2- See if there are any good friends playing around and ask him to give you some advice. If not, buy a guitar basic book with VCD, and recommend Du Xinchun's "Self-study Course of Folk Guitar-Introduction and Breakthrough" (VCD II, pricing: 18: 80).
3- Reading and practicing chords is not very complicated, but mastering it requires practicing for at least half a year every day.
4- If you have a good sense of music or have learned other musical instruments, it will be helpful to learn guitar, but it will take some time to master guitar chords. Even if you don't have any basic knowledge of music and haven't learned other musical instruments, as long as you really like it, keep practicing and play and sing skillfully, it's not difficult!
5- When doing basic exercises, play some simple and classic songs, such as orchids.
Suggest 6-2 hours a day, but at least 1 hour, of course, the more the better! But it depends on your time. Professional eight hours a day to maintain the level! !
7- Perseverance, patience and carefulness! Don't fantasize about any shortcuts to mastering chord practice! It is not difficult to learn guitar, but you must persevere! If you fish for three days and dry the net for two days, then I suggest not to learn guitar!
Don't hesitate, since you like it, go and practice it! Again, we must stick to it! By the way, when playing the guitar, your left hand holds the strings and your right hand plucks the strings, so you need to cut your left hand as short as possible except your thumb nails, while your right hand needs to leave some nails to pluck the strings. When I first started practicing chords, it hurt to press the strings with my left hand. It doesn't matter. You can get used to it in a week.
Finally, talk about the types of guitars. Generally speaking, guitars are divided into three categories:
1. Classical guitar
The neck of the piano is short and thick. The face plate and back plate of the piano body are flat, and there is a round hole in the middle of the face plate, which is made of nylon strings. * * * Sound box is small, but * * * sound effect is good. There are twelve squares from the string pillow to the piano body, and the sound quality is soft and simple, suitable for playing classical music.
2. Folk guitar
The neck of the piano is thin and long, with steel strings, and the sounding box is large and thick, with fourteen squares from the string pillow to the piano body. Clear sound quality, full and beautiful chords and lively rhythm, suitable for playing folk songs? Jazz and hit songs.
3. Electric guitar
The neck of a piano is the same as that of a folk guitar. It uses a steel wire string, and there is no * * * sound box. It transmits the sound to the amplifier, which is amplified by the pickup and then emitted by the speaker. Its volume and timbre can be adjusted, and it is often played with effectors to obtain many special effects. Suitable for playing light music and pop music. Classical guitar, like piano, should be practiced as early as possible, preferably before the age of ten. Folk guitar, on the other hand, has no age difference. It is a common instrument for self-entertainment and is widely loved by young friends. It is better for electric guitar to have the foundation of folk guitar and be used for band stage performance.
How to buy a guitar?
A: No matter which grade of guitar you choose, you should pay attention to the following questions:
A. The appearance is bright and clean, the paint surface is not damaged, and there is no crack at the bonding place;
B. the fingerboard should be straight and cannot be bent up or down. When the fingerboard looks forward from the horizontal end and vertically (that is, from the 18 product to the 0 product), it will be clear at a glance;
C. The six tuning buttons can rotate freely and moderately;
D the chord should be close to the fingerboard, measured at the slope of 12, and the distance between the chord and fingerboard should not exceed 5 mm.
E. Play on each level of each string, and make sure there is no knocking sound.
(7) Question: How long do beginners practice every day?
A: Theoretically, the more the better, the more the better. However, in actual practice, you should practice more according to your own time and time. But in order to avoid finger fatigue, don't practice too much, practice for about an hour at a time, then rest for half an hour and practice for another hour. Or practice for half an hour at a time, rest for ten minutes and then practice for half an hour. Because beginners pay attention to repetitive memory, it is ok to practice intermittently. In addition, we should also pay attention to using some fragmentary time, such as watching TV for two or three minutes ... We can also repeatedly press several commonly used chords, so that the number of repeated memories is generally not limited by the length of time. For example, a person needs three exercises to write Am chords, so these three exercises can be long or short.
(8) Question: What should I do if I start practicing chords and feel bored?
A: All guitarists have to go through this process. There are no shortcuts to mastering chords, and don't look for shortcuts or tricks. Because this process is not long, if you can concentrate on strengthening your practice, it only takes one week from the beginning to mastering 5 or 6 chords. If we don't concentrate on the war of annihilation, it may drag on for a month or two. There are also many young people who are not afraid of hardship and regard practicing the piano as a kind of rest and fun. For a person who wants to be a guitarist, this difficulty really goes without saying. Do you know that guitar is the easiest instrument to learn in the world? It takes half a year to learn the violin just by playing the empty string. For people who have no patience, it is tantamount to torture, otherwise they will get sick.
(9) Question: How to learn to tune the strings?
A: Beginners and even some students who have studied for a year and a half can't tune the strings accurately, so please buy a tuner. It has an electronic display screen, which is a good helper and not expensive. Just pay attention to the difficulty in tuning the strings of the new piano in Quan Song, so you need to find an "old" guitarist to tune it for you for the first time, or ask the master of the piano shop to help you debug it when you buy the piano.
(10) Question: What's the trouble with the low string?
A: Generally, when a new piano leaves the factory, the pillow is not processed, and the groove is high, so it is difficult to press it. The solution is to find a small hacksaw bar and gently saw each chord slot. If there is no fret at level zero, you need to find a metal wire with moderate thickness (such as a paper clip), that is, when it is placed on the piano pillow, its height is slightly higher than other frets, and the pop-up sound should be empty string sound, not the sound on a fret, so you can't play frets. If there is jumping, it means that the thread is thin and needs to be replaced with a thicker one.
(1 1) Question: Is there any experience suitable for beginners?
A: There are two things you should understand:
A. When learning to play ditty, practice it step by step, that is, practice the first sentence (even dozens or hundreds of times), then practice the second sentence, and so on. Of course, you can also practice half a sentence, so that the overall progress is faster;
B. When learning backup singing, you should practice the rhythm pattern thoroughly, form a subconscious reaction, and sing again, so as not to be incompatible. For example, people's walking movements are subconscious reactions, even if they sing while walking, they will not disturb the pace-for example, taking two left feet in a row, or taking two steps back.
(12) Question: What skills do you need to master to play and sing a simple song?
A: There are two main aspects:
A. The left hand should be able to press at least three chords (major chord, dominant chord and minor chord);
B.the right hand should be able to beat the rhythm. The rhythm of the right hand includes snapping chords (that is, flowing chords) and sweeping strings. Guitar can play all kinds of wonderful and charming rhythms. It takes only a few minutes to learn a rhythm pattern, but it takes repeated efforts to practice a rhythm pattern. When you practice to a certain extent, singing rhythmically on the guitar is as difficult as cutting vegetables on the chopping board.
(13) Question: Can I learn guitar without reading music?
A: Of course. In other words, reading music and playing the piano can be studied and improved at the same time. Because the guitar uses six-line notation, this is the corresponding notation, which is very intuitive. Write a "2" in the first line, and you will play the second fret of one string. Write an "O" in the third line, and you will play the empty string of three strings. I often say that it takes five years to learn the staff, five months to learn the simple staff and five minutes to learn the staff.
Learning guitar is a long process, which requires patience, brains and sweat! I was also very upset when I was learning guitar! I have taken detours, and sometimes I want to give up! But in the end I gritted my teeth and pulled it out! There are still some achievements! I can play a few songs at will, and now give my heart to those confused beginners, so that you can avoid detours. I hope it works for you.
1. Novices will grow cocoons in January, and then their left hand will not feel bad!
2. It takes only one month to practice harmony transformation, and it is difficult to practice it every day!
3. Practice in the big horizontal press, practice makes perfect!
4. Don't practice in front of TV! There is not much progress in doing mechanical exercises like that!
As long as you have perseverance, you can learn!
Once again, the guitar is practiced! Learning accounts for a small part! I wish you an early farewell to beginners and become a guitar master ~!
1。 Major triad: The root note and the third note are big three degrees, and the third note and the fifth note are small three degrees. They are represented by capital English letter names of root sounds, such as DO, MI, SOL chords are represented by C, FA and LA, DO chords are represented by F, MI, SOL and SI are represented by Eb, and FA, LA and DOL are represented by F#.
2。 Minor chords: the root sound and the third sound are minor, the third sound and the fifth sound are magnanimous, which are represented by the uppercase English letter name of the root sound plus lowercase m, for example, the chords of RE, FA and LA are represented by Dm, the chords of MI, SOL and SI are represented by e m, and the chords of Mi, SOL and SI are represented by Ebm.
3。 Add a triad: the root and the third note, and the third and fifth notes are all major degrees. Add aug or a "+"to the first letter of the root sound. For example, DO, MI, rising SOL chords are represented by Caug or C+, while FA, LA, rising DO chords are represented by Faug or F+.
4。 Subtraction triad: root and trisyllabic, trisyllabic? Dental caries? Enzyme? Do you dare swear with your thumb? Through instant messaging or "-". For example, RE, FA, LA-drop, expressed as Ddim or D-, DO, MI and SOL-rise, expressed as #Cdim or #C-.
5。 Major and minor seventh chords: add a minor third on the basis of major triad, and add "7" to the initial of the root sound. For example, the chords of SOL, SI, RE and FA are represented by G7, the chords of LA and S are represented by DOL and MI, and SOL is represented by A7.
6。 Major Seventh Chord: based on major triad, the third degREe is added, which is represented by the capital English letter name of the root plus Maj7. For example, the DO, MI, SOL and SI chords are Cmaj7, and the SI, re, FA and LA chords are Bbmaj7.
7。 Minor seventh chord: based on minor third chord, minor three is added, which is represented by the capital English letter name of the root sound plus "m7". For example, chords LA, DO, MI and SOL are denoted as Am7, and re, FA, LA and DO are denoted as Dm7.
8。 Minor chord, major chord and seventh chord: on the basis of minor chord, minor chord and seventh chord are increased by three degrees, which are represented by the capital English letter name of the root sound plus mM7. For example, DO, mi- fLAt, SOL and si chords are denoted as CmM7, and la, DO, mi- flat and SOL- flat chords are denoted as AmM7.
9。 Minus seventh chord: add three degrees on the basis of MINUS third chord, which is expressed by adding dim7 to the capital English letter name of the root. For example, SI, RE, FA and LA flat chords are denoted as Bdim7, while LA, DO, MI flat chords and SOL flat chords are denoted as Adim7.
10。 Subtract the seventh chord: on the basis of subtracting the third chord, increase the third degree, which is represented by the capital English letter name of the root plus m7-5. For example, the chords of SI, RE, FA and LA are expressed as Bm7-5, and the chords of FA, LA, DO and ME are expressed as #Fm7-5.
1 1。 Additive chord: refers to adding other sounds to a chord on the basis of the three-degree relationship, such as adding six degrees, nine degrees and four degrees. The symbol is to write the degree of this addition in? On the right side of chords, such as DO, MI, SOL and LA chords can be labeled as C6 (LA is stress based on C chord), and FA, LA, DO and SOL chords can be labeled as F9. But it should be noted that there are rules for adding four-tone chords, and sus4 should be omitted? The third note of the chord, otherwise the third and fourth notes will sound sharp together. For example, the DO, FA and SOL chords are labeled Csus4. C chord omits three notes and four notes. Most accents are 6, 9 and 4 degrees. In addition, there are more complicated theories to distinguish between additive chords and chords. For example, the chords of FA, LA, DO and SOL should be marked as Fadd9, while the chords marked as F9 will be considered as FA, LA, DO, MI and SOL. However, this is only a theory. Generally speaking, you can make others understand you with simple phonetic notation.
12。 Specify the root sound of the chord: that is, play the chord, that is, play according to the mark without playing your own root sound. For example, C/G means that g is placed at the lowest pitch when playing chords. Dm/G is to put the G note at the lowest pitch when playing Dm. You can also use On* to mean the same thing. For example, F9OnD actually plays RE, FA, LA, DO and SOL. Obviously, this notation can be used to express the transposition of chords.
Chapter III Functions of Chords at All Levels
In pop music, only major chords are generally spoken, and minor chords are rarely redefined as modes alone, because it is very common to use major and minor chords in pop music. If you use it? Canon and acoustic interpretation will be confused.
Let's take c major as an example. There are seven basic chords * * *: C, DM, EM, F, G, AM and BDIM. They are 1, 2, 3, 4, 5, 6 and 7 chords respectively. 1, 4,5 are called positive triplets, and 2,3,6 are called auxiliary triplets. Seven chords are rarely used in pop music. 1 chord is also called the main chord, the 4th chord is also called the subordinate chord, and the 5th chord is also called the subordinate chord. Next is the attribute of each chord, which is very important!
C, namely 1 chord, is used to clarify tonality. Generally, songs in major begin with it and end with it. But the main chord can be used as little as possible in the middle of music, otherwise it will always give people a sense of termination, and the concert is very hard.
The second chord Dm is a very soft chord, and its most important use is before the dominant chord, that is, the fifth chord. The pentachord naturally returns to the 1 chord, so it is easy to form a series of 2-5- 1. This is an extremely common process.
Em, the third chord, is also a very soft chord. As she is in the process of music, she will immediately become soft and slightly sad. The series of 1-3-4, that is, C-Em-F in C major, is a very common series. Where the 1 chord is originally used in music, it can sometimes be considered to be replaced by a 3-chord chord, and the music will not be tough immediately. This technique is very common in Hong Kong and Taiwan music.
F, the fourth chord, is another positive triad in major and belongs to one of the main chords. Very bright, people feel open-minded, and there is a feeling of "flying" at once. What have we heard about American country music and describing the grasslands in the west? The songs of the Grand Canyon are all expressed by 4-level chords. 1 A chord followed by a 4 chord is definitely different from a 3 chord.
G, the fifth chord, and the third positive triad in major are indispensable for any song. Play a role in supporting the main chord. The ending feeling of music is produced by the progress of 5- 1. Of course, in modern pop music, especially in Europe and America, many songs don't end with 5- 1, which is the characteristic of pop music, but the fifth chord is still unshakable as the skeleton chord of music.
Am, the sixth chord, is a neutral chord. If it's a major chord, it's a minor. This song is bound to become melancholy and sad. If the sixth chord appears in some parts of the major, it plays a role in connecting different chords. A chord of level 6 is like a bridge, which can connect almost all the chords in front, and the same is true in the back. It can be a continuous progression of chords, not rigid. 1-6- 4-5 is very common. In fact, you can write songs with these four chords.
Bdim, the seventh chord, is rarely used in pop music. Because it is a MINUS triad, there is a sense of tension that contracts inward, which is generally only used for some ongoing or root sound flow.
After understanding the properties of the above chords, you can try to arrange chords for songs. However, this is a long-term exploration and practice process. Whether you can match the basic correct chords is not something that can be taught in a few words, nor is it the goal of this tutorial. Our goal is to match better and more beautiful chords, and we can't stay at the level of right and wrong. Is it just me? In fact, if you can do the following, you will take a key step towards the arranger:
1, you can hear the basic internal chords of the song at one time (namely 1, 2, 3, 4, 5, 6, 7 chords).
2. Being sensitive to off-key chords commonly used in songs, it is generally necessary to distinguish off-key chords within 1 to 2 times.
3, look at the chords in music, you can imagine its sound effect, and if others are wrong, you can immediately notice it.
4, watch a single melody, without any instrument, you can match chords in your mind.
Our current pop music system is purely western, and melody and harmony are equally important. Without a systematic study of harmony, it is difficult to produce excellent modern music works.
Chapter IV Change Chords at All Levels
Next, we need to configure more beautiful chords for the songs to make the music smoother. This requires the use of a variety of chords. There is a complex theory about variable chords in classics and acoustics, which is of practical significance. However, for those who have not studied acoustics systematically, if they are instilled with a series of theories about out of tune from the beginning, I am afraid that not many people can understand it correctly. So in this tutorial, I have adopted a more intuitive statement, and the correct meaning of out-of-tune chords will be written later.
Note: All chord transpositions follow the traditional names. The first transposition is called the sixth chord and the second transposition is called the fourth chord.
1, main chord 46 (K46 chord)
This is a very common chord in classical music, but it still plays an important role in pop music. Its form is the second transposition of the main chord. Take C major as an example, that is, the C/G chord, that is, the 5- 1-3 chord. The characteristic of this kind of chord is that although it is the main chord, it is not stable at all because it takes SOL as the root sound, and it has a strong tendency to belong to the chord. Just try it. If the bass player plays SOL instead of DO at the end of a major piece, you will definitely find it strange. You will feel that this song is not over at all. This fully reflects the instability of the main chord. So we can make full use of this when arranging music. If a song ends with C-G7-C (which is a very common ending), we can change it to C/G-G7-C. Because C/G (dominant chord 46) tends to be a dominant chord G7, and the dominant chord G7 tends to be a dominant chord, so that a series of chords from C/G follow its trend and the music becomes smooth. In classical music, the progress of C/G-G7-C is the most classic termination.
2. Second-order sixth chord
The second-order sixth chord is the first transposition of the second-order chord, which is Dm/F in C major. Its constituent sounds aRE FA, LA and re. You will find that it has only one sound with the F chord (the fourth chord), the former is FA, LA, RE, and the latter is FA, LA, DO. So the second-order sixth chord can actually be regarded as a substitute for the fourth-order chord, which means that the fourth-order chord was used in some places, and now it can be replaced by the second-order sixth chord. Use Dm/F instead of f chord in c major. The second-order sixth chord keeps the softness of the second-order chord, which is not as hard as the fourth-order chord and has no strong sense of "flying". Therefore, if you want to make the series of 1-4 less tough, but ensure the harmony effect of the series of 1-4, you can use the second-order sixth chord instead of the fourth-order chord. If you have heard the theme song of the movie "red river valley", its second chord is the second-order sixth chord, and the chord function and sound of this place are actually Grade 4, that's right! This is the effect of the second order sixth chord.
3. Sophomore chord
This is actually an out-of-tune chord, but I won't explain the problem from this angle here. A second chord is a second chord with three notes raised. C major is chords 2, #4 and 6. It is characterized by a strong tendency to dominant chords (fifth chords), that is, the progress of D-G in C major. When I introduced the second chord earlier, I mentioned that the most important use of the second chord is in front of the fifth chord, so we can think that the second chord strengthens the tendency that the second chord belongs to the chord. Replace Dm-G7 with D-G7 in C major. It is very effective to use this alternative method in the appropriate position of the song. However, it should be noted that if the melody of the song is FA (the first key), it cannot be replaced in this way, because it will form a small conflict with the #4 chord, which is very sharp and harsh. Many songs of Teresa Teng, many songs of that era (such as "Please Take Care Tonight") will use sophomore chords before the dominant chords, so you can distinguish them carefully. In addition, like all out-of-tune chords, sophomores can also be expanded into seventh chords, D7 chords in C major, 2, #4, 6, 1. Its chord nature is the same as that of D chord, but its sound is richer.
4, major triad
This is also an out-of-tune chord. C major is e chord, 3-#5-7. It is formed by the three notes of the triad Em rising. It tends to be the sixth chord Am. That is, it constitutes the progress of E-Am in c major. In fact, it is the reinforcEment from em to Am. As before, we can use E-Am instead of Em to Am, but it should be noted that if the melody sound is SOL, it cannot be replaced like this, because SOL will conflict with #5 in the chord. There is an old song called "Where is My Home", which is written by major triad. There is a Christmas song that uses the second chord and the third chord in succession. In addition, like all out-of-tune chords, major triad can also be extended to seventh chord, E7 chord in C major and 3-#5-7-2 chord. Its chord nature is the same as that of e chord.
5, major sixth chord
This is also an out-of-tune chord. Moreover, this is a very common chord, and its "out of tune" is far away, so it can create beautiful effects. In C major, it is an A or A7 chord (like other out-of-tune chords, it can be expanded into a seventh chord), which strongly favors the second-order Dm chord, thus forming the (A7)-Dm series in C major. This is a very beautiful progress, which can not only replace the progress from Am to Dm, but also replace the progress from other chords to Dm. You can use this as long as your melody has any one or more notes of 6, # 1, 3 and 5. Emphasizing the role of harmony in music is the best example. Take a look: 3-4 | 2-| This example, if you want to configure Dm chords in the second quarter, what should you use in the first quarter? Am is ok, Em is ok, but neither is the best. Have you tried A7? That would be a fresh feeling. This chord technique is widely used in popular music, such as Teresa Teng's song "Proverbs of Love", which is used many times in famous Christmas songs. This chord is very colorful, and if used properly, it will definitely enrich your song chords and accompaniment much more than before. Of course, you should be careful not to use this chord when the melody sound is DO, because it will conflict with the # 1 sound of the chord.
6. The first seven chords
This is also an out-of-tune chord. The first-order seventh chord is a C7 chord in C7 major, 1-3-5-b7. See clearly, this is a major and minor seventh chord, and it is to reduce SI instead of restoring SI. Don't get the other keys wrong. Its purpose is to be placed in front of the fourth chord. The first-order seventh chord has a strong tendency to the fourth-order chord, and because it belongs to the main chord series, if the first-order to fourth-order chord is used, a first-order seventh chord can be inserted into these two chords to form the natural progression of C-C7-F, which is used in an old English song.
7, the fourth chord in minor
In major, the fourth chord should be major triad, but sometimes we also use its triple form to form a minor fourth chord. Its most effective function is to be placed between the fourth level and the main chord, that is, to form the F-Fm-C series in C major. Of course, the fourth level is a minor chord, and its addition will suddenly make music sad, so it can be placed not only between the fourth level and the main chord, but also directly added to a certain part of music. The famous (edelweiss) used a small fourth chord at the end. Many popular songs in Hong Kong and Taiwan also use Band Four to express sadness and loss.
8, five-step triad
This chord is not very common. It improves the fifth note of the original fifth chord and becomes an augmented triad. Gaug(G+) is used in C major. The function of this chord is that when a phrase ends on the dominant chord, it can be replaced by a fifth chord, which can increase the atmosphere of infinite meaning, and then the concert will start from the main chord after a short pause. This method is widely used in jazz.
9, flat sixth chord.
It is a commonly used variation chord. This is a major triad. In C major, it's the bA chord, b6- 1-b3, and Radome is flat by a semitone. This chord seems to be far away from C major, which is true, because it has only one note, DO, which belongs to the diatonic scale of C major. Hee hee, this is where DO became the biggest application in grade six. Because most major songs will end on the tonic DO (the first key), we can use the six-flat DO sound and put the six-flat in front of the main chord to achieve a special sound. In C major, if it was the termination of G7-C, it can be changed to G7-bA-C now, so that we can get such an effect: although the melody retains DO, the chord is a six-level main chord, which is very colorful. It can set off the grand and spectacular ending, not just belong to the Lord.
10, flat seventh chord
Compared with grade six, grade seven seems to be closer to the original tune. In C major, the seventh flat note is bB chord b7-2-4 and SI-RE- FA flat note, which is also a major triad. It contains two sounds, RE and FA, and can be used freely in the middle of the song. If these two sounds appear in the melody, it is possible to use a seven-level drop. In a song, if you change the place where ordinary chords are used to the seventh level, you will feel a sudden tone change. You can connect 1, 4, 5 chords after the seventh grade. In c major, there are C-bB-C, C-bB-F and so on. Teresa Teng's A Thousand Words and The Beatles' A Thousand Words both used the flat seventh chord and achieved good results. Another purpose of the seventh-level drop is to further expand the sixth-level drop, and expand bA-C to bA-bB-C, that is, insert another seventh-level drop between the sixth-level drop and the main chord, and get a continuous upward major triad effect, which is more suitable for those bold, majestic and powerful stop sounds.
1 1, flat triad
This is also a variation chord that is not commonly used. C major is a bE chord, b3-5-b7, MI-SOL- SI flat, and it is also a major triad. It is also far from C major, and only SOL is an internal sound, so we can only consider the melody when SOL appears. It is suitable to play a rich role in music, and will immediately return to the original tune after use. This kind of chord must be used well and properly, and cannot be abused. There is a famous old English song? lt； The liberated melody & gt (unrestrained melody-the episode of Ghost) used three levels in the second half.
The fifth chapter chord using means
1, keep the root sound
This technique is used in many popular music. It means that in a chord connection, the root sound does not move according to the normal chord root sound, but keeps the same sound all the time, and the most common thing is to keep the tonic sound.
The concrete point is this connection: C-F/C-G/C-C, the original meaning of the chord is 1 to 4 to 5, but the root sound remains on C, which also weakens the strong contrast between the original chords and makes them "stick together", so it can give people a stable and warm feeling. A paragraph of the song is more appropriate. Bryan Adams used this technique at the beginning of his famous song, so you can listen carefully. In classics and acoustics, this technique is called "main sustained tone". Harmony is so strange. Maybe if you say G/C chord and use C as the root of G chord, won't there be a small conflict? Therefore, theory is not only our navigator, but also the biggest constraint. When we connect a string of chords, you will find that you can't understand the second degree conflict at all. Give it a try!
2, lingering sound, first sound.
I have always felt that the greatest charm of harmony lies in "anticipation", that is, when a chord appears, we wait for the chord it should go to appear, so as to be consistent with my "psychological hearing". The lingering sound and pre-stored sound can satisfy my "quirks".
Let's talk about the lingering sound first, which means that a note in the A chord extends to the next B chord, and this note is not the note in the B chord.
For example, it is like this: F-Gsus4-G7-C, in which Gsus4 chord consists of two sounds, 5, 1, and the DO tone is the continuation of F chord and does not belong to G chord. Because it is added to the G chord, the original subordinate function of the G chord is weakened, and the DO tone replaces the original position of SI, but it is robbed. So the "sense of expectation" arises here, and audibly we wait for DO to go to SI, so the appearance of G7 behind meets our auditory needs, and finally it is solved on the main chord and ended successfully.
This is the most common form of reverberation. We can create more possibilities by ourselves, extending a certain sound of a chord to the next chord, resulting in "late solution", which is very attractive.
Let's look at the pre-existing sound, which is just the opposite of the residual sound, that is, in the A chord, a certain sound of the post-B chord appears first, but this sound does not belong to the A chord. When the music reaches the position of B chord, the pre-sound becomes a chord and the music is solved. A more effective method is to present the root sound first. Like this: F/G-G7-C, it is. However, on the 4th chord, the root G of the latter 5th chord appears first. In this way, it has a very strange effect, which makes the fourth chord have a subordinate function and makes the triad closely connected.
Obvious sounds and echoes are excellent means to arouse the audience's appetite. We should make good use of them or use them together, for example, F/G-G7-CSUS 4-C. Continuous use of playback and aftersound is very good.