Poems of adherents of Qing Dynasty

China's ancient adherents' poems are the most prominent in the Song, Yuan, Ming and Qing Dynasties, which have three characteristics: First, the ranks are huge and there are many people. Second, the political situation in the Li Dynasty was quite special, just because ethnic minorities entered the Central Plains. Under the historical premise that the nation was invaded and oppressed, the patriotic feelings of the Han nationality were very strong. Third, artistic achievements and aesthetic value are particularly high. Among them, the poems of adherents of Ming and Qing dynasties are more prominent, which is not only the tragic ending of the previous generation's poems, but also the brilliant starting point of the new dynasty's poems.

Taking the literati who appeared in the specific historical time and space in the early Qing Dynasty and the late Ming Dynasty as a group of poets, this paper discusses the cultural character and composition of this group from the literary point of view. It outlines the social and cultural environment, geographical distribution, lifestyle, life value orientation, personality structure characteristics and the grand occasion of poetry creation under the specific historical situation in the early Qing Dynasty, which broadens the research field of poetry in the Qing Dynasty. In addition, adherents, as a historical and cultural phenomenon, are a special product of a specific historical time and space, but correctly expounding their thoughts, ethics, personality and interests is also beneficial to the current spiritual civilization construction. Mr. Lu Xun once said in "Lace Literature Reading Taboos": "The essays of Ming people are good; The quotations are not bad, but I think works like Ming History and works by adherents of the late Ming Dynasty are really better. Now it's time for punctuation and translation: let everyone wake up. " The study of adherents' poems is to analyze adherents' personality from one of the most important aspects, which will certainly supplement the world.

The history of China's poetry lasted until the Ming and Qing Dynasties, and accumulated a very solid poetic background. Therefore, compared with the poets in Tang and Song Dynasties, the poets in Ming and Qing Dynasties mostly hesitated before the poetic proposition of seeking change through retro ways, and the traces of learning from their predecessors and even imitating them were much more obvious. But in the Ming and Qing dynasties, it was different. There were tears in my eyes and blood in my heart. Every poet's pen, especially the pen of adherents, is inspired by his feelings, and his true feelings are beyond words. Whether you study the Tang Dynasty or live in the Song Dynasty, you can show your own characteristics, and it is difficult to see the signs of imitation.

Due to the influence of region, family, personality and other factors, the poets of adherents of the early Qing Dynasty have different aesthetic tastes, but because of the same suffering of the times, similar life circumstances and attitudes towards life, they have basically the same trend in aesthetic choice. Qu Yuan, Tao Yuanming, Du Fu and Song Poetry, represented by the adherents of the Song Dynasty, are not only unanimously affirmed by the adherents of the early Qing Dynasty, but also often become the objects of their imitation. From personality to poetry, from poetic spirit to poetic art and style, there are many influences. In addition, under the background of the ideological trend of practical learning in the early Qing Dynasty, most of the adherents of the poet can rationally reflect on the poetic inheritance of the previous generation, few blindly worship and excel at the ancient times, and most of them refute, analyze and criticize the successors. As a result, a single poetics has been replaced by a modern, rational and conscious aesthetic fashion, with a long family and few experts, and many teachers and many studies, forming the characteristics of pluralism and compatibility.