Briefly describe the basic characteristics of Chang Yao's early poems.

It is generally believed that there is a process of change before and after Chang Yao's works, and some critics have defined this change as 1986. It is believed that his early poems "basically maintain the traditional realism, focusing on the objective description of external images in order to achieve the purpose of subjective lyricism", while the tragic spirit of his poems is "the traditional tragic value judgment based on the right and wrong of good and evil, showing the suffering of exile wasteland".

After the later transformation, he "went to the lyricism of metaphor" and "pursued the ambiguity and obscurity of poetry", and raised his tragic understanding of personal fate to the height of mankind, thinking and expressing it as a universal living situation of mankind. This evaluation is generally good, but it should be noted that even in Chang Yao's early poems, it is not limited to the writing of personal exile in the plateau. His eyes and heart have already turned to the "Tubo people" who live with him. ?

Snow was written on 1982. Song of the Tubo Woman, Her Man and Three Children takes the life of the Tubo people in the snowy plateau as its own description object, tells a story of a lost and rich childhood and family, and depicts the current living conditions of the Tubo people with the light wheels of time staggered.

Cihang, written on 1980, is a famous work of Changyao in his early years. In this long poem, there is such a poem repeatedly: "In the wrestling between good and evil/Love thrives/It is a hundred times older and braver than the disability of death". This judgment truly shows the true judgment of good and evil in Changyao's early poems, as well as his firm belief in goodness and love.