The emperor of China, eager to shake the beauty of an empire, has been in office for many years, searching and never finding it.
Until a child of the Yang family grew up in the inner room, almost before she grew up, and no one knew her.
However, due to the gift of heaven and no concealment, it was finally elected royal one day.
If she just turned her head and smiled, there were a hundred spells, and the powder and paint of six palaces disappeared without a trace.
It was early spring. They let her bathe in a pure pool to warm and smooth her creamy skin.
Because she was tired, a maid lifted her up, when the emperor noticed her for the first time and chose her as his bride.
On the night of spring, the warm hibiscus curtains covered her fluttering hair, petals on her cheeks and golden ripples on her head.
But the night in spring is short and the sun rises too fast. Since then, the emperor has given up his early hearing.
He wastes all his time on parties and revelry. He is the lover of spring and the tyrant of night.
There are other ladies in his court, 3,000 of whom are stunning beauties, but his love for 3,000 is concentrated on one person.
When she gets dressed in her golden room, it will be almost evening. When the table in the jade tower is cleaned, she will hang around and drink slowly.
Her sisters and brothers were all given titles because she lit up and glorified her family so much.
When a girl is born instead of a boy, she brings happiness to every father and mother in the empire.
... high rose plum palace, into the blue clouds, and the wide breeze carries magical notes.
Soft songs and slow dances, strings and bamboo music, the emperor's eyes will never stare at her.
Until the sound of drums came from Yuyang, which shook the earth and broke the tune of rainbow skirts and feather clothes.
The Forbidden City, a nine-story palace, is hidden in the dust and travels southwest from thousands of chariots and horses.
More than a hundred miles west of Doumen, the imperial flag opened the way, moving and stopping.
People in the army stop, and no one will move until they are under their hooves. They may trample on those moths.
The gorgeous hairpin fell to the ground, and no one picked it up, a green and white Hosta and a golden hairy bird.
The emperor couldn't save her, so he had to cover his face. Later, when he turned to look, there was blood and tears.
Hidden in the yellow dust blown by the cold wind, they crossed a cloud line at the crack in the path of the dagger tower.
Under Emei Mountain. The last few came, and the flags and banners lost their colors in the fading sun.
But the water in Shu is always green and the mountains are always blue, so your majesty's love is constant and deeper than the sky.
He stared at the desolate moon from his temporary palace, and he heard the rain at dusk, cutting his chest.
Heaven and earth in last contact, the dragon car comes home, and the emperor never leaves.
The memory and pain are buried in the soil of Maweipo. Where is her white face? .
Rulers and lords, when their eyes met, cried on their coats. They rode horses, loosened the reins and slowly returned to the capital.
Pond, garden, palace, everything is the same as before, Taiye Lake hibiscus, Weiyang Palace willow.
But the petals are like her face, and the willow leaves are like her eyebrows. Whenever he looks at them, what can he do but cry? !
Peach and plum trees are in bloom. In the spring wind, after the autumn rain, the leaves fall to the ground.
The palaces in the west and south are scattered with evening grass, and the steps are piled with red leaves that are not swept.
The players in her pear garden became white-haired, and eunuchs were thin in her pepper yard. .
Fireflies were flying on the throne, and he was meditating in the twilight. , he will extend the wick to its end and still never fall asleep. ..
Bells and drums will slowly ring the long night, and before dawn, the Milky Way in the sky will become clear.
And the porcelain mandarin ducks on the roof grow thick morning cream, and the jade is cold. Who's with * * *?
The distance between life and death is year after year, but no beloved soul has visited his dream.
There lived a Taoist priest in Lingqiong. He was a guest in the sky and could summon the gods through his concentration.
People were moved by the emperor's constant meditation, and they begged the Taoist priest to see if he could find her.
He opened a path in space, like lightning, cut through the sky, up and down, looking for it everywhere.
Above, he looked for the green void, below, the yellow spring, but he didn't find the one he was looking for in two places.
Then he heard a story about a magical island at sea, which is part of the invisible world.
There are pavilions in the five-color sky, and exquisite immortals walk back and forth.
And one of them, they call it forever true, has a face like her snow and flowers.
So he came to the golden gate of the West Hall, knocked on the Jasper Gate, and asked a girl named Small jade to tell the perfect person.
This lady, after hearing the news of Emperor China's envoy, woke up from her dream in her canopy.
She pushed open the pillow, got dressed, shook off her drowsiness, opened the pearly curtain, and then opened the silver screen.
Because she left in such a hurry, her muddy hair ornaments hung aside, and when she came along the platform, her flowered hat was loose.
A breeze blew her cloak and fluttered with her movements, as if she were dancing with a rainbow skirt and feather coat.
Tears rolled down her sad and pale face, just like the spring rain on pear flowers.
But when she asked him to thank her monarch, her eyes shone with love. Since they separated, her form and voice were unfamiliar to her.
Because happiness ends in the courtyard of the sun, the moon and dawn become long in the palace of Xianshan.
But when she turned to look down at the earth and tried to see the capital, there was only fog and dust.
So she took out the keepsake he gave, and gave him a shell box and a gold hairpin through his messenger.
However, one branch of the hairpin and one side of the box were kept, and the gold of the hairpin and the shell of the box were broken.
"Our souls belong to each other," she said, "just like this gold and this shell." Somewhere, at some time, on earth or in heaven, we will be together.
She sent him a message through his messenger, reminding him that only the hearts of the two of them knew the oath.
On the seventh day of July, in the Palace of Eternal Life, we secretly told each other in the quiet midnight world.
We hope to fly in heaven, two birds become one and grow on the earth, two branches of a tree. ..
The earth endures, and the sky endures; One day both will end, and this endless sadness will last forever!
Song of Eternal Sorrow is one of Bai Juyi's representative works and one of the most famous narrative poems in the history of China literature. The first half of this poem satirizes Tang's dissoluteness and ruthlessness, and the second half writes Tang's profound lovesickness with sympathetic strokes. In this way, the theme of poetry changed from criticizing to praising the loyal and single-minded love between Tang and Yang Guifei. However, there is still irony in praise and sympathy. This is a long poem with double themes, and it has made great artistic achievements, especially in the second half, which greatly enhances the expressive force of the white poem by using romantic fantasy. Vivid characters, beautiful language and intonation, lyrical scenery and narration are also the artistic characteristics of Song of Eternal Sorrow.
Enjoy 1
This poem was written in the first year of Yuanhe in Tang Xianzong (AD 806). The author was 35 years old and served as a county magistrate in Zhouzhi. As for the origin of this poem, according to Chen Hong, a good friend of Bai Juyi, he and Bai Juyi and Wang Zhifu visited the temple in October of the first year of Yuanhe. Occasionally speaking of this tragic story of Tang and Yang Guifei, everyone lamented. So Wang Zhifu asked Bai Juyi to write a long poem and Chen Hong to write a biography. The two complement each other and are used by future generations. Because the last two sentences of the long poem are "the earth lasts forever, and the sky lasts forever;" One day, both will end, and this endless sadness will go on forever. They called this poem "The Song of Eternal Sorrow" and that poem "The Song of Eternal Sorrow".
The Song of Eternal Sorrow is divided into three sections, from "Emperor China's desire for earth-shattering beauty" to "Broken Feather" as the first section, which describes the love life and love effect of Tang and Yang Guifei, and the resulting national famine and chaos and Anshi rebellion. Among them, the first eight sentences are about Yang Guifei's beauty and what Tang got. Ming was the emperor of the Tang Dynasty, but the poem said "Emperor Wu of the Han Dynasty", which was a habit left by people who wrote ancient poems in the Tang Dynasty. Fall in love with the country: refers to a beautiful woman who falls in love with the country. Yuyu: refers to the emperor, who rules the world. Eighteen sentences from It's Early Spring. People use "having a girl is happier than having a boy" to describe Yang Guifei's love and the luxury of the Yang family. Huaqingchi: On Mount Li in the south of Lintong County, Anton, Xi, there is the emperor's palace in the building, which is famous for its hot springs. Condensing fat: it is a metaphor for people's white and smooth skin. Walking: headdress of ancient women. "But spring night was short, and the sun rose too early, so the emperor gave up his early hearing." He wrote about Tang's infatuation and ignored politics. He wastes all his time on parties and revelry. He is the lover of spring and the tyrant of night. There are other ladies in his court, 3,000 are rare and beautiful, but his favor is 3,000 concentrated in one body. "Write Yang Guifei spoiled to what extent is inseparable. Then the author compares their relationship with the allusion that Emperor Wu of the Han Dynasty doted on Chen Ajiao and wanted to build a golden palace for Gillian. "Brothers and sisters are listed in the soil, and because she is so aboveboard, she has glorified her clan. She brought happiness to every father and mother in the whole empire, because she gave birth to a girl instead of a boy. " One person gets the word, chickens and dogs ascend to heaven, Yang Guifei is favored by one person, and Yang Zongmen immediately becomes strong. My younger brother Yang became the prime minister, and my sisters became good wives and mothers, fighting for power and profit. This is what Du Fu's "The Second Way" is about. Empresses and concubines of the emperor are also human beings and have lust, just like civilians; But the emperor has authority in his hand, and his lust is often inseparable from the use of this authority. This makes their love effect very different from that of civilians. Lust is not a big crime, but it leads to excessive rewards, allowing bad people to steal power and disrupt the platform, which is not far from the destruction of the country and family. Therefore, when we comment on the love of emperors, we must not leave the specific content of their lives and their social effects. "... the high rose plum palace, entering the blue clouds, and the wide breeze carrying magical notes. Soft songs and slow dances, the music of string bamboo, the emperor stared at her. "These four sentences echoed the previous" and the emperor, from now on, abandoned his early listening ",further describing that Tang was addicted to debauchery and neglected the country. The luxurious life of the rulers in the Tang Dynasty was based on the cruel plunder and extreme poverty of the working people. Du Fu described the happy life of Tang and Yang Guifei on Lishan Mountain in "Ode to 500 Words from Beijing to Fengxian", and then said: "Sharing the same pavilion and parting silks originated from cold women. Whip his husband's family and get together. " He added: "The wine in Zhumen stinks, and the road has frozen bones. It is difficult to distinguish between glory and death. "It is precisely because the ruling clique is so fatuous and decadent and the class contradictions are so sharp that once the great aspirant An Lushan launched a rebellion, the dazzling pyramid of the Tang Dynasty immediately collapsed." Until Yuyang drums, shaking the earth, broken color feathers "vividly illustrates this process. Yuyang: the name of the county, which belongs to the jurisdiction of Jixian County in Tianjin today. This area is sometimes called Yuyang County and Fanyang County. An Lushan was appointed as our time in Fanyang, Pinglu and Hedong, and the base camp was in Yuyang. Drum: A musical instrument used by the army. Yuyang Daigu refers to the rebel army led by An Lushan; In November of the 14th year of Tianbao reign of Emperor Xuanzong of the Tang Dynasty (AD 755), An Lushan launched a rebellion. Cai Yu: The name of the dance music comes from Kaiyuan Xiliang. It is said that Tang personally polished it and wrote lyrics. After Yang Guifei entered the palace, she was good at dancing.
From "the Forbidden City, a nine-story palace, vaguely in the dust" to "but no beloved soul visited his dream", sentence * * * 42 is the second paragraph, describing the rebellion in Mayi, the murder of Yang Guifei, and Tang's yearning for Yang Guifei from now on. Among them, the first ten sentences are about the mutiny of Ma Weiyi. Jiuchong City Que: refers to the capital city. The emperor's palace has nine doors, so it is called the palace. Smoke and dust: refers to enemy police. Heading southwest from thousands of troops: refers to Tang Mingdi and others who fled from Chang 'an to Sichuan in June of the 15th year of Tianbao (AD 756). Cuihua: refers to the ritual ceremony of the emperor. It is only 30 miles away from the capital, outside the west gate, and its place is Mayi Post, which is located in Xingping West, Shaanxi. Sixth Army: The army called the Emperor of Heaven in ancient times, referring to the Imperial Guards of the Tang Dynasty. No hair: no further progress, which means mutiny here. At that time, the mutinous soldiers first killed Yang and Yang Guifei's two sisters, and then forced Tang to give Yang Guifei a death present. Flowers, cuiqiao, broom and jade scratching head are all ornaments on Yang Guifei's head. "Hidden in the yellow dust blown by a cold wind" wrote the following eight sentences about Tang's thoughts of Yang Guifei on his way to Chengdu and during his stay in Chengdu. Cloud: the air passage in the mountains. Jiange: Jiange Gate, a dangerous barrier between Shaanxi and Sichuan in ancient times, is located in the northeast of Jiange County, Sichuan Province. Emei Mountain: It is in the southwest of Emei County, Sichuan Province, not on the way to Sichuan from Shaanxi. The poet piled up here, emphasizing the dangers of the mountain road between Sichuan and Shaanxi. In Li Bai's Difficult Road to Shu, there is a saying that "there is still a bird's path to the west of Dabaishan, which can cross Emei Mountain". The same mistake. The following four sentences are written in "On the same day in last contact, the dragon car is heading home": When Tang Jun recovered Chang 'an, Emperor Tang Ming returned to Beijing from Chengdu, and then passed through Mayi Post, seeing the present and thinking about the past, he was hurt by the scenery. Everything goes back and forth: the situation changes, and the Tang army retakes the two capitals. This happened in September and October of the second year from Tang Suzong to Germany (AD 757). Dragon: It refers to Tang's driver's car. That memory, that pain. Where is her white face? There is only an empty grave and the body is gone. Since then, the story has been added with myth. At that time, there was a legend that Yang Guifei had been "dismembered" and died as a fairy. The following 20 sentences, "The monarch and the minister care for each other in tears", are about how the emperor of the Tang Dynasty saw things and thought about people after he returned to Beijing, and he was so sad that he didn't want to live. Believe in the return of the horse: let the horse go by itself and say that people are not in the mood. Great grandfather: the name of the water in Daming Palace. Weiyang: The name of the palace where the emperors of the Han Dynasty lived, referring to the Daming Palace in the Tang Dynasty. Xigong: Taiji Palace, called Xigong or Xinei in the Tang Dynasty. Nannei: Xingqing Palace. The Tang people called Daming Palace, Taiji Palace and Xingqing Palace three major districts. Daming Palace was the place where the then emperor Tang Suzong lived. After returning to Beijing, the abdicated Tang was placed in Taiji Palace and Xingqing Palace. Liyuan disciple: refers to the court song and dance troupe that once served Tang. It is said that Tang personally taught them to rehearse. Pepper room: the palace where the empresses live, painted with pepper paste, one takes its fragrance and the other takes its many children. A Jian: Eunuch. Qing 'e: It refers to maids. The above two sentences share the responsibility of Tang and Yang Guifei, meaning that the people who served them before are now old. Yuanyang tile: roof tile with asphalt interlocking. Emerald blanket: A quilt decorated with emerald feathers. The above layers show that Emperor Tang Ming misses him all the time, and everything and scenery evoke his nostalgia for Yang Guifei. Text/Korean Source: China Broadcasting Network
Appreciate II
As a generation of literati, Bai Juyi was successful. His realistic pen has written many bleak scenes and sounded the alarm again and again. His Song of Eternal Sorrow is a masterpiece of his life.
Poetry begins with comedy and turns into tragedy. Although the author's original intention is to "punish the stunner", it has become an ode to love. The most successful part of this narrative poem is lyricism. Quite complicated plots only need a few simple words to explain the past, but focus on the rendering of feelings, carefully writing out the deep love between Tang and Yang Guifei and the feelings of both sides after the death of Guifei.
The song of everlasting regret is the song of everlasting regret, which is the theme of the poem, the focus of the story and a touching seed buried in the poem. As for what you hate, why do you hate it for a long time? The poet does not tell and express directly, but shows it to readers layer by layer through his poetic stories, so that people can guess, remember and feel for themselves. The Song of Eternal Sorrow first gives us the enjoyment of artistic beauty, a moving story in the poem and a delicate and unique artistic conception. The center of the whole article is "Song of Eternal Sorrow", but the poet tries his best to write and render it with "thick ink and heavy color" as the starting point. "Work at sunrise and rest at sunset", "Don't go early", "Stay up late", "I can't get enough of it" and so on. , appear extremely happy, like a comedy. However, that kind of extreme joy is only in contrast to the endless hatred behind it. The dissoluteness of Emperor Xuanzong of Tang Dynasty led to a political tragedy, which in turn led to a love tragedy between him and Yang Guifei. The maker of the tragedy finally becomes the hero of the tragedy, which is a particularly tortuous part of the story and the reason why the hero and heroine in the poem have to "hate" for a long time. Many people say that the Song of Eternal Sorrow has a moral, and I think this is the moral of this poem. So, how does the poet express "long hatred"? After the death of Yang Guifei in Majipo, the poet described it very delicately, showing the inner contradictions and painful feelings of Tang Xuanzong who could not bear to give up love and wanted to save it. Because of this "blood and tears" death, there will be endless hatred. Later, the poet used a lot of pen and ink to repeatedly render Tang Xuanzong's yearning for Yang Guifei from all aspects, but the story of the poem did not stay at an emotional point, but with the gradual progress of the inner world of the characters, he perceived the constant changes of their scenery, pushed forward the time and story, and used the thoughts and feelings of the characters to develop and promote the development of the plot. After his death, Emperor Xuanzong of Tang Dynasty went to Shu and felt very sad. Still on the road, revisiting the old place has evoked sad memories; After returning to the palace, I experienced physical injury during the day and insomnia at night. I miss it day and night, so I hope to have a dream, but it is "the distance between life and death year after year, but no beloved soul has visited his dream". At this point in the poem, the "hate" of "long hate" has been written very touching, and it seems that the ending of the story is OK. But the poet's pen is curved. With the help of the colorful wings of imagination, he conceived a charming fairyland, which pushed the plot of the tragic story to a climax and made the story more tortuous, ups and downs. This turning point is both unexpected and reasonable. Due to the constant contradiction and collision between subjective desire and objective reality, poetry vividly shows the psychology of the characters, and the story is more moving.
Song of Eternal Sorrow is a narrative poem with strong lyrical elements. The poet adopted the expression technique of China's traditional poetry, which is good at telling stories and portraying characters, and harmoniously combined narrative, scenery description and lyricism, forming the lyric characteristics of poetry. Poets sometimes inject the thoughts and feelings of the characters into the scenery, and use the refraction of the scenery to contrast the mood of the characters; Sometimes we grasp the distinctive scenery and things around the characters, express their inner feelings through their feelings, and render them layer by layer, appropriately expressing the unspeakable feelings hidden in the hearts of the characters. From the rambling of Huang Chen to the lush of Shushan, from rainy night in the palace to triumphant return, from day to night, from spring to autumn, we are moved by things everywhere, always thinking of people, and repeatedly rendering the protagonist's hard pursuit and search from all aspects. If you can't find it in real life, you will find it in your dreams. If you can't find it in your dream, go to fairyland. This kind of ups and downs, layer by layer rendering, let the characters' feelings swirl up and reach a climax. It is through such layers of rendering that the poet repeatedly expresses his feelings and goes back and forth, which makes the characters' thoughts and feelings more profound and rich, and makes the poem "delicate in texture" and more artistic. As a narrative poem that will never be sung again, Song of Eternal Sorrow has a high artistic achievement. Throughout the ages, many people have affirmed the special artistic charm of this poem. What infected and seduced readers with the art of Song of Eternal Sorrow? Touching, I am afraid, is its greatest artistic personality, and it is also the power that it can attract readers, make them infected and tempted for thousands of years.
An "everlasting regret" has amorous feelings!
Bai Letian said. It can be seen that the poet's heart really poured too much emotion into the Song of Eternal Sorrow.
Bai Letian's life is full of sadness, and the judgments handed down from generation to generation have effectively exposed the people's suffering and tyranny. For example, Qin Zhongyin, a realistic poet who advocates that "articles should be written in time and poems should be written for things", wrote a sad and indirect love story, which reminded me of Bai Juyi's own love life. Although Bai Juyi's career was bumpy and unhappy, he even used Buddhism and Taoism to paralyze himself and seek spiritual liberation, and he hated the corruption of state affairs at that time. But I think this poem is more about praising love or alluding to his feelings.
On the other hand, since ancient times, emperors have not loved mountains and rivers and loved beauty, and lewdness and dogs and horses are also their patents. So the figure of a dynasty's decline, following the footsteps of a woman's grievance, slowly came to an end. "A femme fatale" is an excellent reason for emperors to give an excuse to future generations when they feel that their country has gone far. Women are just victims of tragedy. They just used their own powder to win a little favor and a man's arms for their status and interests, but they were finally given death. This also warns them not to forget the consequences of excessive exploitation while getting what they want.
Finally, the romantic pen gave us a little comfort, and let me always believe in the beauty of true love in the port of time.
Appreciation 3
Song of Eternal Sorrow is a famous masterpiece in Bai Juyi's poems. Written in the first year of Yuanhe (806), the poet served as county magistrate in yi county (now Zhouzhi, Shaanxi). He visited Xianyou Temple with his friends Chen Hong and Wang Zhifu, and wrote this poem because of the story of Emperor Xuanzong of the Tang Dynasty and Yang Guifei. In this narrative poem, the author describes the love tragedy of Xuanzong and Yang Guifei in the Anshi Rebellion with refined language, beautiful images, narration and lyricism: their love was destroyed by their own rebellion, and they were endlessly eating the bitter fruit of this spirit. Tang Xuanzong and Yang Guifei are both historical figures. Poets do not stick to history, but rely on a little shadow of history. According to the legend of the people at that time, the singing of the neighborhood has degenerated into a tortuous and touching story, which is described and sung in a reciprocating and touching art form. Because the stories and characters in the poem are artistic, and they are the complex and true reappearance of people in reality, they can ripple in the hearts of readers in past dynasties.
The song of everlasting regret is the song of everlasting regret, which is the theme of the poem, the focus of the story and a touching seed buried in the poem. As for what you hate, why do you hate it for a long time? The poet does not tell and express directly, but shows it to readers layer by layer through his poetic stories, so that people can guess, remember and feel for themselves.
The first sentence at the beginning of the poem: "The emperor of China longs for beautiful women who may shake an empire" seems very common, as if the story should be written from here without the attention of the author. In fact, these seven words are extremely rich, which is the whole program, which not only reveals the tragic factors of the story, but also evokes and directs the whole poem. Then, in extremely frugal language, the poet described how Xuanzong of the Tang Dynasty emphasized color and sought color before the Anshi Rebellion, and finally got Yang Guifei, who said, "As long as she turns her head and smiles, there will be a hundred spells, and the makeup of the sixth palace will go up in smoke." It describes the beauty and charm of Yang Guifei. After entering the palace, he was favored by color. She not only "inherited her kindness", but also "listed all her sisters and brothers in the soil". Repeatedly rendering how Tang Xuanzong indulged in debauchery after winning the imperial concubine, how to have fun, and how to indulge in singing, dancing and drinking in the palace all day. All this led to the Anshi Rebellion: "Until the drums of war exploded from Yuyang, shaking the earth and breaking the tune of rainbow skirts and feather clothes". This part describes the internal cause of "long hatred", which is the basis of the tragic story. Through the realistic description of this court life, the poet ironically introduced the hero and heroine of the story: an emperor who valued the country and despised the people, and a charming and pampered concubine. This also vividly implies that the misunderstanding of Tang Xuanzong is the root of this tragedy.
Below, the poet specifically described the scene that the emperor's military forces fled to the southwest after the Anshi Rebellion, especially the destruction of the love between Tang Xuanzong and Yang Guifei in this turmoil. "People in the army stop, and no one will move until under their hooves, and they may trample on those moths. The gorgeous hairpin fell to the ground, and no one picked it up, a green and white Hosta and a golden hairy bird. The emperor couldn't save her, so he had to cover his face. Later, when he turned to look, the land of blood and tears wrote their scene "Where are you going, Maweipo". The "Sixth Army refused to send" and demanded the execution of Yang Guifei, which was an anger against Tang Xuanzong's infatuation with women and brought disaster to the country and people. The death of Yang Guifei is a key plot in the whole story. After that, their love turned into a tragedy. Then, from "hiding in the yellow dust blown by a cold wind" to "there is no beloved spirit to visit his dream", the poet seized the "hate" in the spiritual world of the characters, described the loneliness and sadness of Yang Guifei in Shu after her death, and also recalled the past on the way. The lingering lovesickness is heartbreaking. It is precisely because the poet exaggerates the feelings of the characters to such an extent that the arrival of Taoist priests and the appearance of fairyland behind them give people a sense of reality and will not think that they are purely castles in the air.
From "There lived a Taoist priest in Lingqiong who was a guest in the sky" to the end of the poem, Taoist writers helped Xuanzong find Yang Guifei. The poet used a romantic technique. Suddenly he went to heaven and then to the ground. "Above, he looked for the green void, below, the yellow spring, but he didn't find the person he was looking for in either place." Later, Yang Guifei was found on the ethereal fairy mountain at sea, and was allowed to reappear in the fairyland with the image of "tears falling down her sad white face, like spring rain on a pear flower", warmly welcoming the envoys of the Korean family, expressing their feelings, sending a symbolic message, reaffirming the previous vows, taking care of Tang Xuanzong's thoughts about her, and further deepening and rendering the theme of "long hatred". At the end of the poem, it ends with "and this endless sorrow is endless", points out the theme, responds to the beginning, and achieves "silence", giving readers room for association and aftertaste.
The Song of Eternal Sorrow first gives us the enjoyment of artistic beauty, a moving story in the poem and a delicate and unique artistic conception. The center of the whole article is "Song of Eternal Sorrow", but the poet tries his best to write and render it with "thick ink and heavy color" as the starting point. "Work at sunrise and rest at sunset", "Don't go early", "Stay up late", "I can't get enough of it" and so on. , appear extremely happy, like a comedy. However, that kind of extreme joy is only in contrast to the endless hatred behind it. The dissoluteness of Emperor Xuanzong of Tang Dynasty led to a political tragedy, which in turn led to a love tragedy between him and Yang Guifei. The maker of the tragedy finally becomes the hero of the tragedy, which is a particularly tortuous part of the story and the reason why the hero and heroine in the poem have to "hate" for a long time. Many people used to say that Song of Eternal Sorrow has a moral, and this poem is the moral. So, how does the poet express "long hatred"? After the death of Yang Guifei in Majipo, the poet described it very delicately, showing the inner contradictions and painful feelings of Tang Xuanzong who could not bear to give up love and wanted to save it. Because of this "blood and tears" death, there will be endless hatred. Later, the poet used a lot of pen and ink to repeatedly render Tang Xuanzong's yearning for Yang Guifei from all aspects, but the story of the poem did not stay at an emotional point, but with the gradual progress of the inner world of the characters, he perceived the constant changes of their scenery, pushed forward the time and story, and used the thoughts and feelings of the characters to develop and promote the development of the plot. After his death, Emperor Xuanzong of Tang Dynasty went to Shu and felt very sad. Still on the road, revisiting the old place has evoked sad memories; After returning to the palace, I experienced physical injury during the day and insomnia at night. I miss it day and night, so I hope to have a dream, but it is "the distance between life and death year after year, but no beloved soul has visited his dream". At this point in the poem, the "hate" of "long hate" has been written very touching, and it seems that the ending of the story is OK. But the poet's pen is curved. With the help of the colorful wings of imagination, he conceived a charming fairyland, which pushed the plot of the tragic story to a climax and made the story more tortuous, ups and downs. This turning point is both unexpected and reasonable. Due to the constant contradiction and collision between subjective desire and objective reality, poetry vividly shows the psychology of the characters, and the story is more moving.
Song of Eternal Sorrow is a narrative poem with strong lyrical elements. The poet adopted the expression technique of China's traditional poetry, which is good at telling stories and portraying characters, and harmoniously combined narrative, scenery description and lyricism, forming the lyric characteristics of poetry. Poets sometimes inject the thoughts and feelings of the characters into the scenery, and use the refraction of the scenery to contrast the mood of the characters; Sometimes we grasp the distinctive scenery and things around the characters, express their inner feelings through their feelings, and render them layer by layer, appropriately expressing the unspeakable feelings hidden in the hearts of the characters. On his way to the southwest, Emperor Xuanzong of the Tang Dynasty was surrounded by yellow dust, plank roads and high mountains. The sun is dim, the standard is dull, and autumn scenery is desolate. This is a sad autumn scenery to set off the sad thoughts of the characters. In Shu, facing the green mountains and green waters, we still can't forget ourselves. The mountains and water in Shu are beautiful, but in the lonely and sad eyes, the "green" of the mountains and the "green" of the water are also sad. The beauty of nature should be appreciated with a quiet mind, but he didn't, so he increased his inner pain. This is to write sad feelings through beautiful scenery, so that feelings are deeper. The moonlight in the palace and the bell on a rainy night are already very exciting. The poet grasped these unusual but distinctive things and brought people into the realm of sadness and heartbreak. In addition, when they see and smell, they are intertwined, which also shows the sadness and sadness of the characters in language and tone. This is another floor. Still on the road, "everything is spinning" was originally a happy thing, but the old place ended and Yu Yan disappeared, so I couldn't help crying. In the narrative, another layer of painful memories is added. After returning to Chang 'an, "ponds, gardens, palaces, everything is the same as before, Taiye Lake hibiscus, Weiyang Palace willow. But petals are like her face, and willow leaves are like her eyebrows. Whenever he looks at them, what can he do but cry? " . During the day, caused by the environment and scenery, people are associated with the scenery, and the scenery remains the same, but people are gone. I can't help bursting into tears. From the hibiscus flowers in Taiye Pool and the weeping willows in Weiyang Palace, I seem to see the appearance of Yang Guifei, showing the extremely complicated and subtle inner activities of the characters. "Fireflies were flying on the throne, while he was meditating in the twilight. He will extend the wick to its end and still never fall asleep ... bells and drums will slowly ring the long night, and before dawn, the Milky Way in the sky will become clear. " From dusk to dawn, the focus is on the scene where you can't sleep for a long time because of emotional troubles at night. This bitter yearning is like "peaches and plums bloom and the spring breeze blows" and "after the autumn rain, the fallen leaves return to their roots". It is sad to see that the "disciples of Liyuan" and "A Jian Qing E" in those days were all white-haired and their faces were withered, which reminded us of the happy thoughts of the past. From the rambling of Huang Chen to the lush of Shushan, from rainy night in the palace to triumphant return, from day to night, from spring to autumn, we are moved by things everywhere, always thinking of people, and repeatedly rendering the protagonist's hard pursuit and search from all aspects. If you can't find it in real life, you will find it in your dreams. If you can't find it in your dream, go to fairyland. This kind of ups and downs, layer by layer rendering, let the characters' feelings swirl up and reach a climax. It is through such layers of rendering that the poet repeatedly expresses his feelings and goes back and forth, which makes the characters' thoughts and feelings more profound and rich, and the poetry is "delicate in texture" and more artistic.
As an immortal narrative poem, Song of Eternal Sorrow has a high artistic achievement. Throughout the ages, many people have affirmed the special artistic charm of this poem. What infected and seduced readers with the art of Song of Eternal Sorrow? Touching, I am afraid, is its greatest artistic personality, and it is also the power that it can attract readers, make them infected and tempted for thousands of years. (Rao Pengzi)