What is a volt? What are the conditions for calling it Fu? Do essays on Fu, such as Qi Fa and Jin Xuejie, count as Fu? Why are there different forms of fu, such as ancient fu, Nuo fu, legal fu and literary fu? Although there are many people discussing it, mostly because of Chen and Sean, there may be special articles to discuss it, but I still can't help but "take a look at the corner and the road", which has a lot of room for discussion. Ban Gu's Preface to the Fu of Two Cities is the most authoritative statement. However, it is only different from poetry in the way of communication, so it is difficult to classify it as Fu, because it is more difficult to judge from later works. Liu Xie's Wen Xin Diao Long? Shi Fu said, "Those who give it will pass it on, pass it on and collect it, and write things with ambition. He also said: "Those who are endowed with talents are instructed by poets to extend their knowledge to Chu Ci. As a result, Xun Kuang's "courtesy" and "wisdom", Song Yu's "wind" and "fishing" and the title of Xi became vassals of poetry and painting and became a big country. Therefore, the subject and object are led by the first quotation, which is extremely poor in sound and appearance, and Kaebi's original poem is endowed with the beginning of life. In addition to the meaning boundary, it also explains the origin and the characteristics of form and content. Zhang Xuecheng, a scholar in the Qing Dynasty, wrote in "Blaming Yi Tong? The observation in A Brief Comment on Hanshu Poetry and Fu is more diversified. He said: "The writers of ancient fu are flowing, and the original poems are coquettish, and they are in and out of the Warring States philosophers. Assuming that the question is correct, the fables in Zhuang and Lie remain. Magnificent momentum, Su Zhang's body is also vertical and horizontal; Parallel and harmonious, "everything is done? Chu Shuo's genus is also; Collecting materials and things is also the significance of Lu Lan series. Although it is concrete, its physical elements are not completely covered. Wang Li's General Theory of Ancient Chinese? The creation of Fu, through the comparison with Sao Fu, illustrates its characteristics. He said: "From the formal point of view, poetry and prose are rhyming, which is the similarity of the three. "But generally speaking, poetry is given priority to with four words, Sao is generally six words, Xi is added with seven words, and the number of words is not limited, but mostly with four or six words. In the typical sentence pattern of Han Fu mixed with prose, poetry and Sao are between sentences, especially between paragraphs, emphasizing internal relations and rarely using conjunctions. " Fu, on the other hand, is consistent with prose and uses conjunctions. ""As for the so-called Sao Fu, it is no different from Chu Ci in form. " "The difference between poetry and Sao must be examined from two aspects: content and form. Fu is less lyrical and more coquettish, more lyrical and less poetic and more prose. The nature of Fu is between poetry and prose. "He is from the genre spectrum, for Fu Mou a position. Fu is a unique genre of China literature, a treasure of China culture and the mainstream of Chinese literature. Usually, we say that Han Fu, Parallel Prose of Six Dynasties, Tang Poetry, Song Poetry and Yuan Qu are the literature of one generation. In fact, this is the judgment made by later generations on the literary achievements of each era according to the later value standards. If we objectively examine the reality of literary development, it is not difficult to find that from the Han Dynasty to the present, Fu has shown different elegance, which has always been the most desirable garden for literati, thus occupying the position of the mainstream of literature. From Song Dynasty to Qing Dynasty, although it gradually lost its mainstream position, there are still rich works handed down from generation to generation. Fu is a kind of folk oral literature art and a harmonious rhyme. It is good at narration and reasoning. When it got the opportunity to be promoted to the DPRK and travel to expensive places, it attached itself to the function of poetry in the Han Dynasty, achieved the status of mainstream literature, and became the forerunner of driving the literary trend. In the Tang dynasty, planning became the main item of the imperial examination literature department, and law and fu became the church law of Tang dynasty literature. Leisure Fu from Chu Palace to Western Han Palace is the art of sound, and it is the literature recited by communicators and listened by appreciators. Just like a speech waiter who advocates Excellence and is locked in court, he is the protagonist of this performance stage. In the Eastern Han Dynasty, due to the change of emperor's interest, the literati lost their exhibition stands in the court and were replaced by the spread and study of the literati class. Without the encouragement of the emperor, Fu's works increased and the creative atmosphere became more prosperous. It is only because the role of the appreciator has changed, from oral literature to written literature that attaches importance to the aesthetic feeling of sound, and has achieved the mainstream position in the literati class. The appearance of Fu is different from that played by the court in the Western Han Dynasty. After the literature of Jian 'an Gui You prospered again, the literary ecology changed. At this time, the fu writers and appreciators have long been immersed in the training of the language of classics and history. Therefore, Fu is still developing to the road of scholar-bureaucrat literature, giving full play to the characteristics of Chinese characters, and his aesthetic angle has gradually changed, from the aesthetic pursuit of "expressing words skillfully" to emphasizing classics and casting truth, so as to increase the density of China's aesthetic feeling and show off his liberal arts aesthetics. During the Northern and Southern Dynasties, literary groups were busy copying books and collecting allusions, and poetry gradually flourished and joined the ranks, and poetry and fu became the dual mainstream of literature. In the eyes of scholars in the Tang Dynasty, the trend of dual mainstream literature remained unchanged, so it was planned as a literary subject in the imperial examination. In order to facilitate the selection, it developed into a law and also created a law poem. At the same time, because it is used in the imperial examination, although the form is distorted, the theme of Fu has been expanded, and the "history of thorns" has enriched the content. In Song Dynasty, due to the change of cultural environment and literary interest, the style of ci and fu changed again, but the dual mainstream of poetry and fu did not seem to change much. The imperial examination still takes poetry and fu as the examination subject of Jinshi, and those who are good at writing devote themselves to poetry and fu creation. All collections follow the style of Selected Works, putting Fu's works at the forefront. Ouyang Xiu and Su Shi, who are good at ancient Chinese prose, like Han Yu and Liu Zongyuan, also carefully managed ci and fu, leaving immortal masterpieces and diversified fu styles, which is extremely important in this regard. Yuan and Ming dynasties were an era of flaunting ancient fu, and there were writers from time to time. In the Qing Dynasty, Fu method was particularly prosperous. In the 14th year of Guangxu (1988), the owner of Hongbaozhai compiled "Grand View of Fuhai", claiming to have given more than 20,000 poems.
Reference: knight.fcu.edu/~chien/034
Yilin, Yanhuang County, Wenyuan, China. Strange flowers and different grasses compete for fragrance and beauty. There is a wonderful work called Fu and Parallel Prose, which is between poetry and prose. Poetic Sao Miao, vertical and horizontal new articles. Originated in the Warring States Period, algae decorated in the Six Dynasties, changed in the Tang and Song Dynasties, and continued in the Ming and Qing Dynasties. Up and down the Millennium, it is a grand view. The characteristic of Fu lies in the relationship between poetry and prose. It can't be called poetry, let alone prose. Say it's not a poem, rhyme against it, say it's not a text, and start a new line. Its advantage lies in the combination of the two, which has both the rhythm of poetry and the layout of prose, and occupies a unique position in China's style. Fu came into being after poetry and Sao, but before formal poetry, drama and novels. In chronological order, Fu is the origin of China's ancient literature and bears the heavy responsibility of promoting the development of China's ancient literature. It broadens the subject matter, enriches the means of expression and develops the style, which has a great influence on the development of later literature. Many works such as Ji Xing and You in Fu describe landscapes, which initiated the landscape literature in the Eastern Jin Dynasty. Later generations produced the school of landscape pastoral poetry, and great writers such as Wang Wei, Meng Haoran and Liu Changqing appeared. In Ming and Qing vernacular novels, Fu is a commonly used style, which is used to describe scenery, express feelings or set off the atmosphere. In a sense, novels cannot be separated from Fu.
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