Hello poster,
Roughly speaking, there are four major styles:
Wang Jingsong Style: It is Wang Anshi’s poetic style, although it is the style of poetry in the poem. It is a style of poetry, but later it also flowed into poetry. This style of poetry can be said to have reached its highest peak in quatrains. The style of Wang Jingsong's style is to pay more attention to the characteristics of the sentence form, and strive to make the sentences unique, deep and graceful, yet blunt and rough. It combines the style of Tang poetry and the emotion of Song poetry, and has a greater influence on Song poetry.
Yi'an style: Li Qingzhao said that "we are not the same family" when it comes to lyrics, so Li Qingzhao strives to be "unique" in his lyrics. Yi'an style is different from other words. The biggest feature is Yi'an style. Introducing common sayings from daily life into the words makes the reading feel more novel. Secondly, Li Qingzhao is the first female poet in history. Her style of writing can be said to be the most poignant among the graceful style, and is the representative system of words related to divorce. Third, some of the Yi'an style lyrics are also manly. Xin Qiji, a representative of the Bold and Bold style of poetry in the Song Dynasty, also wrote Yi'an style lyrics. A major feature.
Chengzhai style: It is a style of the Southern Song Dynasty poet Yang Wanli. The biggest feature of this style of writing is that the poet can keenly discover the characteristics and laws of natural changes, so it is mostly about scenery. , the poet integrates the scenery that is not easy to be discovered and easily ignored by ordinary people into his own views, which is the poetry of the Chengzhai style school.
Tieya style: Yang Weizhen, a poet in the late Yuan Dynasty, was named Tieya, so his style of writing was called Tieya style. Generally speaking, Tieya style can be divided into 4 types:
Gong Ci, which is known for its refreshing and fluent style, and often uses gorgeous moves to describe some romantic things;
Xianglian poetry, this kind of poetry makes people feel thoughtful when read, similar to the words describing beautiful scenery in the graceful school. It makes people feel romantic or comfortable when reading, and it is fragrant but not gorgeous;
< p>Zhuzhige, most of these songs use the tunes of Wudi folk songs, and they also describe the relationship between men and women, but compared with other sentence systems and palace lyrics, they make me feel lively and generous, and the emotions are free and easy;Ancient Yuefu: This was a new system at that time. It tried to use a style that had both peaks and valleys. It was different from the ancient Yuefu poetry, and it was also different from the new poetry style at that time. It had a rugged and magnificent style. style.
The artistic characteristics and aesthetic attributes of Song poetry are obviously different from those of Tang poetry. Yan Yu summed it up clearly in "Canglang Poetry Talk": "Take words as poetry, use discussion as poetry, and use talent and learning as poetry." The basic characteristics of Song poetry. The Song people did not follow the footsteps of the Tang people and took a different approach. Although the spirit was commendable, the introduction of prose methods and structures into poems promoted the prose style of the poems. There were too many direct narratives and laid-out poems, especially the lack of traditional metaphorical techniques, which led to the Song Poetry loses certain aesthetic tastes such as image and artistic conception. However, Song poetry also enriched the artistic techniques of poetry, especially opened up a new pattern of "Song poetry emphasizes theory" and enriched new fields of artistic techniques such as poetic discussion and lyricism. Regarding "emotion" and "reason", Tang poetry also emphasizes "reason", but "emotion" is the primary and "reason" is secondary, and "emotion" is unified under "reason". It often expresses "emotion" implicitly with the help of various techniques such as image and artistic conception. ". Combining "reason" with "emotion" is the highest aesthetic realm of reasoning poetry in the Tang Dynasty. In this sense, the view that Song poetry is slightly inferior to Tang poetry has a certain truth. It also reflects from one aspect that the innovation of poetry must preserve its original meaning. Innovation can only be carried out on the premise of basic aesthetic principles. There were many poetry schools in the Song Dynasty, the leading one being the "Yongjia Four Spirits" poetry school represented by Yang Wanli, which attempted to take the road of folk poetry and attached great importance to drawing new nourishment of poetic language from spoken language. However, his creative path was correct. In addition, in terms of the number of creations alone, the poems of the patriotic poet Lu You of the Southern Song Dynasty have also reached a certain height. Due to the rise of philosophical poetry and Zen poetry, it is especially easy to use talents and learning as poetry, which finally led the prose poetry of the Song Dynasty astray, forming two extreme strongholds in the poetry world, the "Xikun Style" and the "Jiangxi Poetry School". The "Xikun style" poets developed some of the formalist tendencies in Li Shangyin's creations, specializing in piling up allusions and rhetoric; the "Jiangxi Poetry School" represented by Su and Huang made full use of all the advantages of poetry, and also The various shortcomings of poetry are exposed. Huang Tingjian's "replacement" takes the allusion to an extreme. People in the Tang Dynasty picked up allusions at random, leaving no trace and still showing spirituality, while people in the Song Dynasty liked to play with knowledge and paid attention to writing poems without words or origins. The reason why Song poetry is inferior to Tang poetry is not only the abandonment of traditional image thinking and other artistic methods, but also the reason: instead of further exploring new fields in the ideological content of poetry, it makes a big operation and makes a big fuss about the artistic form of poetry. It declined with the fall of the Song Dynasty.