2. In the poet's description of the moon reflecting on the grassland and the Millennium, we were once again brought into a vast space and a long time, and the description of the vast space and the long time once again triggered the poet's unwarranted sadness and sigh, and the poet could not help but repeatedly express the emotional attitude of "the piano sobbed without tears".
3. The last sentence of the poem is a stroke of genius, "riding across the grassland alone", which seems to be a light stroke, but full of profound meaning. As a passer-by on the grassland, the poet experienced the infinity of time and space and the vastness of life here, and felt the lofty religious significance and profound philosophical thinking contained in the world.
This song is adapted from Haizi's September, so it is called September because this poem was written in early September and autumn.
The whole poem is as follows:
Wild flowers on the grassland witnessed the death of the gods.
The distant wind is farther than the distant wind.
My piano whimpers and tears are gone.
I returned this distant place to the grassland.
One is called horsehead, and the other is called ponytail.
My piano whimpers and tears are gone.
In the distance, there is only one wild flower condensed in death.
The bright moon is like a mirror, and the grassland hangs high, reflecting the Millennium.
My piano whimpers and tears are gone.
Riding across the grassland alone
-Haizi "September"