a certain person
The sound of the twilight horn by the Wuding River makes people feel good about the trip along the Taiwan Province River.
The book envelope road is more than a thousand miles, and the autumn wind happens overnight.
There are many homesickness in writing about the trip to the northwest, and some poems explain everything: how desolate the plateau is! How harsh the sound of dusk on the river is! My heart is very sad, how much I miss my hometown ... and so on, but you just think it is empty. But some poems, such as this poem "Miscellaneous Poems", seem to be "the best words", but you are moved and feel really full.
"The sound of the twilight corner by the Wuding River connects people on the bank of Taiwan." There is not a verb or adjective in this set of sentences about scenery. What kind of "Twilight" is it? What kind of "tourist feelings" is it? There is no clear explanation. But the answers seem to be in the sentence, just need some chanting. The "Wuding River" is the "Wuding River" in "Wuding River is poor in bones and still a dreamer in spring". It is a tributary of the middle reaches of the Yellow River. In today's northern Shaanxi, it is named after "the rapids break sand and the depth is uncertain". "Liantai", also known as "Zhu Juntai", is a "Jing Guan" built by Helian Bobo, a Xia state in the late Eastern Jin Dynasty (a mound that was sealed to show meritorious service in ancient wars). According to Jin Shu and Tong Jian, there are two places in Taiwan Province, one is in Zhiyang (now Gansu) and the other is near Chang 'an, but it is far from the Wuding River. Looking up the records of Yan 'an Mansion, it is found that there is a beard mountain in Yanchang County, which is another beard platform built by Helian Bobo, not far from the Wuding River. This is what the poem "Helian Bobo" immediately refers to. The two place names "Wuding River" and "Liantai" constitute a special realm with their geographical location and the association they can evoke with ancient wars, which contributes to the lyricism of poetry.
On the vast and desolate background composed of the desolate Wuding River basin and the ancient gloomy lotus terrace, what can the bugle sound sounded at night look like except bitterness? What mood can people who wander here have except sadness? This is self-evident. Twilight and Travel Feelings also set off each other and complement each other: "Feelings" are more and more sad because of the sound of horns, "voices" are more and more sad because of the feelings of guests, and it is even more interesting to say something unknown.
Judging from the third sentence, the traveler's hometown must be east of Hangu Pass. "Going home a thousand miles", literally speaking, means it's a long way home. But no matter how far and dangerous the road is, it can always be done. Is the traveler forced to make a living, or is he blocked by the war, or is there any other reason why he can't go home? There is nothing in the poem, but it is not difficult to understand that there is a meaning of no return in this sentence.
Dusk and sad trumpets made him sad; Coupled with the autumn wind, "the sadness of time series is nothing more than autumn; Autumn scenery's sorrow is nothing more than the night "(Nineteen Ancient Poems by Zhu Jun), which added to his sorrow, and even" the autumn wind happened overnight in vain ". Li Bai's famous phrase "white hair three thousands of feet" refers to the length of white hair growth to express the length of sadness; And "A Night of White Autumn Wind" is to express sadness with the speed of white hair growth, which can be described as the same strain. The poet exaggerates, instead of expressing homesickness and melancholy, he shows the melancholy of homesickness more strongly.
"If the meaning of words is infinite, it will be solid" (poem by Jiang Kui, a Taoist priest of Baishi), which is the implication and moral in the art of poetry. Although the poet did not reveal the meaning of his words, he created a concrete "image world" in which people can immerse themselves and feel everything. The whole poem is clear in language, vivid in image and natural in movement, which shows that implication and obscurity are not the same thing.