I like this book very much, and the poems here are still amazing. I like to watch her write romance, time and cool thin, which is lost and lost, and love is not allowed. Even these are at the expense of pain and frustrations, and she can blossom gorgeous roses on the ruins. Sometimes humble as dust, and sometimes too arrogant.
There is always a terrible pain in her writing. Perhaps despair and hope are illusory. The so-called bottomless abyss is also the future of Wan Li. In the postscript, the earth still contains me, lets me indulge, lets me be quiet; Indulge in me, wake up. I love this sentence more than all previous poems.
I saw a topic on Weibo, how to describe the young people now. My favorite answer is: confused when I wake up, flustered in my dream, half awake and half depressed. Maybe we are all so contradictory, persistent and fragile, absurd and confused. One foot deep and one foot shallow, stuck in the quagmire of life, for the unknown tomorrow, for the uncertain future.
I admire her incompatible soul, her maverick courage and her talent of putting pen to paper. Beautiful poetry is a pleasure to read. The favorite poem in this collection of poems is: all the people you meet on the way to find your hometown are relatives, and all the people you meet in the dusk when you wander for love are lovers.
In my opinion, the biggest feature of Yu Shi is infatuation! This infatuation makes love beautiful and tactful, which is not pleasant at all. If you are a lovelorn person, I kindly remind you not to watch it, which will only remind you of countless painful and unpleasant memories. It is this characteristic that makes me fall in love with Yu's gentle and delicate room and Yu's suffering.