1. Appreciation of the ancient poem "Ambition"
Appreciation of the ancient poem "Ambition" 1. Appreciation and appreciation of Wang Ji's ancient poem "Ambition"
Wang Ji●Ambition
Wang Ji●Ambition
Donggao looks forward to the evening, where can I rely on?
The trees are all in autumn colors, and the mountains are only covered with sunset.
Herdsmen drive calves back, hunting horses return with poultry.
We care about each other but have no acquaintance, and we sing long songs and pick up the flowers.
"Ambition" describes the autumn scenery of mountains and fields in a leisurely mood,
with a bit of hesitation and depression. It is Wang Ji's masterpiece.
"Looking at the dusk in Donggao, where can I rely on?" Gao is a land by the water.
Donggao refers to a place in Longmen, Jiangzhou, his hometown. After he retired to seclusion, he often visited Beishan and Donggao, calling himself "Donggaozi". "Migration" means wandering
. "Where can I rely on?" is adapted from the meaning of "The moon stars
are sparse, the black magpie flies south, and it circles the tree three times, and there is no branch to rely on" in Cao Cao's "Dan Ge Xing".
< p> A feeling of boredom and hesitation appeared.The following four sentences describe the scenery seen in the dusk: "The trees are all in autumn colors,
The mountains are only sunset. The shepherds are driving their calves back, and the hunting horses are returning with their birds." Look around.
Looking around, there is autumn color everywhere, which becomes increasingly desolate in the afterglow of the setting sun.
On this quiet background, close-ups of the herdsmen and hunting horses bring a pastoral pastoral atmosphere to the whole picture.
These four lines of poetry are like an autumn evening picture of a mountain home, with light and color, distant view and close-up view,
static and dynamic, all perfectly matched.
However, Wang Ji could not find
solace in the countryside like Tao Yuanming did, so he finally said: "We look at each other without knowing each other, and we sing and pick up the flowers."
< p> Said that he was lonely and helpless in reality, so he had no choice but to recall the ancient hermits and make friends with people like Boyi and Shuqi.Those who are familiar with Tang poetry may not think that this poem has any special benefits.
However, if you follow the order of the history of poetry, starting from the Song, Qi, Liang, and Chen Dynasties in the Southern Dynasties, and suddenly read the poem "Wild Hope", you will feel Will be applauded for its simplicity. Most of the poetry styles in the Southern Dynasties were gorgeous and gorgeous, like a jeweled lady wrapped in silk and satin. Walking out of the crowd of noble women, I suddenly met a village girl in a Jingchai sarong. Her simple beauty without makeup would produce a special charm. Wang Ji's "Ambition" has such a simple benefit.
The genre of this poem is five-character poem. Since Shen Yue and others applied the knowledge of rhythm to poetry creation during Qi Yongnian of the Southern Dynasty
, the new genre of rhythmic poetry has been brewing. By the Shen Quan
period of the early Tang Dynasty and Song Zhiwen, the rhymed poems were finalized and became an important poetry and song genre. Wang Ji, who was more than sixty years earlier than Shen and Song Dynasties, could already write mature verses like "Ambition", which shows that he is a person who has the courage to try new forms. people. The first and last couplets of this poem express emotions, and the middle two couplets describe scenery. Through the repetition of emotion-scenery-emotion, the meaning of the poem becomes deeper. This is in line with the basic structure of rhythmic poetry.
2. Appreciation of the Ancient Poetry Ambition, 300 words
In the evening of autumn, the poet stood in the vast plains and looked into the distance. What he saw was a rich autumn color: big trees covered with The leaves are covered with golden leaves, the hills are covered with a glorious and wandering afterglow, the herders are driving their cattle home, and the hunting horses are returning with birds and beasts. However, the author always feels lonely and depressed in the bleak and quiet scenery. I remember the ancient hermits who gathered weeds for food.
"Looking at the dusk in Donggao, where can I rely on?" Gao is a land by the water.
Donggao refers to a place in Longmen, Jiangzhou, his hometown. After he retired to seclusion, he often traveled to Beishan and Donggao, calling himself "Donggaozi".
"Migration" means wandering. "Where can I rely on?" is adapted from Cao Cao's "Dan Ge Xing", which means "the moon and stars are sparse, the black magpie flies south, and it circles the tree three times, and there is no branch to rely on", expressing the bored and hesitant mood.
"The trees are all in autumn colors, and the mountains are only covered with the setting sun. The shepherds are driving their calves back, and the hunting horses are returning with their birds."
Looking around, there is autumn color everywhere, under the setting sun The afterglow looked increasingly bleak. Against this quiet background, close-ups of the shepherd and hunting horses bring a pastoral pastoral atmosphere to life, making the entire picture come alive.
These four poems are like a picture of a mountain home in the autumn evening, with light and color, distant view and close-up view, static and dynamic, all perfectly matched. However, Wang Ji could not find solace in the countryside like Tao Yuanming, so he finally said: "We look at each other without knowing each other, and we sing and pick flowers for a long time."
He said that he was lonely and helpless in reality, so he had no choice but to reminisce about ancient times. The hermit made friends with people like Boyi and Shuqi.
3. Appreciation of the Ancient Poetry Ambition, 300 words
In the evening of autumn, the poet stood in the vast plains and looked into the distance. What he saw was a rich autumn color: big trees covered with The leaves are covered with golden leaves, the hills are covered with a glorious and wandering afterglow, the herders are driving their cattle home, and the hunting horses are returning with birds and beasts. However, the author always feels lonely and depressed in the bleak and quiet scenery. I remember the ancient hermits who gathered weeds for food.
"Looking at the dusk in Donggao, where can I rely on?" Gao is a land by the water.
Donggao refers to a place in Longmen, Jiangzhou, his hometown. After he retired to seclusion, he often traveled to Beishan and Donggao, calling himself "Donggaozi".
"Migration" means wandering. "Where can I rely on?" is adapted from Cao Cao's "Dan Ge Xing", which means "the moon and stars are sparse, the black magpie flies south, and it circles the tree three times, and there is no branch to rely on", expressing the bored and hesitant mood.
"The trees are all in autumn colors, and the mountains are only covered with the setting sun. The shepherds are driving their calves back, and the hunting horses are returning with their birds."
Looking around, there is autumn color everywhere, under the setting sun The afterglow looked increasingly bleak. Against this quiet background, close-ups of the shepherd and hunting horses bring a pastoral pastoral atmosphere to life, making the entire picture come alive.
These four poems are like a picture of a mountain home in the autumn evening, with light and color, distant view and close-up view, static and dynamic, all perfectly matched. However, Wang Ji could not find solace in the countryside like Tao Yuanming, so he finally said: "We look at each other without knowing each other, and we sing and pick flowers for a long time."
He said that he was lonely and helpless in reality, so he had no choice but to reminisce about ancient times. The hermit made friends with people like Boyi and Shuqi.
4. Appreciation of Du Fu’s Poetry Ambition
1. Narration. 2. This poem was written in the Chengdu Caotang in the second year of the Yuan Dynasty (761). The poem is titled "Ambition", which is a self-portrait of the poet feeling sentimental about the current situation and missing his brothers when he was riding out of the suburbs.
The first two sentences describe the Xishan and Jinjiang seen during the ambition. "Xishan" is located in the west of Chengdu. The main peak is covered with snow all year round, so it is described as "white snow". The "Three Cities" refer to the three prefectures of Song, Wei and Bao (in today's Songpan and Li counties of Sichuan). At this time, troops were stationed to guard against Tibetan invasion and it was an important town in Shu. Nanpu, waterfront in the southern suburbs. Qingjiang, Jinjiang. Wanli Bridge is located in the south of Chengdu. The four sentences in the middle are feelings about family, country and individuals triggered by ambition. Three or four sentences are derived from the war and the feelings of missing my brothers and hurting myself. "Fengchen" refers to the years of war caused by the Anshi Rebellion. Du Fu's four younger brothers: Ying, Guan, Feng, and Zhan. Only Du Zhan followed him to Shu, and the other three brothers were scattered in various places. At this time, being "a whole body away" from Western Shu is like being at the end of the world. The poet missed his home country and couldn't help but shed tears. The true feelings are revealed and no one can help but be moved.
In the five or six sentences, "Tianya" and "Yiyi" lead to the internal shame of being "sick" in his remaining years, "wei" contributing little, and failing to make up for the "holy dynasty". "To provide" means to entrust. "Juai" refers to drops of water and dust, which refers to the smallest detail. Du Fu was fifty years old, so he was said to have entered his "twilight" years. He sighed and said: I can only spend my old age in a "sick" body, but "have not" made any contribution to repay the "sacred dynasty", which is very shameful.
Although Du Fu lived in Western Shu, his desire to serve the Li and Tang dynasties never changed, which shows that his patriotism was very strong. The middle four sentences artistically and effectively summarize the poet's worries about his family and country, his feelings about his life experience, especially his desire to serve the Li and Tang dynasties.
The last seven or eight sentences point out the "ambition" approach and deep worries. "Human affairs", things in the world. Due to the garrison defense of the three cities in Xishan at that time, the people of Shu were heavily burdened with taxes and servitude. Du Fu was deeply worried that the people would not survive, and he was worried that the world would turn from "sun" to "depression". This is the purpose of the conclusion. The poet "crosses the horse" from the thatched cottage, walks "out" to the southern "suburban", and "looks" around. "Nanpu Qingjiang Wanli Bridge" is a close-up view. "Three cities garrisoned with white snow on the west mountain" is a distant view. He derived the sigh of chaos from the "Three Cities Garrison", and expressed the idea of ??Shu from the "Wanli Bridge". This is the reason for the four sentences in the middle about family, country and personal worries.
Du Fu "crossed the countryside on horseback" and looked "extremely far" four times, originally to relieve depression. However, his love for his country and his people forced him to reflect on national events, the separation of brothers and personal experiences from the natural landscape he "looked at". For a time, thoughts and feelings such as serving the country, missing family members, sadness and illness, etc., gathered in my heart. Especially worried about "slowness" and "sickness", and feeling sorry for "Juan Ai" not "answering".
The first three couplets of this poem describe the changing process of thoughts and feelings during ambition, that is, from outward observation to inward inspection. The last couplet points out the reason for changing from extroversion to introversion. In terms of artistic structure, it is quite controllable
5. Appreciation of Du Fu's Poetry "Ambition"
1. Narration.
2. This poem was written in the Chengdu Caotang in the second year of the Yuan Dynasty (761). The poem is titled "Ambition", which is a self-portrait of the poet feeling sentimental about the current situation and missing his brothers when he was riding out of the suburbs.
The first two sentences describe the Xishan and Jinjiang seen during the ambition. "Xishan" is located in the west of Chengdu. The main peak is covered with snow all year round, so it is described as "white snow".
The "Three Cities" refer to the three prefectures of Song, Wei and Bao (in today's Songpan and Li counties of Sichuan). At this time, troops were stationed to guard against Tibetan invasion, and it was an important town in Shu. Nanpu, waterfront in the southern suburbs.
Qingjiang, Jinjiang. Wanli Bridge is located in the south of Chengdu.
The middle four sentences are the feelings about family, country and individuals triggered by ambition. Three or four sentences are derived from the war and the feelings of missing my brothers and hurting myself.
"Fengchen" refers to the years of war caused by the Anshi Rebellion. Du Fu's four younger brothers: Ying, Guan, Feng, and Zhan.
Only Duzhan followed him to Shu, and the other three brothers were scattered in various places. At this time, being "a whole body away" from Western Shu is like being at the end of the world.
The poet missed his home country and couldn't help but shed tears. The true feelings are revealed and no one can help but be moved.
In the five or six sentences, "Tianya" and "Yiyi" lead to the internal shame of being "sick" in his remaining years, "wei" contributing little, and failing to make up for the "holy dynasty". "To provide" means to entrust.
"Trickle" refers to the smallest drop of water or dust. Du Fu was fifty years old, so he was said to have entered his "twilight" years.
He sighed and said: I can only spend my old age in a "sick" body, but "have not" made any contribution to the "repayment of the holy dynasty", which is very shameful. Although Du Fu lived in Western Shu, his desire to serve the Li and Tang dynasties never changed, which shows that his patriotism was very strong.
The middle four sentences are artistically and effectively summarized due to their continuous use of the poet's worries about his family and country, his feelings of life experience, especially his desire to serve the Li and Tang dynasties. The last seven or eight sentences point out the "ambition" approach and deep worries.
"Human affairs", things in the world. Due to the garrison defense of the three cities in Xishan at that time, the people of Shu were heavily burdened with taxes and servitude. Du Fu was deeply worried that the people would not survive, and he was worried that the world would turn from "sun" to "depression".
This is the purpose of the conclusion. The poet "crosses the horse" from the thatched cottage, walks "out" to the southern "suburban", and "looks" around.
"Nanpu Qingjiang Wanli Bridge" is a close-up view. "Three cities garrisoned with white snow on the west mountain" is a distant view.
He elicited the sigh of chaos from the "Three Cities Garrison", and the idea of ??Shu from the "Wanli Bridge". This is the reason for the four sentences in the middle about family, country and personal worries.
Du Fu "crossed the countryside on horseback" and looked "extremely far" four times, originally to relieve depression. However, his love for his country and his people forced him to reflect on national events, the separation of brothers and personal experiences from the natural landscape he "looked at".
For a time, thoughts and feelings such as serving the country, missing family members, sadness and illness, etc., gathered in my heart. Especially worried about "slowness" and "sickness", and feeling sorry for "Juan Ai" not "answering".
The first three couplets of this poem describe the changing process of thoughts and feelings during ambition, that is, from outward observation to inward inspection. The last couplet points out the reason for changing from extroversion to introversion.
In terms of artistic structure, it is quite controllable.