1, focusing on the creation of poetic artistic conception from the perspective of verve, he thinks that a good poem must have "meaning beyond rhyme", "meaning beyond taste" and "taste beyond salty and sour".
2. Emphasize the meaning beyond the taste, and poetry should express infinite charm with limited sentences and images.
3. Emphasize "direct income" and write naturally when writing.
He thinks:
The theory of verve is Tang Sikong's poetic proposition. He pays attention to the creation and appreciation of poetry from the perspective of verve. Si Kongtu inherited the theoretical achievements of predecessors, combined these two concepts, and founded the theory of "verve", which became a very influential poetic aesthetic theory.
Its essence lies in pursuing the hazy beauty, implicit beauty and implicit beauty of poetry, and advocates that the creation of aesthetic images of poetry should be "beyond rhyme", "beyond taste" (ditto) and "beyond image" (Ji Pu Shu). It is emphasized that the artistic conception of poetry should leave readers room for association and aftertaste, and readers should be encouraged to re-create aesthetics in order to increase the vitality and vitality of works of art.
Different from the traditional discussion of poetry from the perspective of social function, the theory of "lasting appeal" discusses poetry from the aesthetic characteristics of poetry itself, discusses the aesthetic function of art, and contacts the image thinking of literary and artistic creation, which has a far-reaching impact on the development of the theory of "artistic conception" and "realm" in the future. The theory of "Wu Miao" in Cang Shi Lang Hua in Song Dynasty, the theory of "verve" in Wang Shizhen and the theory of "realm" in Ye Xie in Qing Dynasty were all deeply influenced by it.