The Noun Explanation of "One Mountain" in the History of China Literature

Yuan Xingpei's History of China Literature Title: Facing 2 1 century Course Textbook: History of China Literature (2nd Edition) Volume II ISBN:7040 16480 Author: Yuan Xingpei//Luo Zongqiang Press: Higher Education Press Price: 38.8 pages: 426 Date of publication: July 2005. 6 folio Introduction: This book is an achievement. This book advocates literature-oriented, puts literature in a broad cultural background, describes the development of ancient literature in China in detail, and makes some innovative textual research and discussion. Each chapter has detailed notes to introduce the viewpoints of various schools, and there is a research bibliography at the back of each volume, which provides readers with clues for further research and is obviously open, forward-looking and knowledgeable. After publication, it won the National Book Award, the Beijing Excellent Achievement Award in Philosophy and Social Sciences, and the first prize of excellent teaching materials in national universities. Under the premise of maintaining the original compilation purpose, guiding ideology, style, framework, characteristics, structure and length, this revision has made up for the shortcomings that have been found, cautiously supplemented new materials, absorbed new achievements, and added and deleted contents, further unifying the style of writing. This book is suitable as a general teaching material for Chinese Department in colleges and universities, and can also be used as a reference for ancient literature lovers and researchers. Content: Part III: Introduction to Wei and Jin Literature, symbol of literary consciousness and prosperity of literary criticism in the Southern and Northern Dynasties, from character appreciation to literary appreciation, from stylistic analysis to compilation of collected works, establishment of a new literary theory system, Section II: the fate of turbulent China people and the fashion of scholars in troubled times and the fate of scholars killed in troubled times: the theme of life and death, the theme of seeking immortality, and the theme of Yin Di, Section III: the concept of literary creators and gate valves under the gate valve system; Family and civilian ethics; The fourth section is the infiltration of metaphysics into literature; Get rid of the shackles of Confucian classics in Han dynasty; Nature and truth; The beauty of being broad-minded and seeking truth; From metaphysics to rationality; Section five: the influence of Buddhism and Buddhist scripture translation on literature; The influence of literati and Buddhism on literature. Ring: the richness of the imaginary world, the strengthening of the story, the discovery of four tones, the expansion of vocabulary and the diversification of literary concepts. Section VI Development of Zhang Xue in Wei, Jin, Southern and Northern Dynasties, Literature of Jian 'an and Zhengshi, Literature of Southern and Northern Dynasties, Literature of Wei, Jin, Southern and Northern Dynasties and Its Position in the History of China Literature Chapter I From Jian 'an Style to Zhengshi Sound Section I Cao Pi's Reference to the Achievements of Han Yuefu Section II Cao Zhi's Political Tragedy and Poetic Talent Show His Extremely High Character and the Development of Hua Mao's Five-character Poems Section III RoyceWong, Serina Liu and Cai Talk about the "Crown of Seven Children" and Wang Sang and Cai. The epochal features of Jian 'an poems, the exaltation of political ideals, the short lament of life, strong personality and strong tragic color. Section V: Ruan Ji, Erkang and Zhengshi's Poems from Jian 'an Style to Zhengshi's "Yong Huai": the face of political lyrics is gloomy and broad-minded. The interest and ambiguous twists and turns in Ji Kang's and Ying Kun's poems are the second chapter. The first poet in the Jin Dynasty was Lu Ji. The poet's ups and downs in the political whirlpool of Pan Yue's and Taikang's poetic styles became the object of creation: the characteristics of Taikang's poetic style. The second section is the origin and characteristics of Zuo Si's and Liu's ensemble epic. The injustice and resistance of the poor are based on the reappearance of the poetic style of complaining about others and Jian 'an style. The third section traces the origin of Liu Kun's poems to Guo Pu's poems about immortals. Xuanzong and Kanmou's ode to literary talent, wealth and enthusiasm. The fourth section is the preface of Wang Xizhi and Lanting's chorus and Lanting. The theme and aesthetic value of the poem "The Preface to the Orchid Pavilion and Wine Songs", an elegant collection of literati. Section V, Sun Chuo's Metaphysical Poems: The Mentality, Mysterious Interpretation and Implication of Scholars in the Eastern Jin Dynasty: Conforming to Nature and Interpretation. Chapter III Tao Yuanming's life track and ideological character in the early and late period are bounded by Peng's resignation, the choice between the poor and the rich, the struggle between the poor and the rich, and the representative of advocating natural romantic life in Wei and Jin Dynasties. Section II Classification of Tao Yuanming's pastoral poems and other ceramic poems: The third section: the art of Tao poetry and its origin nature: the overall artistic characteristics of Tao poetry, the poetic situation of daily life, and the plain and simple warning. The fourth section is the artistic origin of Tao Yuanming's prose and ci, Mr. Liu Ren's vivid self-image, the ideal mode of "Returning to Xi Ci" and the theme of "Peach Blossom Garden" in the fifth section, the typical significance of Tao Yuanming's poet, Tao Yuanming's spiritual home as a scholar-bureaucrat, the fifth section is the emotional rhetoric feature of "Xizhou Qu", which does not bend over the folk songs of the Southern and Northern Dynasties with the scenery and streets of Wu and Chu Feng and Xiqu Watertown. Chapter 5 of Mulan Gang Xie Lingyun, Bao Zhao and the Change of Poetic Style Section 1 Xie Lingyun initiated the new style and prosperity of landscape poetry, seeking the philosophy and interest of life from the landscape. From freehand brushwork to portrait, from enlightenment to realism, landscape has become an independent aesthetic object. The Prosperity of Xie Lingyun's Landscape Poems and Its Position in the Southern Dynasties Section II: The Voice of Bao Zhao and His Innovative Literati, and the Contribution of His Style to Seven-character Poems Chapter VI Yongming Style and Qi Liang Poetry Section I: The Rise of Shen Yue, Xie Tiao and Yongming Style: Pursuing Shen Yu's New Poems in Poetry Creation; Xie Tiao's poems, Yin Hammer, He Xun, etc. The second section: The decline of the superiority of family literature and the formation of the imperial power center under the group gate system of poets in Qi and Liang Dynasties; The formation of the court-centered poet group: the activities of the poet groups of Wang Xiao, Liang Dynasty, Xiao Tong and Xiao Gang in Jingling, Southern Qi Dynasty and their influence on their creation. Section III: The influence of the change of folk songs in the Southern Dynasties from the market to the court on the poetic style: the aesthetic view of women is based on the description of women's life, appearance, posture, costumes and utensils, the description of love psychology, and the stimulation of rhetoric and sensual emotions. Chapter VII Geng Xin and the northern spread of the literary style in the Southern Dynasties. Section I The revival of the culture and literature of the Northern Wei Dynasty: an overview of the literary circles of the Western Wei Dynasty and the Northern Zhou Dynasty. Section II The blending of the northern and southern literary styles; Political confrontation and cultural pluralism; The method of integrating north and south styles; The third section is the cultivation of Geng Xin's early poetry art; The content and expression of Xiang Guan's thought; Chapter 8: Ci and Fu in Wei, Jin, Southern and Northern Dynasties, the first section of parallel prose and prose "taking temperament as the body" and "taking emotion as the text" in Wei and Jin literary circles; Cao pi's fatwa, Cao pi's brothers' letters and the prosperity of lyric sketches; The second part: the evolution of American prose in the Southern Dynasties; Pay attention to literary works; Yuan Jia; Ye Fan's history of Wen Xin Diao Long: the new style of parallel prose; Poetry and writing. Regardless of the North and South, "Gathering Records of the Six Dynasties" and Enjoying the Nature "Luoyang Galand Ji": the individuality of academic and literature, the arrangement of double symbols and Galand's prose style. Chapter IX Origin and Prosperity of Novels in Wei, Jin, Southern and Northern Dynasties About the Origin of Novels in Wei, Jin and Southern and Northern Dynasties Section II Strange Stories from a Lonely Studio and the Background of the Prosperity of Strange Stories from a Lonely Studio. The background of the prosperity of novels with lofty ideals, the characteristics of novels in Wei, Jin, Southern and Northern Dynasties, the third section, the compilation of Shi Shuo Xin Yu and its literary achievements, the fourth section, an introduction to the literature of Sui, Tang and Five Dynasties, the first section, the open cultural environment and the prosperity of Tang literature, the blending of strong national strength with Chinese and foreign cultures, the life belief of scholars, and the influence of cultural prosperity on literature, the second section, roaming, the world shogunate, reading the wind of mountains and forests, demoting Manchu and Tang Dynasty. The influence of the life of the shogunate and the atmosphere of reading mountains and forests in the Tang Dynasty on literature Section III The influence of Buddhism and Taoism on the literature of the Tang Dynasty, The Influence of Taoism on Literature Section IV The Style of Tang Literature and Its Position in the History of China Literature The Development Track of Tang Literature The Style and Style Innovation of Tang Prose The Generation and Prosperity of New Style The Position of Tang Literature in the History of China Literature Chapter I The Integration of North-South Literature and the Establishment of the Early Tang Poetry's Unification with the Sui Dynasty; The Literature of the North-South Convergence Section II The Style of Zhenguan Poetry and Wang Ji's Official Style in the Early Tang Dynasty and the "Four Masters" Du and Shen, Song and stereotyped writing, five methods, the third section and the style of Tang poetry, the gains and losses of the retro tendency of poetry, the admiration of poetry and the style of Tang poetry, the fourth section, Zhang and Tang poetry, the beauty of poetic artistic conception created in the prosperous Tang Dynasty and its influence on the beauty of exquisite images of poetry, Chapter II, Poets of the Prosperous Tang Dynasty, Section I, Wang Wei and other poets who created secluded beauty, centered on Wang Wei and Ran, The Significance of Hermit Complex and Landscape Feelings to the Creation of Poetic Realm Section II: The Influence of Zen Thought on the Emotional Style of Poetry; Wang Changling and Cui Hao and the poets who created beautiful, vigorous and healthy beauty; Cui Ling, Zuyong and other poets; Section III: Gao Shi, Cen Can and Gao Shi and other poets created generous and magical beauty; Cen participated in Wang Zhihuan Chapter I: Li Bai; Section I: Li Bai's life, thoughts and personality; Section II: Li Bai's Yuefu and songs, The old topic of Yuefu's innovation and personality characteristics, the lyrical way of flowing water, the value of Li Bai's songs in the third section, the endless feelings expressed by Li Bai's quatrains and bright language, and the influence of fresh and elegant Yuefu folk songs on Li Bai's quatrains in the fourth section, the artistic personality of Li Bai's poems, subjective color imagination, characteristic image types and the use of words in the fifth section, the status and influence of Li Bai in the fourth chapter, Du Fu's social turmoil and the social decline and Anshi rebellion since the middle of Tianbao, as well as the book of songs. In the second section, Du Fu's metrical poems broaden the scope and techniques of expression, and poems are composed of metrical poems. The artistic style of social poetry The main style of Du Fu's poems is gloomy and frustrated. The other side of Du Fu's style: the relationship between Xiao San's natural Du Fu's style and Du Fu's situation and mood. Section IV Du Fu's position and influence in the poems of the Six Dynasties, and the influence of the great achievements of the poems in the prosperous Tang Dynasty on later poets Chapter V The change of scholars' mentality and the cold feelings of Dali poems The charm of some poems in Wei and their elegant and free-spirited poetic style Liu Changqing and the cold feelings of ten talented poets in Dali poems Section II The image types of Dali poems The words and colors of Dali poems Section III The poems of Gu Kuang and Li Yi Gu Kuang are vulgar and strange. Chapter VI Han Meng School of Poetry and Liu Yuxi, Liu Zongyuan and other poets Section I Han Meng School of Poetry and its poetry advocated the formation of Han Yi School of Poetry: "Speak out if it is unfair" and "pen complements nature". In the second section, Han Yu, Meng Jiao, Li Mao and others made innovations in poetic image types and techniques. Liu Yuxi in the third quarter. Liu Zongyuan and others' poetic style Liu and Liu's political encounter and psychological resentment Liu's heroic, bold and vigorous, Liu's poems and cold folk songs, etc. Chapter VII Bai Juyi and Poetic School Section I Poetry Thought and Poetry Creation in the Middle Tang Dynasty: Du Fu's realistic tendency and the influence of the times and folk songs; Wang Jian's popular poetry style and realistic expression; Yuan Wutai's poetry creation Section II Bai Juyi's poetry proposition and his allegory; Bai Juyi's life and his poetry proposition; the gains and losses of satirical poetry and the creation of new Yuefu Section III, Song of Eternal Sorrow, The wind of making friends between Pipa Xing and Yuan Bai's poem Song of Eternal Sorrow and the climax of the chorus of poets in the prosperous Tang Dynasty; The artistic achievements of Pipa Xing Section IV Bai Juyi's leisure poems Content and Artistic Conception and the influence of leisure on later generations Chapter VIII Changes in prose style Section I Revival of scholars' political reform aspirations and style reform in the Tang Dynasty Section III Second, changes in literary style caused by Confucianism and political reform advocated the return of theoretical propositions of ancient Chinese prose and the concept of essays to the cultivation of prose in the Tang Dynasty from Xiao. The ancient prose theory from Liu Mian to Han Yu and Liu Zongyuan, the political and religious purpose of the ancient prose theory, and the profound influence of the concept of essays on the development of prose Section III, the artistic achievements of Han and Liu's prose, from the slow development of prose in the early Tang Dynasty to the development of Han and Liu's prose, essays and epitaphs, and Liu Zongyuan's essays and landscape travel notes Section IV, the decline and proud revival of ancient prose in the late Tang Dynasty; The parallel prose of Li Shangyin and others in the late Tang Dynasty Chapter IX Legends and Popular Stories of the Tang Dynasty; The first section is the development process of Tang legends from introduction to climax and then to low tide, intentional and fictional plot structure, character description and rhetorical devices. The second section is vulgarization and variation. Vulgarization and discourse transformation and variation. Chapter 10 Poetry in the late Tang Dynasty. The first section is Du Mu and the reflection of scholars' feelings of nostalgia for the past and injury to the present in the decline of the late Tang Dynasty. Du Mu's Poetry Creation The Creation of Xu Hun and Others Section 2 The Wandering Mood and Tired Attitude and Methods of Poets such as Jia Dao and Yao He Section 3 Love Theme and Gorgeous Poetry Style. The poet's feelings of Fujian Pavilion and the love theme and gorgeous poetic style of poetry. The fourth section is secluded feelings and indifferent poetic style. Lu Guimeng, Pi Rixiu, Si Kongtu and other poets' reclusive mentality and indifferent feelings, indifferent realm Section 5 Disturbance and irony of the sense of the times Chapter 11 Zheng Yin Section 1 Li Shangyin's life and poetic content Li Shangyin's life experience and sentimental temperament Li Shangyin's thought and poetic content-a portrayal of life and psychology in the late Tang Dynasty Section 2 Ambiguity and development of the spiritual world. Since the middle and late Tang Dynasty, poetry has moved towards a beautiful poetic atmosphere and cordial poetic connotation. The Polysemy of Li Shangyin's Poems and Its Causes: Section III: Analysis of the Style of Sorrow, Embrace and Blending; Sad, bright and blended style; Li Shangyin and Qi —— Comparison of Li Shangyin's and Ruan Jiliang's Poems: Comparison of Li Shangyin and Li He: Comparison of Li Shangyin and Du Fu: Chapter 12 Creation of Ci and Five Pronouns in Late Tang Dynasty; The first section is the rise of Yan music and the origin of ci; The rise of a cheerful countenance; The decline of early folk words; Section 2: Ci writers with literary and other flowers; The third section "Bibliography of Young Southern Tang Poets", in which Li En and other Southern Tang poets have been haunting Li Yu.