The original text | theme | appreciation | summary of Wen Jie, a famous literary work, Tianshan Pastoral
Author brief introduction Wen Jie, a contemporary poet. Formerly known as Zhao Wenjie, he used to be named Wu Zhilu and Wu Xian. Born on June 12, 1923 in Dantu County, Jiangsu Province, the family of a railway worker. When I was in the fifth grade of primary school, my father died and had to be an apprentice in Nanjing Xinji Coal Plant. At the beginning of 1938, he ended his two-year apprenticeship and came to Wuhan to participate in the anti-Japanese national salvation movement. In March of the same year, it joined China. In June 194, he was introduced to the Eighth Route Army Office in Xi 'an by the underground party, and went to Yan 'an Shanbei Public School to study in September. In 1943, Wen Jie began to write. Yangko opera "Strengthening Self-Defense Forces" is his first work. In 1945, he was transferred to the People's Daily in the Shaanxi-Gansu-Ningxia Border Region as an editor and reporter. He created a large-scale revolutionary historical opera "The Man Who Turned the Earth upside down" (published by East China People's Publishing House in 1951). In March 195, he arrived in Xinjiang with the army and served as the president of Xinjiang Branch of Xinhua News Agency. In 1955, People's Literature Publishing House published his poetry collection "Tianshan Pastoral" with Xinjiang life as its content. In 1956, he served as a reporter for Literary and Art Newspaper. In 1957, he joined Gansu as the chairman of Lanzhou Branch of Chinese Writers Association. In 1961, he came to Shanghai from Gansu and worked as a professional creative worker in the Shanghai branch of the Chinese Writers Association. In 1969, he was sent to work in the "May 7th" cadre school in Fengxian County. In January 1971, he was persecuted to death by the Gang of Four. In the summer of 1978, the Party Committee of Shanghai Municipal Bureau of Culture rehabilitated Wen Jie and restored his reputation. Wen Jie's creation is mainly poetry, and his main works are: Motherland! Glorious October (published by Writers Publishing House in 1958), Ode to Life (published by People's Literature Publishing House in 1959), A Passage in Hexi Corridor (published by Writers Publishing House in 1959) and the narrative poem The Flame of Revenge, etc.
Summary
Under the apple tree
The young man under the apple tree,/Don't, don't sing any more; /The girl is coming along the canal,/The young heart is beating in her chest. /Why is her heart beating? /Why did you jump out of beat? ..... In the spring, the girl is working in the orchard,/the song gently floats by her ear,/the bud on the branch has not yet opened,/and the young man is looking forward to its early fruit. /Strange idea The girl doesn't understand,/She said: Don't bother me with singing. The young man spent the summer in the orchard,/staring at the girl while working,/the fruit was as big as a grape,/and the young man sang to pick it quickly. /Full of thoughts, the girl can't guess,/She said: Don't haunt me like a shadow. The reddish fruit bends the green branches./Autumn is a mature season./The girl can't sleep all day and all night./Do you miss that good apple tree? The young man should understand these things./She said, Why don't you say something? ..... The young man under the apple tree,/Don't, don't sing again; /The girl came over on the lawn./What's hidden in her smile? ...../say that sincere words! /the love planted has been harvested.
The nightingale flies away
The nightingale flies away,/taking away the charming song; /The young man is gone,/There is nostalgia in his eyes. The nightingale flies to the horizon,/there are beautiful birch forests on the horizon; /Young people have crossed the Tianshan Mountains./There is a golden oil city. The nightingale flies to the blue sky,/looking back at another nightingale; /the young man climbed the oil tower,/and looked at the people in his heart from the rosy clouds. The nightingale misses Turpan./The grapes here are sweet and the springs are clear. /Young people love their hometown./The girls in their hometown are beautiful and affectionate. The nightingale will come again,/when spring comes for the second time; /Young people will come back,/when he becomes a real miner.
The grapes are ripe.
Ma * * * The grapes are ripe./They fall among the green leaves./The boys are back from the fields./The girls are still working in the vineyards. The boys stood side by side on the roadside,/the three-stringed instrument teased the girl's heartstrings,/their lips were dry,/and they didn't even taste a grape. The boys are sad and angry,/turning around and reluctant to leave:/"What a stingy girl! /Your grapes must be sour. " The girls smiled knowingly,/Picked a few unripe grapes,/Put them in the row of stretched palms,/See how picky the boys are ... The boys bit sour grapes,/Smiled in their hearts:/"Affectionate grapes! /She is sweeter than any candy. "
Tell me
Tell me, my girl! /When the spring breeze blows to Turpan,/Have you ever called my name gently? /I'm guarding the side card of Puli. I often miss the village where I was born./There are towering poplars I planted when I was young. /In the pale green grape flowers,/You and the lark are singing heartily together/At the moment, I am all over Amb Lee,/Watching every tree and hill; /As long as I think of my hometown and you,/I feel more powerful in my heart. When I come back to you one day,/I immediately extend my arms to you,/everything you have lost,/I will be compensated in that moment. Tell you what, my girl! /I am still what I was,/I will always be loyal to you,/as I will always be loyal to my motherland.
Riverside
You live on the other side of the river,/I live on the other side of the river,/You and I are of the same mind,/We meet across the river every day. Two young shadows,/reflected in the river,/are they not on the tip of the snow-capped mountain,/are two snow lotus flowers in full bloom? Your singing voice,/gave me joy; /You love no one else,/It is my young shepherd. I answer your love with the gesture of * * *; /For the sake of pure love,/I would like to give everything. You love me with all your strength,/I love you with both hands; /the shepherd loves the shepherd,/just like the green water around the green hill. You live on the other side of the river,/I live on the other side of the river,/You and I are of the same mind,/How can the river stop it?
Pursuit
Your face without rouge/is brighter than a ripe apple; /A pair of touching eyes,/Like a clear spring in the desert. You drove the sheep to eat grass,/I rode to the front of the mountain; /You herded the sheep to drink water,/I rode to the river. I'm a brave hunter./Keep your sheep safe./What do you want? /Please look at my eyes. You asked me not to pester you in front of people,/unless I didn't meet you at the beginning,/at the model worker meeting last year,/you disturbed my heart; You want me not to praise you in front of people,/unless my tongue can't move,/your glorious labor deeds,/why not spread all over the grassland? Even if you drive the sheep to the horizon,/I will catch the clouds and drive; /Even if you drive the sheep to the cape,/I will tread on the waves to drive them away. You pretend to be cold to me on your face,/but you want me to stay with you in your heart; /I stubbornly pursued you,/until the day you promised me.
Appreciation of Works Wen Jie is a poet with distinctive features. Among the poets who grew up with China, his achievements are outstanding. In 1955, Wen Jie published five poems and one narrative poem in People's Literature, except for two of them, all of which expressed the new life of Xinjiang brothers. They were published in 1956 under the name of Tianshan Pastoral. These works benefited from his life in Xinjiang in the early days of liberation. At the same time, Wen Jie is a well-prepared poet in his creation. Therefore, although "Tianshan Pastoral" is his famous work, it is very mature in content and skills, and Wen Jie has been noticed by people since then. "Tianshan Pastoral" reflects the new life scene, mental outlook and lofty ideals of Uygur, Kazak and Mongolian people with fresh style, simple language and vivid image. These poems, filled with * * * about the new life, were once called "hymns of * * *". They describe and express the beauty, clarity and joy of the new life, and the tone of the poems is soft, light and bright. The love life between young men and women occupies the most space in Tianshan pastoral, and this kind of poem is also the most popular among readers. Wen Jie wrote love sincerely and strongly with the help of the life scenes of ethnic minorities, which was really rare at that time. Wen Jie's passionate love poems are quite different from those that described love vaguely and timidly before, but they are consistent with the spirit of the times in the 195s. Li Yang, a poet, said at that time that Wen Jie's love poems sang about the love of liberated working people, the love closely combined with labor, the love subordinate to labor, the love with labor as the highest choice standard and the love with lofty moral principles. That is to say, Wen Jie's love poems show the new life content and flavor of the times in love life, and link love with the labor of creating a new life. In artistic expression, most of these poems have simple characters and plots, and they express their feelings through the description of life pictures. What Wen Jie pays attention to is the life phenomena with strong emotional factors, and the plot of the poem is very simple, which makes his poems full of emotion. "Late Return" is a poem with high artistic quality. The "white clouds" in the first verse not only describe the scenery, but also create a good realm. In the second quarter, the eagle and the golden key are both very apt and fresh metaphors. The fifth section is the * * * of the whole poem, which is both plot and emotion. The language here is also very vivid. The poet uses "warmth" to describe the feeling that noise brings to women, and the charming smile "washes away" the dust, which is very creative. If "Tianshan Pastoral" is the most distinctive of Wen Jie's poems, then the group poem "Turpan Love Song" is "the color among colors". The seven poems here were all loved by the readers at that time, which concentrated on the achievements of Wen Jie's love poems. "Under the Apple Tree" describes a girl's gradual maturity in youth consciousness and feelings, and uses the gradual maturity of apples as a metaphor throughout: the buds are not in spring, the fruit is too small in summer, autumn is the mature season, and the love planted in spring is ripe. This bold metaphor is appropriate because the love story happened in an apple orchard and the poet used it nearby. Poems like "The Nightingale flies away" have the charm of folk songs, and the language and meaning are simple and clear, but they contain profound meanings. Grape Ripe is perhaps Wen Jie's best love poem. Not only the grapes are ripe, but also Wen Jie's artistic skills are mature. The characteristic of this poem is that there is not simplicity in simplicity, and it is more meaningful and profound in both meaning and skill. In the first and second lines, from the structural point of view, Ma * * * grape should be a metaphor for boys. However, there is a deeper metaphor here, and the maturity of Ma * * grape should be a metaphor or hint of the maturity of girls. The maturity of girls is manifested in their unmoved by teasing and their ability to use temptation. The plot of this poem has been refined and summarized more, so it has more symbolic meaning. The end of the poem is not very simple. The girls gave the boys sour grapes, but they said they were affectionate and sweet. This may be that everyone gets drunk without wine, but although the girls gave sour grapes, their hearts were originally affectionate and sweet. To sum up, which side is mature? The answer is that the grapes are ripe, both sides are ripe, and love is ripe; As the narrator of this story, Wen Jie's skills are also mature.