Dynasty, in Wang Fu's On the Latent Husband, it was a "Shi Gong pian".
Wang Fu's book Zhi Nu is On the Latent Husband.
The characteristics of prose creation in the late Eastern Han Dynasty are: to the point, full of emotion.
The new characteristics of political prose creation in the late Han Dynasty are: quoting classics and discussing political affairs with yin and yang disasters.
Zhong Changtong's masterpiece: Chang Yan.
Chang Yan's creative features are straightforward and profound.
At the end of the Eastern Han Dynasty: Fu Xie (Zhao Yi).
Ban Biao, Fu of Northern Expedition in Eastern Han Dynasty.
At the end of the Eastern Han Dynasty, the artistic features of Mi Fei Parrot Fu were metaphor and symbol.
The elegant development of prose in Han Dynasty appeared in the late Eastern Han Dynasty.
The mature and stereotyped period of parallel prose: Southern Dynasties.
Wu yue chun Qiu:
-Miscellaneous History of the Eastern Han Dynasty;
-Record the history of wuyue's hegemony in the late Spring and Autumn Period.
Wu Yue Spring and Autumn Period: Eastern Han Dynasty.
Wu Yue Chun Qiu records that the last year of the Spring and Autumn Period is the history of Yue, the first five volumes are the history of Wu, and the last five volumes are the history of Yue, which embodies the characteristics of coherent writing.
The main difference between Wu Yue Chun Qiu and Yue Jue Shu is that Wu focuses on the history of wuyue's hegemony, while Yue also has articles devoted to geography and occupation.
Yuejueshu was produced in the Eastern Han Dynasty.
At the end of the Eastern Han Dynasty, nineteen ancient poems came into being. The earliest ancient book that recorded Nineteen Ancient Poems was Selected Works.
Nineteen Ancient Poems was praised by Liu Xie as "the crown of five words".
Features of diction in nineteen ancient poems: easy to understand.
The emotional connotation of Nineteen Ancient Poems includes:
A. the sense of frustration and uncertainty in life; B. homesickness, homesickness; C. express your thoughts and grievances;
D. get rid of boredom with the world; E. the ethereal silence of nature.
The main artistic features of Nineteen Ancient Poems are as follows: A is shallow and close to nature; B. fusion scene; C. meaningful; D. make good use of Bixing; E. the word is ambiguous.
In Nineteen Ancient Poems, people feel frustrated in life, and the achievement is sluggish: "As far as riding is concerned".
"Nineteen Ancient Poems", "The day is far away, and the clothes are slow", writes: Acacia is haggard.
"Nineteen Ancient Poems" and "The Distant Altair" show: the boudoir is worried and resentful.
It belongs to nineteen ancient poems: driving to the east gate.
From Nineteen Ancient Poems:
"Humayi is in the north wind, crossing the south branch of the Bird's Nest"; "The moon is bright, roll the bed curtain according to me"; "When you are born less than 100 years old, you will always worry about whether you are chitose";
"The road is long, and it will meet in Xiu Yuan"; "There are tall buildings in the northwest, flush with the clouds"; "Life is like a passer-by between heaven and earth";
"I talked while driving and walked for a long time.
Liu Xie's Wen Xin Diao Long Ming Shi comments on Nineteen Ancient Poems: "Looking at his prose, it is straight but not wild;" The euphemistic attachment to things and the loss of feelings are the top five words. "
Please combine the following works to analyze the artistic features of Nineteen Ancient Poems.
1, the charm of endless words (expressing the universal feeling of life: the expression of implicit mode);
2. Simple and natural expression style, with no traces of carving;
3. The artistic realm in which scenery, emotion and emotion are integrated;
4. Simple, natural, concise and accurate language.
Briefly describe the emotional connotation of nineteen ancient poems.
1, the wandering of women and the departure of thinking. The specific performance is homesickness, homesickness and resentment towards Fujian;
2. Wanderers' feelings about life and some thoughts about life.
The stylistic features of Zhong Changtong's Chang Yan (the late Eastern Han Dynasty) are simple and argumentative.
Su Lishi:
-Su Li's poems refer to the so-called poems of Su Wu and Li Ling included in Selected Works;
-these poems are mostly about friends, husband and wife leaving, and their feelings are gloomy. The narrative scenery is simple and natural, similar to nineteen ancient poems.
At the end of the Eastern Han Dynasty, the so-called "Li Su Poetry" appeared in Selected Works and Yutai New Poetry.
The earliest seven so-called "poems of Su Li" in the history of literature are: Selected Works.
Peacocks fly southeast;
-Peacock flying southeast is a long narrative Yuefu poem;
-"Ode to the New Yutai" edited by Xu Ling;
-Describe the love tragedy between Liu Lanzhi and Jiao Zhongqing.
The earliest collection of poems by Peacock Flying Southeast is "A New Poem on Yutai".
Peacock flies southeast is a poem reflecting the misfortune of women's married life in Han Yuefu folk songs.
-Yuefu:
Yuefu:
The original meaning refers to the administrative organ in charge of music;
After the Wei and Jin Dynasties, people called the poems arranged and sung by Yuefu organs Yuefu. So Yuefu became the name of poetic style again;
Yuefu poems in the early Han Dynasty included the creation of your family, literati and folk songs.
The phrase "feeling is sadness and joy, but it starts from things" evaluates the folk songs of Han Yuefu.
The characteristics of Han Yuefu folk songs in sentence patterns are: miscellaneous words and five words.
Briefly describe the ideological content of folk songs in Han Yuefu.
1, life is hard;
2. Tired of war;
3, satirize dignitaries;
4. Write about love and marriage.
The most complete category of Yuefu folk songs in Yuefu poems is "Xianghe Songs".
Han Yuefu folk songs have sincere feelings and rich lyrics, and there are works that directly express feelings, such as Xiang.
The content of the folk song "Cockcrow" in Han Yuefu is: mocking dignitaries.
Jiangnan, a folk song of Han Yuefu, is a love poem.
The folk song of Han Yuefu: "Pulling Grass on the Mountain": a love poem.
Shang Mo Sang by Han Yuefu is a poem about love and marriage.
Han Yuefu: Joining the Army in the Tenth Five-Year Plan
From the folk song of Han Yuefu: I want to know you and live a long life.
"Young people don't work hard, but the old people are sad" Source: Han Yuefu Long Songs. The theme of the folk song Journey to the East Gate in Han Yuefu is about the hardships and hardships of life, and the sentence pattern is miscellaneous poems.
The folk songs of Han Yuefu are intended to describe the characters: the journey of orphans.
The artistic features of Han Yuefu's Battle of the South of the City are: lyricism in narration and description.
Xiqu:
Xiqu is a folk song mainly produced in the middle reaches of the Yangtze River and on both sides of the Han River;
-Today, there are more than 100 western songs, and the poems of the new Guo Maoqian Yuefu mostly show the love between men and women, with a fresh and lively style.
"Xiqu" is mainly produced in Jiangling, Xiangfan, Hubei and Dengxian, Henan.
-Jian 'an:
The main features of Jian 'an poetry are generosity, arrogance and sadness.
During the Han and Wei Dynasties, the first climax of China's poetic creation was Jian 'an period, and its distinctive style was Jian 'an style.
Jian 'an style:
The Times Style of Wei Chu s Poetry Creation in the Late Han Dynasty;
A generous, sad for America;
Expressing your feelings has a strong subjective color;
In a formal way, the words are gorgeous but not artificial.
Seven sons of Jian' an:
Refers to seven outstanding literary writers in Jian 'an period, namely Kong Rong, RoyceWong, Xu Wo (Gan), Chen Lin, Ying? Liu Wei;
The works of the seven sons of Jian 'an often reflect the turbulent social reality and express the ambition of building a country that cares about the country and the people.
A generous, a sad for the United States.
Kong Rong's literary achievements mainly lie in his prose.
RoyceWong, one of the seven sons of Jian 'an (the last years of the Eastern Han Dynasty), is a masterpiece of Ci Fu: Loutai Fu.
RoyceWong is the best poet and poet among the "Seven Scholars of Jian 'an".
RoyceWong's poems are praised as: many words are good, but few words are flawed.
From Ode to the Building: "Although I believe in beauty and don't believe in my homeland, how can I stay less?"
Cai Yan, a famous poetess, wrote Jian 'an, and her works are sorrowful poems.
Cai Yan's famous five-character poem "Poem of Sorrow and Indignation": "Hunting wild besieged city, knowing the direction of extinction. There are no remains, and the remains support each other ",and" I want to forgive myself, so I want to abandon my son again. "
Cai Yan coincided with the social unrest at the end of Han Dynasty, and was once trapped in Xiongnu.
-Jian 'an "Three Caos":
Three Cao Cao in Jian 'an: Cao Cao, Cao Pi and Cao Zhi.
Cao Cao was praised by Lu Xun as "the founder of reform articles".
Cao Cao:
A. A famous politician, strategist and writer in the history of China;
B. Born in a eunuch's family, he has a high official position and low expectations;
C. welcome the Han dynasty to offer the emperor and hold the emperor as a vassal;
D. Create the style of self-composed poems with Yuefu ancient poems;
E. The word Meng De was born in Pei Guoqiao (now Bozhou City, Anhui Province).
During the Wei and Jin Dynasties, it was Cao Cao who initiated the prosperity of literati's "quasi-Yuefu" poetry creation.
The style of Cao Cao's poetry is: straight and sad, generous and heavy.
The main artistic style of Cao Cao's Short Songs is: sadness and heaviness.
The first landscape poem in the history of China literature: Out of the Summer Gate. The poem comes from Cao Cao's Out of Xiamen: Jieshi looks at the sea in the east. (Chapter 1 "Looking at the Sea")
Cao Cao's View of the Sea is the first relatively complete landscape poem.
The first accomplished landscape poet in the history of poetry: Xie Lingyun.
Cao Cao's poems are known as "the true record of the late Han Dynasty and the true history of poetry": A. Xing B. Hao.
The creative characteristics of Cao Cao's Good Li Xing are as follows: borrowing ancient topics to create new ones.
Cao Cao's father: Xiahou Song
Cao Cao's second son: Cao Pi
One of the literary viewpoints put forward by Cao Pi in Dian Lun Wen is the theory of literary qi.
In the history of literary criticism, Cao Pi's Dian Lun Wen put forward that "Wen is based on Qi".
In literary theory, Lu Ji is superior to Cao Pi in that inspiration plays an important role in creation.
The pure seven-character poem in the history of China's poetry began with Cao Pi's Ge Yanxing.
Cao Pi's masterpiece Ge Yanxing is: rhyming sentence by sentence.
Poems about immortals:
The origin of immortals' poems can be traced back to the pre-Qin period, and the poem named "immortals" began with Cao Zhi's immortals' poems.
The content of a poem about immortals: seeking longevity, cynicism;
Guo Pu's poems about immortals are the highest achievement.
Cao Zhi, the first poet in the history of China's poetry with the theme of wandering immortals.
Cao Zhi, the most outstanding poet in Jian 'an poetry circle.
Cao Zhi's famous Fu: Luo Shen Fu (If you are surprised, if you are graceful, if you are Youlong).
Cao Zhi's early masterpiece of expressing lofty ideals and aspirations: White Horse.
The dividing line before and after Cao Zhi's poetry creation is: the death of Cao Cao.
I. Three Kingdoms (Wei, Shu and Wu):
Seven Sages of Bamboo Forest (Wei Zhengshi of Three Kingdoms (240 -2 49))
The time limit of Zhengshi Poetry is from the first year of Qinglong in Wei Mingdi (233) to the first year of Xianxi in Wei Yuan (264). It is the scholars in Zhengshi who often show the ideal tendency of Laozi and Zhuangzi in their poetry creation.
The representative writers of Zhengshi's poetry achievements are Ruan Ji (Chen Liuwei (now Weishi, Henan Province)) and Ji Kang.
An article written during the Zhengshi period: Biography of Mr. Adult.
In the history of China's poetry, the source of lyric poetry is Ruan Ji's five-character "Yong Huai" (82 poems), which is also the main achievement of Ruan Ji's poetry.
Yong Huai was praised by Zhong Rong (Southern Dynasties) as a group of poems, which were "spoken in the eyes and ears, with a flustered expression and elegance".
Comments on Yong Huai are as follows:
A. Created a new form of lyric poetry; B. worry about chaos and send it for no reason; C. There are both profound beauty and abstinence beauty;
D. It pioneered Zuo Si's epic poems and Tao Yuanming's drinking poems.
From Ruan Ji's Yong Huai: "I can't sleep at night, so I sit up and play the piano."
Ji Kang's literary achievements mainly lie in: prose.
Zhuangzi was the first person to be poeticized, and Ji Kang was a person with Qingyuan realm in his poems.
Ji Kang was criticized by Zhong Rong's poems as a writer who was "too serious and too outspoken".
After Cao Cao, Ji Kang was the poet who reached the peak of writing four-character poems.
Four-character poems were evaluated by later generations as "the true enlightenment of Jin people, four-character rhetoric, all different from 300, so it is good." The author is Ji Kang.
Ji Kang, the most successful poet who wrote four-character poems in Zhengshi period.
The most famous poem by Ji Kang, the poet of Zhengshi, is Poem of Sorrow and Anger.
Ji Kang wrote: "Light water, fall. General Bai Zhou, the load is floating and the load is sluggish. "
The Style Features of Luo's "Light Bar".