Beethoven's eulogy
Today is the 80th anniversary of the death of Thor, Zeus and a giant with a hammer/KLOC-0. 1827 died in Vienna on March 26th at the age of 57. Despite the fierce controversy about him, despite the rumors about his disgraceful behavior, and despite his voluntary retirement from society, the public still knows that a giant is walking among them. More than 30,000 people attended his funeral. Among those who carried the torch was Schubert, a composer who was not very famous at that time. His tombstone is only engraved with his birth and death date and a name: Beethoven. Today, 180 years later, people all over the world are commemorating him. Today, there will be countless eulogies in various languages, languages and contents on the Internet all over the world to express their sadness. However, we are not here today to mourn the death of a great man, but to hold a grand celebration-to celebrate a lofty thought, unyielding will, sense of responsibility for society, and the pursuit of "freedom, equality and fraternity" will remain in the world nearly two centuries after Beethoven's death, and time will not erase the heroic horn, struggle against fate, love for nature and great love in that eternal movement. Beethoven is immortal, because everything about him has long been absorbed by his masterpieces, which will inspire and guide countless people in the past, present and future, and we are a part of it. For this, we want to thank and cheer! Greer Pazer, a great literary master, said in his eulogy that year: "Beethoven gave everything to the public, but he didn't get anything from the public, so he stayed away from everyone." Of course, until today, we still have no way to give Beethoven anything. Compared with giants, we are all too mediocre and insignificant. However, we believe what Beethoven himself said: whoever understands my music will stick to the golden key to the mystery of the universe; We also believe that as long as one more person in the world knows Beethoven, understands Beethoven and loves Beethoven, the world will be even better. So today, with the convenience of the internet and the spirit of sharing, we can still do our bit to spread Beethoven's music art. Nothing is more suitable for commemorating Thor, Zeus and the giant with a hammer than sharing his music. The following is a special topic of Beethoven's Zhou Nianji 180 presented by several of our music friends. The resource introduction of this topic will no longer focus on command characteristics, deductive characteristics, or version differences or even conversion quality. Because no matter how incomparable the interpretation is, no matter how exquisite the production is, if there is Beethoven's creation, all this will cease to exist. All the strength and wisdom contained in these music are endowed by Beethoven. Therefore, when listening to these music, you only need to remember one name: Ludwig van Beethoven (1770- 1827). I believe in the God displayed in the order and harmony of existing things, but I don't believe in the secular God implicated in human destiny and behavior. I am willing to pursue a truly fanatical free thought and strive to liberate myself from the pedantic life dominated by my body, old ideas and primitive desires. I know there is a huge world outside, which exists independently without us. It is like a great and eternal mystery before us, but at least some of it is beyond our observation and thinking. Meditation on the world attracts us as much as freedom itself. Many people I respect and admire are engaged in this cause, and they have found inner freedom and peace. One of them is Beethoven. If there is anything in my heart that can be called "God", it is the harmony of the world revealed by the endless admiration for Beethoven and the pursuit of mankind. One hundred and eighty years ago today, a great pioneer put down the hand that was going to hold fate by the throat forever. /kloc-today, 0/80 years later, we are here to commemorate this pioneer, and its significance is not only to remember a great man who made great contributions in human history. Even today, Beethoven's choice in artistic tradition and innovation is still valuable. Thinking about his choice can also bring a lot of enlightenment to today's artistic creation. We still remember Schubert, the young man who walked at the front of the funeral procession at Beethoven's funeral. His creative years are basically included in Beethoven's creative years. Because of the shyness of the young people, they never met. Some people say that these two strangers belong to two periods-the classical period and the romantic period. We also noticed Haydn and Mozart, who were more "professional" than them. In Beethoven, we saw all kinds of qualities of a musician for the first time. Don't forget the lyrics Ode to Joy sung by vocalists in the last movement of his famous Ninth Symphony, which is Schiller's favorite poem. From this perspective, Beethoven is closer to a romantic musician. We will never forget that it was the first time that he used a more lively scherzo instead of an elegant minuet in his symphony; He was the first to break the convention that symphonies can only have four movements; This is the first time he has created title music; This is the first time he introduced human voice into a symphony. All these, Beethoven is really a romantic musician. Here, it is necessary for us to distinguish these innovations of Beethoven from some current "innovations". By today's "innovation" standards, Beethoven is simply a stubborn conservative. He insisted on using traditional music structures and forms, and never tried to liberate his free music thoughts from these forms. Is Beethoven's creation really a dance that doesn't want to get rid of the shackles? Of course not! Sometimes, the freedom of art depends on the lack of freedom in form. In Beethoven's innovation, we can't even find the slightest sign of innovation for innovation's sake. All his innovations are based on the needs of artistic expression. Is this comparable to some "innovations" that are consciously or unconsciously grandstanding now? Re-understanding Beethoven's innovation is really important for our era full of irresponsible "innovation"!