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Ten epigrams in two silent snows show the tension of poetic language of love. In the opposition between movement, light and shade, ancient and modern, we can seek a kind of confrontation and resolution. Streets and street lamps, one dark and one bright contrast; Soil and roots, one buried and one long inclusive; Birds and wings, grounded; The temple bells confronted each other, and there was a silence.

Spring and seeds, limbs and blood, books and poems, history and time, the world and you and me ... all melted after the confrontation between subject and object. Moreover, the effect of this expression is amazing, which makes readers have endless aftertaste after reading it.

In fact, the poet wrote this contrast mainly by touching and quietly writing, setting off the reality with history, thus telling it quietly, making readers feel that the poet is really "extraordinary".

"The earth is silent and the power is endless; The silence of mountains and rivers embodies the eternal call. Silence in the snow in Hunan is a kind of "silent beauty". The German philosopher Lessing put forward "the greatness of silence" when summing up the ancient Greek sculpture laocoon, and Zhu Guangqian, a master of aesthetics in China, also said that the highest realm of beauty is silence. What the poet wrote was the heavy snow that fluttered quietly in Hunan, and it was written in the mood of "excitement and anxiety", because the poet's burning poetic heart in China was closely connected with the old country.

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