2. The Sword House has no clear story. In the first chapter, the protagonist looks at the water from a distance, and the Iraqi people come, as if they were not far away from water and land. The last two chapters are hymns repeated in front of them, highlighting the danger and long pursuit, and rendering the protagonist's feelings long and lasting. Compared with Guan Yu, the emotional charm is stronger.
3. In terms of artistic techniques, the characteristics of "Xing" in Jiaxu are more prominent than those in Guanju. The images of "Jiaxu", "water" and "human" complement each other and blend into one, and the things for fun and the things depicted constitute a complete artistic world.
Extended data:
Guo Feng Nan Zhou Guanluo is the first poem in the Book of Songs, the first collection of poems in ancient China. It is generally believed that this is a love song describing the love between men and women. This poem skillfully adopts the expression of "xing" in art.
In the first chapter, the pheasants are singing and falling in love, which raises the association of a lady with a gentleman. In the next chapter, the act of picking shepherd's purse leads to the hero's crazy love and pursuit of women. The language of the whole poem is beautiful, and it is good at using double tones, overlapping rhymes and overlapping words, which enhances the phonological beauty of the whole poem and the vividness of pictophonetic expression.
Nan Zhou Guanju is a short poem of national style, which occupies a special position in the history of China literature. It is the first book in The Book of Songs, the oldest book in China literature. Although judging from the nature, some fairy tales should have been produced earlier, as written records, it is a late thing. Therefore, we can almost say that when we open the history of China literature, the first thing that catches our eye is Guan Ju.
It is not known whether the editors of The Book of Songs have any intention in the arrangement of poems. However, at least the understanding of later generations does not think that Guan Yu was randomly arranged from the beginning. The Analects of Confucius mentioned the Book of Songs many times, but the only work that made a concrete evaluation was Guanju, which was called "Happiness without lewdness, sadness without injury". In his view, Guan Ju is a model to show the virtue of the "golden mean".
The Han Confucian Preface to Mao Poetry also said: "The wind rises, so the wind prevails in the world, and couples are right. Therefore, it is used by the villagers and used by the country. " This involves an ethical thought in ancient China: in the eyes of the ancients, husband and wife are the beginning of human relations, and all moral perfection in the world must be based on the virtue of husband and wife. The author of Preface to Mao Poetry thinks that Guan Ju has exemplary significance in this respect, so it is listed as "the beginning of Feng". It can be used to influence the world, not only for the "villagers" that is, ordinary people, but also for the "nation" that is, the ruling class.
Feng Jiajian in Qin Dynasty is one of the Book of Songs, a collection of China's ancient realistic poems. The whole poem consists of three chapters with eight sentences in each chapter. This poem was once regarded as a mockery of Qin Xianggong's failure to consolidate the country with Zhou Li, or as a pity for its failure to attract hermits and sages; Now it is generally believed that this is a love song, which is about the melancholy and depression when you pursue what you love but can't get what you love.
The whole poem consists of three chapters, and the last two chapters are only slightly changed compared with the first chapter, which has formed the effect of harmonious internal rhythm and uneven rhythm between chapters, and also caused the reciprocating advancement of semantics.
This poem is written for those who admire it in their hearts. Chen Zizhan's "Three Hundred Poems for Solving Problems" said: "There is no doubt that the poem" Sword House "is a work that the poet wants to see but can't see. Who is this man?
Is he an old man who understands Zhou rites, or an old minister of the Western Zhou Dynasty who cares for the Zhou Dynasty and the old master? A hermit of Qin State or a friend of the poet? Or is the poet himself a saint, a hermit and a first-class poet? Or do we simplify and vulgarize it and insist that it is a love poem, saying that the poet misses his lover? It is difficult to judge because there are different explanations. "
References:
Baidu Encyclopedia-National Wind Jian Qin? Baidu Encyclopedia-Guofeng Nan Zhou Official Gong