He is separated from Xiaomi. He is a seedling of Xiaomi. The line is decadent and the center is shaken. Those who know me make me worry, and those who don't know me make me want. Dragon heaven, who is this?
Millet is separated, and the ears of millet are separated. Walking is decadent and the center is drunk. Those who know me make me worry, and those who don't know me make me want. Dragon heaven, who is this?
The separation of millet is the reality of millet. Walking decadent, center suffocation. Those who know me make me worry, and those who don't know me make me want. Dragon heaven, who is this?
1 "Preface to Poetry": "Min Ye. As for Chow Tai Fook's service in Zhou Zong, he passed through the ancestral temple and palace, all for the sake of grain and subverting Zhou Min. He couldn't bear to go, but he wrote poetry. "
(2) Mao Chuan: "Peter, Peter lives in the palace. Mike, okay. It's too late to be decadent Shake it and don't worry about anything. " Qian Chengzhi said, "Mao Yun is too lazy to move." Li Yong said: "The appearance of separation is scattered. Xiaomi is today's millet. Xiaomi is beautiful, that is, scattered, and Xiaomi is straight, that is, hanging but not scattered. Therefore, the millet sees its points, and the millet sees its seedlings and its ears. " Jiao Lin said: "A wavering person is lost in his own soul. If you are drunk, you will be fascinated by your thoughts; If you choke, you will be full of anger. " Shen Qing said on the cliff: "Describing what he saw was not a kind of support, but because of a decadent behavior he saw, and his heart was shaken. It is also a true description of his worries, not caused by Xiaomi. It is a blessing, not a joy. " Deng Xiangri: "The first two sentences in the chapter praise things, and the last six sentences write feelings, but three or four sentences are conscious. At this time, I feel that there is nowhere to fall, and I am deeply worried about state affairs, and I still exist."
It seems unnecessary to say too much about "Mi Li". The sadness that stays on the poet's heartstrings has long been an eternal symbol of sadness. Niu Yunzhen said, "This poem is pure in meaning, and its pain is unspeakable. Later generations' poems, such as "the mountains and rivers are full of tears, the Six Dynasties are like dreams, and birds crow in the air", only hurt metabolism, but it doesn't matter about homesickness. The word "what I want" is superficial, and the word "beg" is misleading. Only when the meaning of the monarch is irrelevant can we be awed. Mr. Xie Dieshan said: The ancestral temple in Cheng Kang is full of millet, but there is no one outside who can serve the poets of the Zhou Dynasty. I read Book to Hou Wenchuan, and I think those who exhort Hou Wen are just protecting their country. The rise and fall of the royal family and the rise and fall of the old capital, I don't know what to say. I was deeply impressed by the poem "Millet parting". According to these words, it is euphemistic. From Mr. Dieshan's point of view, it is especially enough to send this poem. " Xie Yu is quoted from Shi Hua. The section about "plum tree" was originally very long, and the author summarized its main points. After the death of the Song Dynasty, Xie refused the move of the Yuan Dynasty by death, which can be regarded as a loyal man. He read "Su Parting", thinking that he has a special embrace, not just for poetry. As Niu Shi said, most of the nostalgic poems of later generations point to mountains and rivers, and the ancients said it as an outsider. Although there is no lack of enthusiasm for survival, there is little pain. The sadness of "Li Shu" is to put the whole self in a painful history, so Dai Junen said: "Repeatedly speaking, not chanting, must be infinitely affectionate. "To mourn that heavy history with a lonely individual, he can't be responsible for this history. He was not among the' Buddha shoulders' originally, but he clearly took all the condolences for his death." What do I want if you don't know me? "It is not so much the sorrow of those who worry about the world as the sorrow of those who don't know.
On Xiaomi, Fan Chuyi said: "The seedlings, ears and fruits of Xiaomi are not necessarily what we saw before and after, but our worries are confused in the middle, which means that all I saw in Zhou Zong are Xiaomi, so it is really evil to suppress the seedlings, ears and fruits of Xiaomi. I can't tell if it's millet, and I can't count fleas. It's a seedling, an ear, and a reality. " However, there is another opinion. Li Zun said, "In the songs of Fujian merchants, it is said that' wheat drama is coming, corn oil' means both wheat drama and corn, and he agrees. The seedlings of millet, the ears of millet and the fruits of millet are all to be seen. " These two theories have their own reasons, so they might as well coexist.
"Long Heaven", Mao Chuan: "Long and far-reaching. Heaven speaks in words, those who respect the monarch call it heaven, those who are vigorous call it heaven, those who love people call it heaven, those who are top-down call it heaven, and those who are far-sighted call it heaven. " Say "two ya" At first glance, it seems redundant, but it is not fine. Read Zhou Song Jing Zhi again: "If you want to be in heaven, it is not easy to live. I didn't say that you are above and eager to surrender to monks. Japanese prisons are here. " Even if the sky is near. However, Xiaomi Li's heaven is different from imperial heaven, Wu day, man day and heaven. There is no longer the supervision and protection of the Jingzhi era, but it is leisurely, gloomy and far away from the crowd. It can be seen that what corresponds to the "sky" is the ruin of the country, not just the confusion of "going far without telling". The following "Who is this?" It reveals that there is no blame and blame. The so-called "whole story" does not refer to an actual person, but tells the ruined state of the country, shocking sad feelings and hatred for her husband's defeat in the country's basic disaster.