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1. Click here for the full text of "Bodhisattva Man Everyone Says Jiangnan is Good"
Everyone says Jiangnan is good, and tourists only live in Jiangnan.
spring water is bluer than the sky, painting a boat and listening to the rain.
people on the edge are like the moon, and the wrist is frozen with frost and snow.
don't return to your hometown before you are old, and you must be heartbroken when you return to your hometown.
Second, the translation
Everyone says that Jiangnan is good, and tourists only join the river and grow old in the south. Spring water is clear green than the sky is green, visitors can listen to the rain on the boat on the boat to sleep.
Everyone says that Jiangnan is good. Visitors here just want to grow old in Jiangnan. In spring, the river is clear and green, which is better than the blue sky. You can also fall asleep listening to the rain on a painted boat.
people on the edge are like the moon, and the wrist is frozen with frost and snow. When the time is not declining, do not return home, back home must be sad to the pole.
The women selling wine in Jiangnan Restaurant are extremely beautiful, and their arms are as white as snow when they hold wine and pull their sleeves. Don't go back to your hometown when you are young, you must be heartbroken when you return home.
Third, appreciation
This word is the second song in Five Bodhisattvas, and it is a response to the first song.
The last film "Everyone says Jiangnan is good. Visitors are only old in the south of the river. " How beautifully written! But this kind of beauty is not set off by the beauty of images, but by deep emotions, and it is moved by deep emotions after rational infiltration. The beauty of Jiangnan is the best in the world, but how can people who live here and escape the war have a sense of belonging? Therefore, these two sentences are gloomy. "Spring water is brighter than the sky" is the beauty of Jiangnan scenery, and the green water in Jiangnan is more beautiful than the blue sky. "Drawing a boat and listening to the rain and sleeping" is the beauty of life in the south of the Yangtze River. Lying on a boat and listening to the drizzle, this kind of life is so leisurely and comfortable compared with the war in the Central Plains. The depression of the first two sentences and the emptiness of the last two sentences form an indescribable artistic tension.
The next film uses Zhuo Wenjun's canon secretly. Sima Xiangru, a Shu native in the Han Dynasty, eloped with Zhuo Wenjun, the daughter of the great wealth Zhuo Wang Sun. Because Zhuo Wang Sun announced that he had broken off relations with Wen Jun, Sima Xiangru made Wen Jun take care of himself, wearing shorts and washing wine vessels in the street. Therefore, "people are like the moon." Hao wrist congeals frost and snow ",doesn't the protagonist miss this wife whose face is like a bright moon and whose skin color is like frost and snow?"
The last two sentences are lyrical, expressing the lingering difficulties of wanting to return to my hometown. This lyric embodies the characteristics of Huajian Ci. Although it is straightforward, it is tactfully implicit and charming. Saying "don't return home" is actually due to the thought of returning home. He didn't use the word "no", but used the word "mo" with a tone of exhortation, showing a very deep, gentle and painful feeling. You want to return home, but now you are not old and can't return home, showing the hovering and stagnation of your hometown. It is said later that "returning home must be heartbroken", which is the reason why others dare to tell you that "tourists are only old in the south of the river", because you will only be heartbroken when you return to your hometown filled with war and bonfire. At this point, if we look back at "Everyone says that the south of the Yangtze River is good, and tourists only join the south of the Yangtze River to be old", we will understand why Chen Tingzhuo praised Wei Zhuang's ci "as straight and elegant, as expressive and melancholy".
This word describes the beauty of scenery and characters in the water town in the south of the Yangtze River, which not only shows the poet's attachment to the water town in the south of the Yangtze River, but also expresses the poet's feeling of being stranded and difficult to return.
fourth, Wei Zhuang's other poems
homesickness, a night thought on terrace tower, Jinling Map, Bodhisattva Man and Qin Fu Yin. V. Background
According to the research of Professor Ye Jiaying, an expert in classical literature in China, the word "Jiangnan" in Wei Zhuang's Five Poems of Bodhisattva Man refers to the land of Jiangnan, not to the land of Shu. This group of ci poems was written in Wei Zhuang's later years when he lived in Shu, and it was written by the author to recall his old travels in the south of the Yangtze River. This first word is the second one in a group of poems.
VI. Notes
Tourists only join the old people in the south of the Yangtze River: here refers to those who wander in the south of the Yangtze River, that is, the author calls himself. Only should. The first sentence of Bai Juyi's Memory of Jiangnan is "Jiangnan is good". A piece of green is better than the sky.
long side: refers to the restaurant. Well, in the old days, hotels built wine jars out of earth to sell wine.
frost and snow on the wrist: it describes that the arms are as white as snow. Frost and snow are as white as frost and snow.
Don't go back to your hometown before you are old, and you must be heartbroken when you return home: you are not old, and you are enjoying yourself in Jiangnan. If you return home and leave Jiangnan, it will make people sad. Definitely, definitely.
Poems of the same dynasty
Sangushi, Warm Cuisine, Farewell to Xu Kan, Poem of Deep Sorrow, Poem on Jia Dao's Tomb, Couplet of Tiantai Temple, Song of Eternal Sorrow, Memorizing the South of the Yangtze River, Spring Trip in Qiantang Lake and Ode to the Mujiang River.
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