In his poems, Ji Kang often expresses his feelings of being born outside the dust. He wrote a real poem about immortals. There are two poems about immortals by Ji Kang, one of which is a four-character poem, and now there are only residual sentences:
When you are under the jurisdiction of Phoenix, you will be caught here. (Ji Proofreading, p. 327)
Another work is a relatively complete five-character poem:
Looking at the pine trees on the mountain, the valley is lush, and you can never swim below. Wang Qiao abandoned me and rode six dragons in the clouds. Play in the mysterious garden, meet the old road, teach me the way of nature, and be childlike. Zhongshan Corner collects herbs, changes phase with food, sloughs and abandons filth, makes friends and plays Jiu Shao, and sings songs different from those of the laity. Who can tell?
Legend of the Immortals says that Uncle Ji has the ambition to walk in the world at night (quoted from Ji Jiaoan 37 1 page), which is the original intention of this poem. His desire for eternal life is so strong that he is almost intoxicated in fairyland. Through the description of fantasy fairyland, the poet also euphemistically expressed his dissatisfaction and anger with secular life. He is tired of the life of the world, so he wrote in the sixth part of Four Words Rewriting Seven Poems (an Autumn Hu Xing):
Think with Wang Qiao, travel octupole in the cloud, think with Wang Qiao, travel octupole in the cloud, soar in the five mountains, travel trillions, give me magic medicine, grow wings, breathe too much, practice shape change, sing with words and think about traveling octupole.
Repeated chanting shows the poet's piety and enthusiasm for seeking immortality. The poet tried to achieve spiritual liberation in fairyland. Liu Xizai said, "Uncle Ji and he are both smart people. Although "Autumn Tour" is more expensive than Xuanmo, it is self-evident that "Poem of Wandering Immortals" is full of intense grief and indignation, so it is appropriate to listen to its truth. " ("Outline of Art" Volume II "Outline of Poetry") What Liu said is quite to the point. Obviously, Ji Kang is also a lyricist.
2. Ruan Zhi Shen Yao: Ruan Ji's poems about immortals.
There are many poems about immortals in Ruan Ji's Poems about Huaihuai, although the poet did not write about immortals. For example, the eightieth song:
Go out and see the beauty. Beauty in? Joe, who will be with you forever? Life and death are long and short, how can generosity be known? Suddenly, the sun goes down. What will happen? If you don't see the grass in season and autumn, it will be destroyed at this time.
The poet's classification of it in poems chanting for the memory shows that it has the nature of "chanting for the memory". This work condenses the poet's singing of life. Beauty in poetry is the poet's ideal sustenance. The nineteenth article of Poems about Huaihuai is a special article about "beauty".
There are beautiful women in the west, and if the sun is white. I'm wearing a slim suit and a yellow dress on the left and right. Beautiful and graceful, the wind vibrates slightly. Climb high and look far, raise your hand like the morning sun. Send a swallow and fly away with your sleeves waved. Wandering in a trance, flowing to take care of me. Pleasure does not pay, and the words are sentimental.
But the beauty has gone, Song and Joe are hard to recruit, and their lives are hanging by a thread. Time flies, life is like grass swaying in the autumn wind, fragile and powerless, and may be destroyed at any time. In other chapters of Huai Shi, the description and praise of immortals also account for a large proportion. Shan Li, a scholar in the Tang Dynasty, said, "People who admire people's feelings. This poem is based on Jin Wen's generation at the end of Wei Dynasty, who often worries about his own troubles. When it is prickly, people will feel old for no reason, just chasing that snobbery. Observing its physical interest is really deep, and non-husband authors can't notice it. " (Selected Works, Volume XXIII) Li saw the lyrical characteristics of Huai Poetry and pointed out that the "emotion" of Huai Poetry was closely related to the social background of Wei and Jin Dynasties. Chen Ling also pointed out when analyzing "Ten Poems of Love": "These are all works of grief and indignation. The ten chapters were not made in an instant, in a sense, not. Since the year of first frost, Guangdong Province, poor Jingyuan turned over her handle, expressing her feelings, worrying about her life, and fearing to reveal the misfortune of the topic, so she chanted for the whole article. I'm incoherent and depressed. Only those who are ridiculed can sometimes be found. To his depression, melancholy spirit, the gentleman's way disappears, reaching human feelings. Or take the long road of the European Union and revise the idea of Shouyang; Or draw your sword to die and mourn the country bravely; Or hug Xi in Han Yun without an axe in his hand; I still hope that comrades are in the end of the world and have poor eyes. But it can be compared with common words and is consistent with everything. Guanglu's Ode to the Five Kings says,' Although Ruan Gong has lost his trace, he also has knowledge.' He also said,' Hide your light, hide it in the dark, although you know it's not a barren feast. If you understand the meaning, this book is not full of words, clear and easy to understand, and it is not annoying. "Ruan Ji witnessed a series of major political events and had a deep understanding of the darkness of society and the hardships of life, so he sang all kinds of thoughts he had nurtured under the social modality at that time. Because poets are worried about obvious topics, they make general statements in the name of chanting, and even those poems about immortals have no titles. Poets express their grief and indignation through poems about immortals, which makes the expression of feelings extremely subtle and subtle. Chen's so-called "books are not exhaustive, clear in his mind, and tireless in his explanation" means that he only knows Ruan Ji's poems without saying anything, which shows that he has accurately revealed the essence of these works.