"When I go out laughing in the sky, am I a man of Peng?" It means that I go out laughing on my back. How can I be a person who has been in the grass for a long time? This poem comes from Li Bai's "Children from Nanling don't enter Beijing".
"Original"
"Children from Nanling don't enter Beijing"
Author: Tang Li Bai
White wine comes home in the mountains when it's newly cooked, and yellow chickens peck millet in autumn.
Call children to cook chicken and drink white wine, while children laugh and lead people to clothes.
sing to get drunk and masturbate, and dance to the sunset for glory.
it's not too early to lobby, and it's not too early to cross the horse with a whip.
Hui Ji's foolish wife despises buying ministers, and Yu also quit his family and went west to Qin.
laughing at the sky and going out, we are not Artemisia people.
I came back from the mountains when the white wine was just brewed, and the yellow chicken was pecking at the grain and growing fat in autumn.
I shouted to the boy servant to pour me white wine for the yellow chicken stew, and the children were laughing and making noise, involving my cloth.
I want to comfort myself by singing and getting drunk, dancing drunk and competing with the sunset in autumn for glory.
It's getting late to lobby the king of Wan Cheng, so I'm ready to catch up and start a long journey.
Hui Ji's foolish woman looked down on poor Zhu Maichen, and now I'm leaving home to go to Chang 'an and go to Qin in the west.
how can I be a person who has been in the grass for a long time when I walk out the door with my back facing the sky and laughing?
"Appreciation"
Children of Nanling Bie Enter Beijing describes an important event in Li Bai's life in the first year of Tianbao (742). Li Bai, 42, received an imperial edict from Emperor Xuanzong of the Tang Dynasty calling him to Beijing, and named it "an offering to the Hanlin". The poet, who has always been very excited about running the country and keeping the country safe, immediately returned to his home in Nanling, bid farewell to his children and wrote this passionate ballad. Twelve sentences in the whole poem are done in one go, with scenes and feelings, handy and passionate feelings.
The poet describes the situation from returning home to leaving home. The whole article uses the style of Chen Qi's affairs, and at the same time adopts comparison, narration and discussion. The combination of positive description and side contrast shows the poet's active and unrestrained enthusiasm for life and generous and enterprising spirit in his bold and unrestrained style.
The poet's ingenuity is not a straight road to the end, but from the outside to the inside, with twists and turns and ups and downs, pushing his feelings to the top layer by layer. The whole poem fully expresses the poet's extremely happy mood and heroic and complacent mood, and vividly shows the poet's complacent image. Poetry in the Tang and Song Dynasties commented on this poem: "The style of concluding a sentence is straightforward, and the so-called words and meanings are exhausted, such as cutting off a horse."
"Introduction to the Author"
Li Bai
(71 ~ 762), whose name is Taibai, was named as a violet layman, and also named "fallen immortal" (He Zhizhang's comment), was called "poetic immortal" by later generations. Born in Chengji, Longxi (now Jingning County, Gansu Province), he was born in Suiyecheng, Duhufu, Anxi (now near tokmak, northern Kyrgyzstan) and then moved to Changlong County, Mianzhou, Sichuan Province (now jiangyou city, Sichuan Province). He is a master of Chinese poetry culture, and left the most colorful stroke in the history of China's poetry. He and Du Fu are also called "Li Du", and Li Shangyin and Li He are also called "Three Lis" in the Tang Dynasty. In the Tang Dynasty, Li Bai's poems and songs, Pei Min's sword dance and Zhang Xu's cursive script were named "Three Musts". Han Yu has a saying: "Li Du's articles are there, and the flames are endless.".
Li Bai is a great romantic poet in China and a representative figure of romantic poetry in the prosperous Tang Dynasty. His poems have the artistic charm of "the pen falls to shock the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature in his poems. His poems are bold and unrestrained, with strong feelings, elegant and magnificent, novel in imagination, strange in conception, fantastic in artistic conception, fresh and bright in language, magnificent in momentum, harmonious and changeable in temperament, forming a bold and extraordinary artistic style, with extremely high artistic achievements, reaching the peak of Chinese ancient romantic poetry art.