Musical beauty mainly refers to the harmony between music and phonology, and the arrangement and combination of syllables and scales in a line of poetry should be regular. Wen Yiduo's Integration of China's Classical Poetry. On the basis of learning from the "sound step" of western sonnets (Shanglai style), the "sound ruler" put forward according to the characteristics of modern Chinese is Wen Yiduo's "invention". He also pointed out that the arrangement of scales in a line of poems can be varied, but the number of three-character feet and two-character feet in each line should be equal, so as to see the musical beauty of new metrical poems, and its most important performance is its strong sense of rhythm.
The beauty of painting mainly means that the rhetoric of poetry should strive to be beautiful and colorful, and pay attention to the visual image and intuition of poetry. Wen Yiduo studied fine arts for many years while studying in the United States, and was particularly sensitive to the beauty of colors. He sees the world with a painter's eyes and paves the way with a painter's technique. In his poems, there are often words expressing colors such as red, yellow, blue and purple, as well as objects with bright colors. He pays attention to color contrast, so that poetry and painting are connected, with appropriate colors, moderate depth, patchwork and rich colors.
Architectural beauty mainly comes from the overall appearance of poetry. The section should be symmetrical and the lines should be neat. Although there is no need to rigidly limit the number of words per line, in order to have a sense of neatness, the differences between lines should not be too big. Architectural beauty is the focus of Wen Yiduo's "three beauties" poetics, which is unique in exploring the formal beauty of new poetry. Although it has the disadvantages of deliberately seeking work and carving too much, it is ridiculed as "dried tofu". But on the whole, it should be affirmed.