The brocade curtain was first rolled up by Mrs. Wei and embroidered on the king of Hubei.
He put down his hand to carve Yu Pei
The brocade curtain was first rolled up by Mrs. Wei and embroidered on the king of Hubei.
He put down his hand to carve Yu Pei and bent down to dance the Yujin skirt.
Have you ever cut a stone candle? Can Xunling incense burner be smoked?
I am a colored pen in my dream, and I want to send a book to the cloud.
Peony, the king of flowers. Whenever spring returns to the earth and flowers are in full bloom, she will wear thick makeup and pick colorful flowers. Surrounded by flowers, she will walk gracefully with the undisputed posture of the queen of flowers, and rule the world of flowers with huge flowers and pleasant fragrance. Fangzi is gorgeous and charming, attracting poets to write poems in the spring breeze and strive to give peony. Especially in the Tang Dynasty, as soon as she appeared, she won the honor of being famous in the world: "Only peony is the real national color, and the capital moves when it blooms." (Liu Yuxi's Peony) "Suspected goddess Luochuan, beautiful enough to break the morning glow." "Xu Ning's Peony") "Strive for the beauty of a Chinese Odyssey and monopolize the best fragrance in the world." (Pi Rixiu's "Peony") Such praise for peony can be seen everywhere in the Tang Dynasty, a poetic country. The Seven Rhymes Peony written by Li Shangyin, a famous poet in the late Tang Dynasty, is not only an amazing word, but also uses eight allusions in eight poems to give a concrete and sensible image description, showing the charm of peony.
The first couplet is in bud, like a blooming peony, like a newly rolled brocade curtain, revealing a dignified and beautiful Mrs. Wei; It is also like a silk embroidered quilt, soft and gentle, surrounded by a beautiful and handsome Yue and E group. The first sentence uses the story of Confucius meeting Nanzi Wei Linggong. Historical records Confucius family said:
If Mrs. Gong Ling has a Nanzi, people will call him Confucius: "A gentleman of all directions does not disgrace his desire to be a brother to a widowed gentleman, but to see him." Widowed Xiaojun is willing to see. " Confucius had to politely refuse to see it. Madame is in the curtain. Introduction to Confucius, kowtowing in the north. Madame bowed from the curtain again, and the ring was full of jade.
Nanzi, Wei's wife, presided over the patriotic politics at that time, and was a pretty lady. The second sentence uses the allusion of "Northern Hubei". According to Liu Xiang's Shuo Yuan Shan Shuo in Han Dynasty:
Are you the only one who doesn't know that your husband and wife are rowing in the new wave? ..... the more people on the list, the more they sing ... and say, "How about tonight?" . Today, I must be in the same boat with the prince. Shame, shame, shame. My heart is restless. There are trees in the mountains and branches in the trees. I'm glad you don't know. "So, the gentleman in Hubei hugged him and embroidered the quilt. This gentleman from Hubei is also the mother and brother of the former king of Chu. The official is Lingyin, and the Jue is the director. The more people on the list, the more times they have sex.
This is to say that in the Spring and Autumn Period, the mother brother of the King of Chu, E Junzi, took a boat, and the Vietnamese woman who was boating expressed her love for E Junzi with songs. Yue Nv is covered with E Jun's embroidery, and it can make love as much as it can. Later, it was used to praise the love between men and women. Li Shangyin has repeatedly quoted: "E Jun watches the boat in the middle of the night, embroidering and burning alone." (The second part of Bi Cheng's Three Poems) "The bed is empty and the quilt is cold." (Nianyuan) In this poem, the poet praises the budding peony, which can be said to be unique, but the meaning and rhyme can only be understood, otherwise it will fall into bad taste. The first couplet of the poem uses beautiful women and handsome men to describe the blooming and budding of peony, which reminds people of the scene where green leaves are surrounded by red flowers and looks bright and charming. "The first volume" and "Static Stack" remind people of the modality of "Peony" when it was first released, which is really unique and refreshing. What did Cheng Zhuo say in "Reading the Secretary of Yimen" and "Poems of Li Yishan": "Reuse without trace, peony is insufficient." Especially the first one to compare beautiful men with flowers. Mr. Qian Zhongshu once said on page 5 of the supplement of Talking about Art Records:
Watch the King's Humble Room: "Dew wet He Lang tries soup cakes, bakes them, and burns incense every day." Qingshen's note: "The poet's chanting of flowers is more beautiful than that of a woman, and the valley is endowed with beauty, which is more unique than that of a beautiful husband; See "Cold Zhai Night Talk". Li Yishan's poem:' Xie Lang's sleeve turns to snow first, and Xun makes the incense burner fragrant.' "According to the quotation, see Cold Zhai's Nightmare (Volume 4) and Yishan (A couplet)," Appreciating Cui Bazao Mei with a gift ",while Wild Guest Series (Volume 20) is also called the ancestor of the valley. Hanzhai Nightmare also quoted a poem by Yuan Shu's material Haitang: "Take a hot spring bath after the rain, and show the thick soup cake to test He Lang", saying that its meaning is better than the valley. It is also a comparison between beautiful women and beautiful men. In fact, the Peony in Yishan said: "The brocade curtain is rolled at the beginning, and the embroidered quilt is piled up more and more like the king of Hubei", which has long been compared.
This writing method of "comparing beautiful women with beautiful men" really created a precedent for later generations to praise flowers not only for beautiful women.
The second couplet describes the opening of peony, describing the peony swaying in the spring breeze with the graceful posture of a beautifully decorated dancer: she seems to be dancing with her hands hanging down, and the ornaments of jade carving are flying up and down in disorder; It's like bending over and dancing. Many Yujin skirts spin beautifully. "Hanging hands" is a gesture of hands when dancing. "Yuefu Ming" said: "Big hands and small hands dance and hang their hands." "Bend over", the name of dance, mainly refers to gait. "Miscellanies of Xijing" said: "Mrs. Qi is a good dancer, and her sleeves are bent." The Book of the Later Han Dynasty added, "Sun Shoushan, the wife of Ji Liang, is a demon who makes bows." Both poems describe the dynamics of flowers, endowing people with personality, and show the scene of peony blooming and green leaves surging in the spring breeze through the fluttering movement of decorations in the dance. "Hanging" and "folding" skillfully write the movement of the wind; Although "chaos" and "struggle" don't pay attention to dancers, they are very appropriate and full of vitality to describe the state of flowers and leaves in the spring breeze; "Jade" is called "carving", which has the shape of petals and "Pei" and is floating, connected with the word "Fan", and its craft is inexhaustible.
The third part is about to drop red peony, which smells amazing. Just like a candle in Shi Chong, it can shine brightly without cutting the wick. It is covered with different smells, so why use an aromatherapy stove to smoke Ling Jun? According to Shi Shuo Xin Yu, "Wang Junfu used an Australian kettle and Shi Jilun used candles to cook." It is said that Jin Weiwei Shi Chong is famous for his wealth and luxury. He cooks with candles instead of firewood at home, so he is called "Shi Jia candle", which is used here to describe the gorgeous peony. Candles instead of firewood, without cutting the core; Candles that don't cut the flower heart are bound to flow red. This peony is in full bloom, just like a candle without cutting the core, and it is about to drop red. "Xunling" is a famous calligrapher Yu Xun in the Eastern Han Dynasty. Because of its rich fragrance, it is also called "seeking the fragrance of spirit". According to "Wenyi Bao" volume seventy cited "Xiangyang" said:
Liu Ji and * * * burn incense, taste the toilet and pass incense burners. Editor-in-chief Zhang Dan said: "It is worthwhile to name people as laity." Ji Yue said, "Xun went to someone else's house and sat there for three days. Why do you want me to be king and hate my hobby? "
The poet said that peony flowers have their own fragrance, so why not wait for Xun Ling's incense burner to smoke them, or that Xun Ling is addicted to incense and should smoke them everywhere. If this flower has a different fragrance, why should it have a fragrance? It is similar to the poet's poem "Xun Ling Xiang Lu Xiang".
After describing the expression, color and fragrance of peony in the first three chapters, Wei Lian always said that facing such a beautiful peony today, I can't help but think of Wushan Goddess, thinking of writing poems on peony leaves with crayons and giving them to Chaoyun in the distance. In the previous sentence, The Biography of Heather and Jiangyan was published:
I also tried to stay in Ye Ting, dreaming of a husband who claimed to be Guo Pu and said, "I have a pen in your office for many years, so I can read it back." Drowning is to explore the five-color pen in your arms for you. Later, there were no beautiful sentences in poetry, and people called them the best.
Later, he used "five-color pen" or "dream pen" as a metaphor for outstanding literary talent. For example, Li Shangyin wrote in another poem: "If there is no ginger five-color pen, we will compete for flowers in a county in Heyang." ("County Anger Diet") "Under the south curtain, there is a long knife, and the dream pen hides five colors." In this poem about peony, the poet uses this poem to conceit his talent, showing a talented person's chic and romantic style. Selected works of Chao Yun coded Gao Wenxuan;
At that time, King Xiang of Chu and Song Yu swam on the platform of Yunmeng, overlooking the scenery of Gaotang, and their clouds were unique. ...... Wang Wenyu: "Why are you angry?" Jade said, "The former king wanted to swim in Gaotang and sleep by day. He dreamed that a woman said,' My concubine, the daughter of Wushan, is a guest of Gaotang. Wen Jun visited Gaotang County and would like to recommend a pillow to you. "Fortunately, Wang Zuo said:' I am in the sun of Wushan, but I am blocked by high hills; Dan is a cloud, and dusk is rain. Morning and night, under the balcony. "
In this poem, Li Shangyin compares the woman he admires with Chaoyun, and intends to write this peony poem on a flower leaf and give it to her. The implication is that only Chaoyun can be compared with Peony, and only Chaoyun deserves to read this peony poem.
The conclusion of the sentence shows that the poet wrote this poem with a feeling of acacia. He not only writes flowers with splendor, but also sings flowers with people. There must be a woman with such flowers in the poet's heart. It seems that his eight words are embedded in eight things, "exhausted Wang Chen's eight talents" (Li Shangyin's "Alas"), and finally for the right person. But the poet's expression is subtle and tortuous. The whole article is peony, and only at the end does he show his thoughts and want to send the news of lovesickness. However, he said implicitly and arrogantly that a gifted scholar "had a colored pen in his dream", and only Chaoyun could compare with this flower. Singing flowers is really a compliment, so praising people is really ingenious. As Yao Peiqian said in Biography of Li Yishan's Poems:
Pay with peony. The first couplet writes about its beauty, and the second couplet writes about its state. "Shi Jia" wrote about its light, and "Xunling" wrote about its fragrance. This incomparable brilliance is beyond the appreciation of people in the world. Today, I am no less than the goddess of the Tang Dynasty. Fortunately, I have a dream marker, which looks good. I use petals to make flying notes, or I don't feel abrupt.
This artistic conception really gives people a kind of beautiful enjoyment.
This poem is dedicated to peony, and it is beautifully written, and the exquisite way is mainly to use allusions. In this regard, predecessors have different opinions. Zhu Yizun said it was "tasteless, clumsy and impossible, and it was the lowest praise." (Poems of Li Yishan) But most people think this poem is smart and poetic. It is actually a peony. For example, Lu Kun once said, "There are hundreds of famous peony works in the Tang Dynasty, but none of them are upright and vigorous." (Li Yishan's Interpretation of Poetry) The so-called "exuberance" is what He Chao said: "Anger erupts". And this anger is the result of the code. The poet used allusions flexibly to describe the opening, dancing, light and fragrance of peony vividly and delicately, from beautiful colors to dancing movements. Although the whole poem is a story, it seems that it is not piled up at all, which shows Yishan's superb ability to use allusions to do things.