Every time I read this book, I seem to see: in your home, in that study, you are still sitting at the desk with Qian Lao's humble writing desk, and a ray of warm sunshine shines in, shining your white hair and your clean face. Looking out of the window, your bright eyes can penetrate the 30,000 calendars filled with love and tears, joy and pain, and see the days when "you three" once lived. Everything has never been dusty, and everything has never left. Calm down, you go back to your writing desk, pick up a pen, turn all this into emotional words, witness, perform and write the true feelings of the world, and tell us that the so-called emotions are always around; Tell us not to let time be everywhere, just let her stay in the footsteps of running home. In the dependence of ordinary days, let it stay for a while: the company in front of the hospital bed, the food in the incubator, and the eyes in the chat.
"I didn't feel the dream of spring grass in the pond. The leaves in front of the steps are already autumn." How time flies. For Mr. Wang, more than 30 thousand days have changed, rain or shine, which may be different, but Mr. Yang is still optimistic and still has a transparent heart. After so much pain in life, you are still so strong, which is the calmness and elegance of the spiritual nobility!
I don't want to just use the word "moved" to express my feelings after reading this book, although I am really moved. Because I think sometimes it's actually quite easy to touch others or be touched. No one has a heart of stone, and everyone has hormonal impulses. An article, a movie, a sentence, a look, even a long leg and an inexplicable "charming beast" will make people unable to hold it, and they will burst into tears and sweat. From this perspective, such "touching" becomes cheaper and more emotional. Therefore, if only the word "moved" is used to praise this book, it will be somewhat "demeaning" this book. I think that being strong, open-minded and optimistic is the most important thing that the wise old man conveys to us, which is also the support for the existence and continuation of life, and this is what the wise old man wants to tell us to do after being moved.
Jiang Yang's Reading Notes of the Three of us (Chapter 2) The three of us use modernism to seek the freedom of stream of consciousness and the truth of subjective feelings, but the expression of emotions is still restrained and implicit. Jiang Yang also used the classical lyric techniques in China's ancient poems to express his feelings through scenery. Through the blending of scenes, the dream is distant and vague, and the sadness of death is too deep. Rich and complex emotions are embedded in the scene, and the charm of classical culture is fully displayed through image metaphor, symbol and suggestion. At the beginning of the dream, Jiang Yang made up an inn, a boat and an ancient plank road, corresponding to the real home, hospital and the road between the two places. "The ancient post road is foggy, Liu Chengxing, miscellaneous trees are born, weeds are born, and several pines and cypresses are hidden in graves." The description of the scene implies desolation, chaos and gloom that lead to death. This is the reflection and materialization of the author's inner sadness.
In the article, the description of willows keeps appearing, and the most frequently written are cold willows and bald willows: "The postal road is littered with leaves, and all the willows become bare cold willows." "The willows on the riverbank began to turn yellow, and gradually turned into bare willows." Willow is the prototype image of the parting motif in ancient poetry and the parting tree in China's lyric tradition, with bitter charm. Facing where you are going, Jiang Yang naturally used this traditional symbolic image. Different from general parting, Jiang Yang's works are cold willows and bald willows, implying that death is approaching and symbolizing death and farewell. The word "bald and cold" embodies the author's extreme loneliness and sadness. After the death of relatives, the author also became a yellow leaf of a willow tree, falling off one by one. "Touching the postal road that I walked step by step, I was sad all the way." Scenery is born of affection, and affection spreads from scene to scene. Emotions are extremely sad, and the scenery is withered and decayed. The combination of the two makes me feel sad at the age of 20, but the intensity of emotion is adjusted by the scenery, and the scenery has charm because of emotion. The neutralization of the two has artistic implication, creating a sad artistic conception of "rustling leaves and leaking moss"
The second film "The Three of us Lost" expresses this profound emotional experience in a dreamy way. Writing dreams is a common form of China's ancient mourning poems to describe dreams and express true feelings. Jiang Yang used this technology. From the psychological point of view, the daughter and husband died seriously ill, and their emotions were deeply stimulated, as if they were in a dream, both illusory and real. Psychology believes that emotions are extreme, and whether they are sad or happy, they will become dreams. From the creative point of view, the free flow of emotions and the expression of subjective real emotions are easy to enter the book with dreams and structure the full text. Can achieve a multi-level, natural and smooth state. At the same time, through artistic narration and description, it can be sublimated into "poetry" to ease the intensity of natural feelings.
Classical meaning
Jiang Yang's long prose "The Three of us" contains a strong classical meaning. First, the personality spirit of being indifferent to utilitarianism is reflected in the fact that the three of us are together at home and love to study hard. These three are their spiritual pillars, pushing them to a lofty and extraordinary realm. Secondly, the language style is peaceful and simple, and peace means harmony and neutralization. Jiang Yang is best at harmoniously unifying various opposing factors in order to achieve a just ideal state. Thirdly, he combined the lyrical style of sadness without hurting, loaded with too deep death sadness through the classical technique of scene blending, and put rich and complex emotions into the scene, showing the charm of classical culture through image metaphor, symbol and hint.
From the full text, the peaceful style of Jiang Yang's prose is more reflected in the structure of urgency, sadness and joy. After liberation, many _ _ _ _ gave intellectuals a lot of depression and pain. Every time they write this, they will write an interesting story to ease their anger. Zhong Shu is seriously ill and speaks quickly and urgently. I turned to the warmth of ordinary people and spoke slowly, with a gentle and calm tone. Diseases are intertwined, sadness and joy are mixed, and finally "harmony" is achieved. In fact, there are no simple joys and sorrows in real life. The two are always mixed together and integrated. When Jiang Yang understood and treated life with a peaceful heart, he naturally hit the natural law of life and the classical thought of "harmony is precious".
Jiang Yang's Reading Notes for the Three of us (Chapter 3), a memoir of a family of three, made me more and more aware of the significance of reading.
I am younger than I am now. When I was young, I always felt that getting old was a particularly terrible thing. "What's the point of life after forty? I am old, what fun is there to live? " I had this idea when I was very young. Children's ignorance makes my definition of old age very narrow, and the blank of life experience makes me ignorant of the wonderful life. I just simply think that adults of that age don't play and what they do is boring. What's the fun of life? Later, when I grew up, I didn't care about this ridiculous idea when I was a child.
Now, read it occasionally. Reading a book once is to talk to the authors, read their thoughts, taste their philosophy of doing things and spy on their spiritual world. This dialogue spans time, space and age. Through reading, I can communicate like this, but in real life, it is not so easy for me to be ordinary and inarticulate. This is the benefit that reading brings to me.
I love my spiritual world, and I am more and more envious of the noble temperament, profound literary accomplishment and rich refined temperament of those literati. Everyone has a unique charm. When I am old, my inner peace and spiritual richness can be brought to me through reading. Mr. Jiang Yang and Mr. Zhong Shu get along well and have a little life, which makes me deeply appreciate the charm of reading.
Limited writing, too little reading, a lot of things I want to say can't be said, and the meaning I want to express is not perfect. In short, I hope to be a kind-hearted, educated old lady with her own rich spiritual world in the future ~
Jiang Yang's Reading Notes of the Three of us (Chapter 4) Mr. Jiang Yang told the story of the party in simple language, gathering, parting and missing each other ... They were all full of love.
Between the lines of Mr. Jiang Yang, there is a warmth of maternal love and the understanding of a good wife. Whenever Zhong Shu is in trouble, she always says "Never mind, I will solve it", and then Zhong Shu really doesn't have to worry, and Mr. Jiang Yang will really solve it. That kind of tenderness, like water, has strong endurance and is deeply trusted and relied on by children and husbands.
Yuan Yuan started reading at the age of 4. Like his father, he turned the pages with his thumb and forefinger, turning them quickly. This picture immediately appeared vividly in front of my eyes. Yuan Yuan finished reading many famous works when he was 12 years old, such as The Journey to the West. Speaking of Journey to the West, I'm reading it now. It's semi-classical, and I read my notes while reading it, so I don't want to say that my child is a copy of my parents. In such a home full of scholarly atmosphere,
After Yuan Yuancheng became a university professor, Mr. Jiang Yang also said to her husband, "Our children are stronger than their parents. My heart jumped when I spoke at the meeting, but Ayuan didn't panic at all. She always has her own unique opinions. She presided over many meetings! Zhong also nodded and praised us, saying that Yuan Yuan is a talented person! From here, we can see the modesty of Mr. and Mrs. Jiang Yang and their affirmation and appreciation of their children!
The whole family is simple and pure, and the soul is noble. Mr. Jiang Yang said that the three of us together will make us feel very comfortable and warm, even if we don't say a word. Three people together don't disturb each other, do their own things, depend on each other and respect each other.
Later, Yuan got sick and left first. A year later, her husband also left, leaving Jiang Yang alone. She said, I am left alone, I miss the three of us ... I can't stop crying. ...
Reading this book is like listening to Mr. Jiang Yang tell about his life. From a very young age, he talked about her parents, her brothers and sisters, her and Yuan Yuan and the three of them, and told a beautiful story in a quiet and peaceful tone.
Jiang Yang's Notes on the Three of us (Chapter 5) Reading Jiang Yang's The Three of us, I was moved by the author's sincere feelings. The happy life scene of the family is vivid. As senior intellectuals, the three of them all have feelings of caring for others, and they all have normal lives, joys and sorrows. China intellectuals' rigorous academic spirit of "seeking nothing but nothing" is very strong in them.
Qian Zhongshu is my favorite and most respected great intellectual. I bought all his works and read them when I have time. Although some of them are troublesome to read, I am still happy to read them. I remember that the "pipe cone" was a gift that my wife bought for me on my 30th birthday, and it is still neatly stacked on the bookshelf. I was surprised at the breadth and complexity of his reading. Chinese and foreign knowledge and ideas communicate with him without embarrassment and discomfort at all. From now on, I love reading all biographies and anecdotes about Qian Zhongshu, and I have made a lot of notes. I want to get close to him and see how he studies and studies. I also have Qian Zhongshu, Introduction of Western Learning to the East and Biography of Qian Zhongshu on my bookshelf. Because I like Qian Lao, I naturally "love me, love my dog": I like the works of his wife Jiang Yang.
Old Mr. Jiang Yang deeply loves the happy life of his family. In The Three of Us, the author said: "Our family is very simple; The three of us, it's simple. We have nothing to do with the world and others, but to get together, stay together and do what we can. When encountering difficulties, Zhong Shu always bears them with me, and the difficulties are no longer difficult; With the help of my aunt, whatever is bitter and hard can become sweet and moist. If we are a little happy, we will become very happy. So the three of us met in an unusual way. Now the three of us are separated. The past can't stay, and the dead can still be chased; I can't find anything else. I can only relive the years when we lived together and get together with them again. " His sincere feelings and unpretentious scholarly life are touching and enviable.
Qian Zhongshu's popularity is inseparable from his hard work. In The Three of Us, the author describes it like this: Qian Zhongshu "doesn't like activities" and "I traveled all over Beijing during my six months in Tsinghua. He stayed in Tsinghua for four years, but he hasn't been to Yuquan Mountain and Badachu. On the anniversary of Tsinghua, the whole school visited the Summer Palace. Zhong Shu is still swimming in the Summer Palace. He also swam in Xiangshan once, and he has never been anywhere else. " "There are many holidays in Oxford. Zhong Shu spends all his holiday time reading. The classics of university libraries are bounded by18th century, and the classic works of libraries are limited to18th century and before. /kloc-The classic and popular books of the 0/9th and 20th centuries can only be borrowed from the municipal library. There are plenty of books there, and the borrowing period is two weeks. We often go to the city library in less than two weeks. We also have books such as Chinese classics, poems and songs brought out from home, as well as books borrowed or sent by friends. Bookstores are also allowed to stand in front of bookshelves and read at will. There are no books anyway. " As early as when he was studying in Tsinghua, Qian Lao made the ambition of "sweeping the Tsinghua University library" and read it through. Look at the reading spirit of Qian Lao and others. The reason why we are so mediocre is self-evident
Jiang Yang's Reading Notes of the Three of us (Chapter 6) As long as the family is together, all difficulties seem to be solved. In fact, their sufferings at that time were self-evident, but it was precisely because the hearts of the family were always linked together and they had a way to get along with others that they looked so relaxed and beautiful, as if all external pressure disasters were nothing! It can be seen that the way they contact has always been letters, and the time is not short, but every time they get together, they are always so harmonious. The roles of three people at home are naturally good division of labor, mutual communication and complementarity, and nicknames are both appropriate and warm. I envy the tacit understanding and trust between them. There are always endless words and interests. This era is really lacking. They communicate with each other in every detail, no matter how busy they are. Imagine that we can contact casually in this era, but there is always something missing, which is far less than the communication between the three of us. There is no such emotion between them.
At first, I was a little puzzled by the previous articles, which always made me feel out of body, very sad and sad. I always hope that good things will last forever, there will be no death, and the author will not be left alone in the world. How cruel it is! There is no lack of interest in life. The key is whether you have the heart to discover and create interest in life. The life of the three of us should be an example for modern people to learn. Family members should be like this, support each other and tolerate each other. Under the busy work rhythm, they can also increase the fun at home and ordinary fun!