I looked at it and thought, this is the same as me. Since I studied photography, I have often given a poem to my photos. Because it is too casual, it often rhymes to the end, and it is written as a limerick or a jingle.
So strictly speaking, it can't be called poetry. Although no one patted the brick, it received a lot of praise. Some people who know poetry suggested that ancient poetry should have rhyme and be flat and even. Actually, I know it very well, but I can't do it. I can't write it. I give up.
Teacher Zhou said: "When you write an ancient poem, you must learn the enlightenment of tone and the rhyme of Li Weng, master the level, antithesis and rhyme, and write it like an ancient poem. Otherwise, it's like a jingle or a limerick. "
I said, "I write fluently, and once I write it, it becomes a jingle or a doggerel."
Teacher Zhou: "Poetry has strict rules, so you can't write it casually. Ancient poems should be recited, or sung, with beautiful rhythm, so you must know how to rhyme. "
Me: "Habits are hard to change. Often rhymes to the end, there is no level. "
Shang Linye: "I feel that Xueping is a big hurdle and I am very sad."
Miss Zhou: Evenness is not difficult. I mean one or two tones, and I mean three or four tones.
Rhyme doesn't need antithesis and leveling, but it needs leveling if it doesn't rhyme. There are two ways to write poetry. "
To write well, it seems necessary to learn how to write ancient poems.
First, ancient poetry pays attention to rhyme and rhythm.
(1) Rhyme is one of the most important features of ancient poetry. The so-called rhyme is the pronunciation of homonym; Ancient poetry generally rhymes with two sentences, while single sentences don't rhyme. A quatrain rhymes with two or four sentences, and a metrical poem rhymes with two, four, six and eight sentences, with a fixed rhyme position.
Rhyme generally has the following situations:
(1) disyllabic. Disyllables (two words with the same initial) and reduplication (two words with the same initial) are not only harmonious in phonology, but also have a positive effect on the expression of meaning.
(2) overlap. Reduplication is very common in ancient poetry, which is both double-voiced and rhyming, and won a wonderful rhyme. Reduplication has many expressive functions in poetry: ① copying the sound to make the sound feel stronger; (2) Things make things more vivid; (3) Narration makes things more emotional; (4) Lyric, increase the emotional concentration.
(3) rhyme by word. What kind of rhyme you choose has a great influence on the artistic conception of this poem. Generally speaking, the bigger the opening of rhyme, the easier it is to express high-spirited feelings. On the contrary, the greater the sound resistance, the easier it is to match the feeling of sadness. Pingsheng rhyme cuts into the meaning of generosity, and rhyme should be sad and restrained.
(2) leveling. Flat tone is the most important factor that constitutes the intricate rhyme of classical poetry, and ancient poetry pays great attention to flat tone. In a sense, to talk about the meter of poetry is to talk about the format and law of the level tone.
Flat, that is, flat pronunciation, means that the pronunciation tone of a word does not rise or fall; Cue, that is, Cue, that is, the tone of a word pronunciation rises or falls.
The formation of flat tones is closely related to the four tones. Four tones are the concrete expression of the rhythm of Chinese characters, and are the names of different tones of Chinese characters applied to the rhythm of poetry.
The so-called four tones are the four tones of Chinese characters: flat tone, rising tone, falling tone and entering tone. Flat tone is flat tone, rising tone is rising tone, falling tone is falling tone, and entering tone is short tone.
Five-character poems have four basic sentence patterns:
1 Pingping Pingping Pingping
2 flat and flat-flat and flat.
3 flat, flat, flat.
(4) Flat and flat-flat and flat.
The so-called ping, ping, mainly depends on the second word, because the second word is the rhythm point (the following seven-character sentence, the second, fourth and sixth words are the rhythm points), and the level of the rhythm point is not allowed to change.
Seven-character poems are changed on the basis of five-character poems (two flat words or flat words opposite to the first two words are added before each sentence), and four basic sentence patterns are also formed:
1 level and level-level and level-level.
2 Pingping Pingping Pingping
3 flat and flat-flat and flat.
(4) Flat, flat, flat, flat.
By interlacing the above eight basic sentence patterns, we can deduce the flat and even format of all metrical poems and quatrains.
Second, the ancient poetry antithesis requirements
Metric poetry (modern poetry) has only five words and seven words in terms of the number of words in a sentence. No matter what form modern poetry takes, there are even sentences.
Each metrical poem consisting of eight sentences is called metrical poem. Five-character poems are referred to as five laws for short, with forty characters; Seven-character verse is referred to as seven laws for short, with 56 words.
The Five Laws and Seven Laws not only have strict requirements for the fluency and rhyme of each sentence, but also have certain requirements for the antithesis of sentences. Modern poetry composed of four sentences is also called quatrains. Because the quatrains in the near aspect are similar to the four sentences in a poem, some people call them truncated sentences.
Quatrains are divided into five-character quatrains and seven-character quatrains, also known as five-character quatrains, four-character quatrains and twenty-character quatrains; Seven-character quatrains are also called seven-character quatrains, four sentences and twenty-eight characters.
In addition to rhyme and number of words, metrical poems generally require antithesis. The antithesis of five laws and seven laws is generally used in parallel prose and neck couplets.
A quatrain can be antithetical or incorrect, that is, the first couplet is right for the last couplet, the last couplet is right for the first couplet, and the second couplet is right. In short, there are no strict restrictions.
The beauty of poetry includes two aspects: the beauty of phonology and the beauty of words. Regardless of the content and words, one of the important means to obtain the beauty of phonology is meter.
When you have no other means to make poetry full of phonological beauty, you ignore the rhythm, which is to ignore the phonological beauty of poetry. Even if giving up the beauty of phonology makes the poetry itself ideological to the extreme, it is only dazzling in one aspect and cannot make up for the lack of phonology.
Then I attached some jingles I wrote, and they all became jingles.
The plane photo taken at the airport when I flew back to my hometown in Shandong from Hainan. I wrote:
One weekend afternoon, during a green tour in Wan Li, I finally rushed to the seaside to shoot the sunset. I wrote:
On a foggy morning, when I was standing on the Dragon Ball Bridge filming fishing boats, I wrote:
Took a bunch of green seedless grapes, and I wrote:
I photographed the poles and wires under the blue sky and wrote:
I took pictures of the low tide of the sea. Someone was catching the sea and birds were flying in the air. I wrote:
Photographing the sun's shadow on the ground, I wrote:
Little sister made a delicious lobster. I wrote:
They all slipped away and never dared to write again.