The poet Si Kongtu said: "Imagination is natural and strange." Hu Yingli also said in "Poetry": "The beauty of ancient poetry lies in seeking images."
Thus, image is the soul of poetic art and the focus of poet's emotion. Therefore, when appreciating poetry, we must be familiar with common images and understand their meanings, which is helpful to grasp the thoughts and feelings of poetry.
The common image in classical poetry is "folding willow". Because of the homonym of "Liu" and "Liu", the word "Liu" in ancient poetry implies the hope that the other party will stay. There is a sentence in the Book of Songs, "I have been there, and the willows are yiyi".
When the ancients bid farewell, they often folded willows to express their deep feelings of parting. This custom began in the Han Dynasty and flourished in the Tang Dynasty. In the Han dynasty, there was a tune called "Folding Willow", which expressed farewell feelings in the form of playing.
Sui anonymous poem "Farewell": "Willow green hangs on the ground and flowers are flying all over the sky. The wicker is broken and the flowers are flying. Will pedestrians come back? " The Baling Bridge in the Tang Dynasty was the only place for people to leave Chang 'an when they went to all parts of the country, and the willows on both sides of the Baling Bridge were hidden, which became a famous place for the ancients to fold willows to bid farewell, such as "willow leaves every year, Baling hurts to say goodbye"
Another example is "Who can't afford to miss home?" About tonight, I heard the tune of Broken Willow. Who can't remember the feeling of missing my hometown? Cuckoo, commonly known as cuckoo, also known as Zigui, Du Yu and heartbroken bird, is a symbol of desolation and sadness. In spring and summer, cuckoos crow all night, crows are crisp and short, arousing people's feelings.
The oral epithelium and tongue of rhododendron are red, and the ancients thought it was full of blood. Just when the azaleas are singing, it is the time when the azaleas are in full bloom. When people see that azaleas are so bright red, they say that azaleas are bleeding. As the Tang Dynasty poet Cheng wrote, "What is the merit of cuckoo?"? It is suspected that there is blood in the mouth, which drips on the branches and becomes flowers. "
In China's classical poems, Du Fu is often associated with bitterness. Li Bai's poem "Difficult Road to Shu" says: "Come to the cuckoo and cry, and worry about the empty mountain."
Another example is Bai Juyi's Pipa Trip: "Cuckoo's blood cries, ape's sobs." The cuckoo's crow is like saying "It's better to go home", and its crow can easily touch people's homesickness.
"Ice and snow" is often used by the ancients to describe the loyalty and noble character of the soul. Wang Changling's "Farewell to Furong Inn and Xin Qiji": "If Luoyang's relatives and friends ask each other, there is an ice heart in the jade pot."
Bing Xin is a noble soul. The ancients often used "clear as jade pot ice" as a metaphor for a person's aboveboard mind.
Another example is Zhang Xiaoxiang's Nian Nujiao, which says, "You should miss Shan Hai Jing Nian, you should be alone, and your liver and lungs are covered with snow and ice". "Moon", ethereal, clear and noble, cast the blood and soul of many ancient poems in China, witnessed the sadness of history, interpreted the farewell of life, rendered the feelings of parting, poured out the bitterness of the boudoir, set off the desolation after the robbery and realized the philosophy of life.
For example, in Li Yu's "Young Beauty", "The small building was easterly last night, and the old country was unbearable to look back on the bright moon". The poet looked at the moon and homesick, and wrote about the unique pain of the king who died of the country; Li Bai's poem: "Looking up, I found it was moonlight, and then sinking, I suddenly remembered home"; Zhang Jiuling's "The Moon is Full of the Sea, Tianya is at this time * * *" reflects the poet's yearning for the moon, his friends and his motherland. "Nanpu" and "Changting", in China's ancient poems, Nanpu and Changting are both metaphors for seeing off.
Nanpu is a place near the water. Jiang Yan's "Biefu": "Spring grass is green and spring water is surging. It's so sad to send you to Nanpu!" The ancient people's farewell to the water is not only in Nanpu, because of the long-term national culture, Nanpu has become the proper name of the farewell place to the water.
The pavilion is an ancient hall on the roadside for people to rest. Yu Xin's ode to the south of the Yangtze River says: "Ten miles and five miles, roadside pavilion."
Explain that there is a long pavilion every ten miles and a short pavilion every five miles. Liu Yong's Yulinling: "Cold and sad, Changting is too late."
Obviously, in China's classical poetry, the pavilion has become a farewell place on land. "Floating clouds" and "spring grass (fragrant grass)" have the meaning of drifting away from thoughts. The "floating clouds" come from China's ancient poem "Clouds cover the sky, and people who drift ignore it."
"Spring Grass (Fangcao)" is from Chu Ci? Recruit hermits "If the king doesn't return, the spring grass will be sad." For example, Du Fu's dream of Li Bai, the clouds that floated across the sky all day, may be like wanderers, and they will never come back. Qin Guan's "Mourning the grass and remembering the king's grandson, the willow building is high in the sky."
Similar images include Sunset and Grassland. Su Shi's "Butterfly Loves Flowers": "There are few willows blowing on the branches, and there are no fragrant grass in the end of the world" also comes from the message of the soul in Qu Yuan's "Li Sao", "Where there is no fragrant grass, why is there homesickness?" It refers to the place where beautiful ideals are realized.
"Indus" and "Banana" mostly express loneliness, sadness and bitterness in classical poems. As the old saying goes, "A leaf falls to know the autumn of the world", which refers to the falling leaves of plane trees.
Writing sad autumn with phoenix tree symbolizes desolation and sadness, which is a common technique used by the ancients. Li Qingzhao's "Slow Voice" "The phoenix tree is raining and dripping at dusk.
This time, the first word is' worry'. "Li Yu's" Night Cry ""Solitary phoenix tree, deep courtyard locks clear autumn. "
It can be seen that the phoenix tree can never be separated from sadness. The folk music ensemble "Rain Beats Banana" is well-known at home and abroad, and its voice is sad and clear, and it is emotional to listen to.
In China's classical poems, "rain hits banana" is as sad as "phoenix tree raining at night". Wu Wenying's "Tang Duoling": "Where to synthesize sorrow? Autumn is far away from people's hearts, bananas stand upright, and it doesn't rain. "
Even if it doesn't rain, the wind blows the leaves of banana and blows out cold air. "Plum blossom" and "pine and cypress" have no obvious symbolic sustenance in Yongmei's early poems. By the Tang and Song Dynasties, plum blossom had become a symbol of noble personality.
There is a saying in Tang poetry that "a snow is similar, but I don't know it alone." "Operator Liu You? Yongmei: "Scattered into mud and ground into ashes, only the fragrance remains. "
The plum blossoms in the poem all show a noble character. "Pine and cypress" comes from the Analects of Confucius? Zi Han: "If you are cold, you will know the pine and cypress, and then adjust it."
Later generations often use pine and cypress to symbolize loneliness, straightness and cold tolerance. For example, Liu Yuxi's "I want to go to Ruzhou and leave a message for Li Xianggong": "Later, wealth has faded, and the cold pines and cypresses are still there."
The Book of Songs Cricket? The wind of darkness? In July, the activities of crickets were described in detail: "Seven.
2. What kinds of images are there in ancient poetry? Key words: prototype criticism of the image of spring in poetry creation Abstract: Spring is a common image in classical poetry, which is used to express the theme of parting and lovesickness.
This paper makes a prototype analysis of this image with Jung's prototype criticism, and analyzes its earliest appearance in ancient literature, the creator's psychology at that time, its application in later works, and its changes in name and symbolic meaning. There are abundant original images in China's ancient literature, and the artistic features of classical poetry are also based on images.
As an ancient aesthetic concept, image is the most basic way for poets to express their feelings. China culture has a long history, and the images in classical poetry have accumulated rich cultural connotations and unique aesthetic taste. Poets often use images to express similar or interlinked feelings.
Only with a clear and profound understanding of images can we have a comprehensive and in-depth understanding and grasp of the art of poetry and have a profound aesthetic feeling. In the art gallery of China classical literature, classic images about time and space emerge one after another, and the content of prototype meaning has been greatly expanded, which has become a realistic and extensive constituent element in literary works, which makes the prototype concept more important in critical practice.
According to Jung's archetypal criticism, we know that each archetype is "a symbol" and "an image", and the archetypes in classical literature, as artistic symbols, are often associated with the rich historical experience and spiritual world of ancient nations. Prototype is effectively visualized in literary works, arousing the voice of readers.
The original image, that is, the prototype, benefits from the carrier of literary works and appears repeatedly in the original form. Frye, another important figure in archetypal criticism, said: "(Archetype is) a symbol, usually an image, which appears repeatedly in literary works and can be regarded as an integral factor of people's literary experience."
{1} In the creation of China's classical literature, especially poetry, "Spring *" is such a prototype, which is often used in works expressing the theme of parting and lovesickness, and becomes an image expressing sadness and hatred. Cahill once said: "The kingdom of art is a kingdom of pure forms", and "these forms are not abstract, but appeal to feelings" {2}, so the image of spring * also constitutes the pure form of poetry, reflecting the rich historical content and cultural significance of our nation.
The image of "spring" first appeared in "Songs of Chu Recruiting Hermits": "Wang Sun swims without returning, and spring is long and long. I don't talk to myself at the end of the year, I sing. "
This work first appeared in Wang Yi's Songs of Chu in the Eastern Han Dynasty, and later many scholars thought it was written by Liu An, the king of Huainan in the Western Han Dynasty. Because Liu An often went to Chang 'an to see Emperor Xian of Han Dynasty, but the situation in the DPRK was extremely sinister. Huainan Mountain, as his guest, is worried that Liu An will be killed. I hope he will not stay in Chang 'an for a long time and return as soon as possible.
The guests watched Liu An's debut and return home. In the bright spring, he didn't come back, only to see the thriving spring. The feeling of missing is urgent. From "born in spring" to "singing in autumn", time goes by and feelings grow stronger.
As Wang Guowei said in "Words on Earth": "Everything is the color of my view of things." Poets melt their feelings into things, and endless spring embodies infinite thoughts.
Spring is not only the messenger of spring, but also the carrier of the poet's parting feelings. And the bright spring can always arouse the thoughts of remembering old friends and looking forward to reunion, which can best express the endless feelings of parting.
In fact, the image of spring reflects the vast and far-reaching consciousness of time and space in ancient China. The universe is vast and unchanging, and the image of spring, like the willow color injured in Baling for another year, repeatedly impacts the hearts of literati.
It is the psychological activity of many people in ancient times when transportation and communication were very backward, and spring has also become the embryonic form. This "typical recurring image" has been repeatedly used by poets for a long time, which has a distinct symbolic significance. Once the prototype appears in literary works, it will make readers feel strongly infected like reliving the personal experience of distant ancestors.
Jung believes that archetype is the basic image of race passed down from generation to generation. Writers unconsciously embody some prototypes in their works under the collective unconscious control; In the process of reading works, readers are touched by these prototypes and the collective unconsciousness accumulated in their hearts. At this time, they will suddenly feel comfortable and get inner shock, as if the voices of all mankind are ringing in their hearts.
Since the appearance of "Spring *" in Songs of the South, the prototype of "Spring *" has been inextricably linked with the expression of parting feelings. Poets who describe parting love the image of "spring *" very much, making it a fixed image in poetry creation, and "Wang Sun" has also become synonymous with the poet's wandering. The image of spring often appears in later works.
Li Shangyin once summarized this phenomenon as: "Seeing the square * means blaming Wang Sun for not returning." ("Dedicated to Hedong Qigong") The green fragrance all over the mountains leads people's feelings to the distance. It is beautiful, and it places the poet's thoughts on distant relatives and friends, and also places the deep friendship of saying goodbye to relatives and friends.
There are countless poems that express the parting complex with the image of spring: Jiang Yan's farewell poem: "Spring is blue, spring water is flowing, and I will send you to Nanpu." What injury? " Xie Lingyun's "Regret for the Past": "In spring, Wang Sun is affectionate." Li Bai's Farewell to Fuling: "Farewell to Baling Pavilion, flowing water gurgles.
There are old trees that don't bloom in the world, and there are spring injuries under the trees. Liu Changqing's Death Fairy: I hate Changsha alone, and Jiang Tanchun is in full swing. "
Dugu and "Going to Houhu to Hurt the Spring and Cherish the Old Capital": "The mountains and mountains are full of spring scenery, and there is nowhere to stay." Li Yu's Qing Ping Le: "Hate is like spring *, you can go further and live better."
Wang Wei's farewell in the mountain: "friend, I have been watching you go down the mountain, and I didn't close my hut door until dark." It will turn green next spring, but what about you, my friends? . "
This farewell poem also shows the prototype of spring, which is unique in that it shows the spring of next year in time. At present, when thinking about the future, I feel uncertain about my return date and deeply miss my departure day. The title is Farewell, but there is no specific farewell plot. In contrast to spring, there are special feelings between the lines, which are shallow and deep, with long meanings and endless aftertaste.
Li Bai's "Spring Thoughts": "Yan * is like Bess, and my mulberry is curved with green silk branches. When you miss your hometown, you were missed and sad a long time ago.
Spring breeze, since I dare not know you, why should I separate the silk curtain beside my bed? ? "The moving part of this poem lies in its spatial expression and description of spring in different places.
3. Spring Image in Poetry Keywords: Criticism of Spring Image Prototype in Poetry Creation Abstract: Spring is a common image in classical poetry, which is used to express the theme of farewell and lovesickness.
This paper makes a prototype analysis of this image with Jung's prototype criticism, and analyzes its earliest appearance in ancient literature, the creator's psychology at that time, its application in later works, and its changes in name and symbolic meaning. There are abundant original images in China's ancient literature, and the artistic features of classical poetry are also based on images.
As an ancient aesthetic concept, image is the most basic way for poets to express their feelings. China culture has a long history, and the images in classical poetry have accumulated rich cultural connotations and unique aesthetic taste. Poets often use images to express similar or interlinked feelings.
Only with a clear and profound understanding of images can we have a comprehensive and in-depth understanding and grasp of the art of poetry and have a profound aesthetic feeling. In the art gallery of China classical literature, classic images about time and space emerge one after another, and the content of prototype meaning has been greatly expanded, which has become a realistic and extensive constituent element in literary works, which makes the prototype concept more important in critical practice.
According to Jung's archetypal criticism, we know that each archetype is "a symbol" and "an image", and the archetypes in classical literature, as artistic symbols, are often associated with the rich historical experience and spiritual world of ancient nations. Prototype is effectively visualized in literary works, arousing the voice of readers.
The original image, that is, the prototype, benefits from the carrier of literary works and appears repeatedly in the original form. Frye, another important figure in archetypal criticism, said: "(Archetype is) a symbol, usually an image, which appears repeatedly in literary works and can be regarded as an integral factor of people's literary experience."
{1} In the creation of China's classical literature, especially poetry, "Spring *" is such a prototype, which is often used in works expressing the theme of parting and lovesickness, and becomes an image expressing sadness and hatred. Cahill once said: "The kingdom of art is a kingdom of pure forms", and "these forms are not abstract, but appeal to feelings" {2}, so the image of spring * also constitutes the pure form of poetry, reflecting the rich historical content and cultural significance of our nation.
The image of "spring" first appeared in "Songs of Chu Recruiting Hermits": "Wang Sun swims without returning, and spring is long and long. I don't talk to myself at the end of the year, I sing. "
This work first appeared in Wang Yi's Songs of Chu in the Eastern Han Dynasty, and later many scholars thought it was written by Liu An, the king of Huainan in the Western Han Dynasty. Because Liu An often went to Chang 'an to see Emperor Xian of Han Dynasty, but the situation in the DPRK was extremely sinister. Huainan Mountain, as his guest, is worried that Liu An will be killed. I hope he will not stay in Chang 'an for a long time and return as soon as possible.
The guests watched Liu An's debut and return home. In the bright spring, he didn't come back, only to see the thriving spring. The feeling of missing is urgent. From "born in spring" to "singing in autumn", time goes by and feelings grow stronger.
As Wang Guowei said in "Words on Earth": "Everything is the color of my view of things." Poets melt their feelings into things, and endless spring embodies infinite thoughts.
Spring is not only the messenger of spring, but also the carrier of the poet's parting feelings. And the bright spring can always arouse the thoughts of remembering old friends and looking forward to reunion, which can best express the endless feelings of parting.
In fact, the image of spring reflects the vast and far-reaching consciousness of time and space in ancient China. The universe is vast and unchanging, and the image of spring, like the willow color injured in Baling for another year, repeatedly impacts the hearts of literati.
It is the psychological activity of many people in ancient times when transportation and communication were very backward, and spring has also become the embryonic form. This "typical recurring image" has been repeatedly used by poets for a long time, which has a distinct symbolic significance. Once the prototype appears in literary works, it will make readers feel strongly infected like reliving the personal experience of distant ancestors.
Jung believes that archetype is the basic image of race passed down from generation to generation. Writers unconsciously embody some prototypes in their works under the collective unconscious control; In the process of reading works, readers are touched by these prototypes and the collective unconsciousness accumulated in their hearts. At this time, they will suddenly feel comfortable and get inner shock, as if the voices of all mankind are ringing in their hearts.
Since the appearance of "Spring *" in Songs of the South, the prototype of "Spring *" has been inextricably linked with the expression of parting feelings. Poets who describe parting love the image of "spring *" very much, making it a fixed image in poetry creation, and "Wang Sun" has also become synonymous with the poet's wandering. The image of spring often appears in later works.
Li Shangyin once summarized this phenomenon as: "Seeing the square * means blaming Wang Sun for not returning." ("Dedicated to Hedong Qigong") The green fragrance all over the mountains leads people's feelings to the distance. It is beautiful, and it places the poet's thoughts on distant relatives and friends, and also places the deep friendship of saying goodbye to relatives and friends.
There are countless poems that express the parting complex with the image of spring: Jiang Yan's farewell poem: "Spring is blue, spring water is flowing, and I will send you to Nanpu." What injury? " Xie Lingyun's "Regret for the Past": "In spring, Wang Sun is affectionate." Li Bai's Farewell to Fuling: "Farewell to Baling Pavilion, flowing water gurgles.
There are old trees that don't bloom in the world, and there are spring injuries under the trees. Liu Changqing's Death Fairy: I hate Changsha alone, and Jiang Tanchun is in full swing. "
Dugu and "Going to Houhu to Hurt the Spring and Cherish the Old Capital": "The mountains and mountains are full of spring scenery, and there is nowhere to stay." Li Yu's Qing Ping Le: "Hate is like spring *, you can go further and live better."
Wang Wei's farewell in the mountain: "friend, I have been watching you go down the mountain, and I didn't close my hut door until dark." It will turn green next spring, but what about you, my friends? . "
This farewell poem also shows the prototype of spring, which is unique in that it shows the spring of next year in time. At present, when thinking about the future, I feel uncertain about my return date and deeply miss my departure day. The title is Farewell, but there is no specific farewell plot. In contrast to spring, there are special feelings between the lines, which are shallow and deep, with long meanings and endless aftertaste.
Li Bai's "Spring Thoughts": "Yan * is like Bess, and my mulberry is curved with green silk branches. When you miss your hometown, you were missed and sad a long time ago.
Spring breeze, since I dare not know you, why should I separate the silk curtain beside my bed? ? "The touching thing about this poem is that it is different from other places in space.
4. The famous ancient poems about spring and their artistic conception are good and rainy, when spring happens.
Sneak into the night with the wind, moisten things silently. It describes that spring is coming, the spring rain is continuous, and everything begins to recover.
Poems containing spring poems and spring characters refer to Budeze in Yangchun, the long songs of Han Yuefu, the spring grass in the pool and the willow in the garden as songbirds. Xie Lingyun's "Climbing the Pond and Going Upstairs" in the Southern Song Dynasty, the lake was clear in February, and every family sang spring birds. If spring grass is in love, there are green trees in the mountains, such as Li Bai's Golden Gate Answering Su Xiucai. Wang Song Anshi's "Dengguazhou" swallows don't return to the Spring Festival Evening, misty rain and apricot blossoms are cold, and Dai Shulun's "Su Xiting" is despite the country's broken mountains and rivers. Spring Hope by Du Fu, a poet in the Tang Dynasty, has arrived in spring, and the green willows are only yellow and half jagged. Who knows that Juyuan Yang's Early Spring in the East of the City has no trace of spring? Unless you ask an oriole.
Song and Huang Tingjian's "Qingping Music" sometimes rains at three or two, and there are ten branches and five branches everywhere. Two Cold Foods in Tang Dynasty worried about the storm in the city, and the spring was at the head of the stream. Song Xin Qi Ji's "Partridge Talent Generation" is the most beneficial song in the spring of a year, and it is definitely better than "Eighteen Members of the Early Spring Show Water Department". It's good to know the rainy season when spring comes.
Tang Du Fu's "Delighting in Rain on a Spring Night" grass tree knows that spring is coming back, and all kinds of red and purple compete for Fang Fei. The faces in Late Spring by Tang Hanyu don't know where they went, but the peach blossoms are still smiling in the spring breeze. Hu's "Titu Chengnan Village" is better than Xingyuan. Tang Zhao's "Zhang Xi Ji Ji" Spring City is full of flowers, and the east wind is cold and the willows are oblique.
Besides the firecrackers in the Tang and Han Dynasties, the spring breeze also brought warmth to Tu Su. The "January Day" in Anshi, Wang Song bored me to sleep. The moon moves on the railing. Wang Song Anshi's "Spring Night" is a peach blossom outside the bamboo, and the prophet warms the duck on the riverside.
I don't know who cut off the thin leaves in Shi's Two Nights on the Riverside, but February's is like scissors. Tang He Zhang Zhi's "Singing Willow" All love can't be caged, and an apricot is out of the wall.
Ye Songshao Weng's "It's not worth going to the garden" Liu does not cover the spring scenery, and an apricot is out of the wall. Song Lu You's "Do it right away" Han Xiao is light outside, and the branches of apricot trees are full of spring. Qi's "Spring Jade House" is red at sunrise and green when spring comes.
Jiang Nanyi by Don Bai Juyi: It's rainy and windy every day in spring, and it's sunny in time and space. Listen carefully to the farewell poems in Du Yu's Crying in Spring Mountain and Qi Ji's Huanxisha in Bean Leaf Yellow, so that chun yin hangs green with the weeds, sometimes there are beautiful flowers and sometimes there is a tree. Su Song Shunqin's "The Ferry", this spring morning, I woke up easily, and birds were singing everywhere.
Tang's "Spring Dawn" passed ten miles, and the wheat was green. When is the spring flower and autumn moon of "Yangzhou Slow" by Song Jiangkui? How much do you know about the past? Yu of Nantang asked how worried you are. Like a river flowing eastward. Li Yu's Young Beauty in the Southern Tang Dynasty is easy to recognize, and colorful is always spring.
Spring in Song Zhuxi.
5. Poems describing spring are analyzed as follows: 1, jathyapple has a quiet dream, and the spring breeze is ten miles gentle.
From Qin Guan to Song Dynasty, Liu Ba Ziyi Wei Ting. Analysis: In jathyapple, we are drunk in a dream, and the gentle spring breeze blows you and me.
2. In April, the world is full of flowers, and the peach blossoms in the Temple of the Mountain begin to bloom. Peach Blossom in Dalin Temple by Bai Juyi in Tang Dynasty.
Analysis: April is the time when the flowers on the flat ground are dying, and the peach blossoms in the ancient temple in the mountains are just in full bloom. 3. Do you know? It should be green, fat, red and thin.
From the Song Dynasty Li Qingzhao's Dream, Last Night's Storm. Analysis: Do you know? Do you know that?/You know what? This season should be lush green leaves and withered red flowers.
4. The evening is beautiful and the spring breeze is fragrant. From Du Fu's Two Poems in Tang Dynasty.
Analysis: The mountains and rivers bathed in spring are particularly beautiful, and the spring breeze brings the fragrance of flowers and plants. 5. Begonia doesn't rain, pear blossoms snow first, and spring breaks.
Analysis from Song Wang Pei's Eyes Are Delicate and Willow Soft: The petals of Begonia don't fall like rain, but the white petals of pear flower fall like snowflakes.
From this, we know that spring has passed halfway.
6. Poetry in spring and its artistic conception. In spring, Song and Zhu won the day of looking for Xiangbin, and the endless scene was fresh for a while.
Wait a minute and you'll know that the east wind is always spring. Beat the sun: a sunny day. 2. Looking for fragrance: spring outing, hiking.
3. Surabaya: The name of this river is in Shandong Province. 4. Leisure: normal and relaxed.
The meaning of waiting for knowledge is easy to identify. 5. East wind: spring breeze.
[Analysis] It is generally believed that this is a poem describing a spring outing. Judging from the scenery written in the poem, it is also very similar.
The first sentence is "winning the sun to find the fragrance of Surabaya", and "winning the sun" refers to sunny days, indicating the weather. "Surabaya" indicates the location.
"Looking for fragrance" means looking for beautiful spring scenery and pointing out the theme. The following three sentences are what you saw when you wrote "Looking for Incense".
The second sentence, "boundless scenery is new for a while", is about the initial impression gained by watching spring scenery. Use "boundless" to describe all the scenery in front of you.
"A Moment of Novelty" not only describes the return of spring to the earth, the natural scenery is brand-new, but also describes the refreshing joy of the author during his outing. The word "knowledge" in the third sentence inherits the word "search" in the first sentence.
"You can easily know" means that the features and features of spring are easy to recognize. "East wind" refers to spring.
The fourth sentence, "colorful is always spring", means that this colorful scene is made up of spring, and people know spring from this colorful scene. This specifically answers why we can "wait for the east wind".
The "colorful" in this sentence also takes care of the "new situation" in the second sentence. The third sentence and the fourth sentence describe the new situation and the gains from finding incense in vivid language.
Literally, this poem seems to express the feelings of visiting spring, but the place to look for fragrance is the Surabaya coast occupied by Jin people when they crossed the Song Dynasty a long time ago. Zhu has never been to the north, and of course it is impossible to swim to Surabaya in spring.
In fact, the word "Surabaya" in the poem implies Confucius, because in the Spring and Autumn Period, Confucius taught his disciples with string songs between Zhu and Si. Therefore, the so-called "seeking incense" refers to the way of seeking saints.
"Colorful" is a metaphor for the richness of Confucianism. The poet compares the sage's way to the spring breeze, which promotes the occurrence of opportunities and touches everything.
This is actually a philosophical poem by the richest man, which combines reason with interest in the image.
7. Describe the image of spring and summer.
Nature is the eternal cognitive object and aesthetic object of human beings. The forms of nature are rich and colorful, and human beings' acquisition of beauty is endless. Mountain plants are "temperamental". Emotion meets these forms, so there is an image. There are countless excellent poems in the history of China.
Falling flowers is a natural phenomenon and law, but it is endowed with emotion and life in China's ancient poems. To sum up, the image of "falling flowers" has several meanings.
A. First, the fallen flowers are described as natural scenery, which constitutes a beautiful artistic conception. Flowers are flying all over the sky in Spring City (Han Yi's Cold Food) gives people the feeling that the spring breeze is warm and sunny, and all kinds of flowers are dancing in the wind, which is wonderful. "But now I remember that night, that storm, and I wonder how many flowers were broken." (Meng Haoran's "Spring Dawn"), with the sound of wind and rain and falling flowers everywhere, you can imagine the beauty of spring and the childlike interest of children.
B. first, in the face of falling flowers, sigh: sigh that time flies and the beautiful scenery is no longer there. "Running water in spring is heaven and earth." (Li Yu's "Langtaosha") This shows the hatred and helplessness of the country's destruction. "Flowers from Shui Piao to water, one kind of acacia, two places of leisure." (Li Qingzhao's "Pruning Plums") expresses a deep melancholy and a touch of lovesickness. "People who bury flowers today are stupid. Who did he know when he was buried? " This is Lin Daiyu's funeral speech in A Dream of Red Mansions. Flowers have been buried, who will bury them, suggesting that their fate is not as good as falling flowers, exhausting the persistent sadness in their hearts.
C, there is also the spirit of falling flowers that symbolizes high spirits. Yu Yue, the examinee of "Flowers Fall in Spring", had a second interview in the Ritual Department during the light years of Qing Dynasty. This sentence begins with a poem, which means that hope lies on earth. "A pool of spring water surrounds the flower body, and the flower shadow is enchanting and occupies the spring. It is better to be blown into snow by the east wind than to be ground into dust by Nanmo." (Wang Anshi's "Apricot Flowers in the North") The hidden poet would rather die in the struggle with the die-hards than compromise and go with the flow.
willow
A, Liu from "I have been to, Liu Yiyi" in the Book of Songs, which is the first time that Liu confessed and borrowed Liu to hurt people. There are thousands of trees in the world. "Chang 'an devoted himself to infinite trees, leaving weeping willows alone. "The somebody else off insist on folding willow to write willow. This is because "there is another village" and "everything is affectionate". The ancients took their meaning to show their reluctance and stay with Liu. " "Liu" and "Liu" are homophonic, so "folding willows" stay together to express sincere farewell. Folding willows to bid farewell has been around since the Han Dynasty. In the Yuefu of the Southern Dynasties, there were some folk songs, such as "Don't push the whip when you get on the horse, turn your back on Yang Liuzhi, play the flute on the plate, and worry about killing the walker", which reflected that when you left at that time, you turned over the willows when you got off the horse. Ordinary Yang Liuyi evokes feelings and associations that people have never clearly realized. In the poem, the young woman "doesn't know what to worry about" goes upstairs to enjoy the scenery. When she touches the "willow color", she stays worried: "I suddenly see the strange willow color and regret teaching my husband to find the topic." (Don Wang Changling's Forever in My Heart) C. Willow is graceful ("a small willow, an inch of tenderness"), so it is endowed with endless sadness. This feeling coincides with the sadness of parting. "Liu is reluctant to part" and "Liu is reluctant to part" is probably the reason why poets like to enter poetry with Liu.
In addition, swallows, drizzle, running water, etc. It can also be used to represent the image of spring and summer, so I won't elaborate.
I hope the above can help you.
8. The poem Delighting in Rain on a Spring Night was written by Du Fu, a poet in the Tang Dynasty. "Good rain knows the season, when spring comes.
Sneak into the night with the wind, moisten things silently. The wild path is dark, and the river is bright.
Look at the red and wet place, the flowers in Jinguancheng are heavy. Appreciation: When writing this poem, the poet had deep feelings for the spring rain, so he wrote this beautiful poem describing the rain on a spring night and nourishing everything.
A Spring Tour in Qiantang was written by Bai Juyi, a poet in the Tang Dynasty. "Gushan Temple is in the north of Jiating West, and the water level is low. Several early orioles raced to the sunny tree, and their new swallows were carrying mud in their nests.
Colorful spring flowers will gradually fascinate people's eyes, and shallow spring grass can barely cover the horseshoe. I love the beauty on the east bank of the West Lake, and I can't get enough of it, especially the white sand embankment under the green poplar. "
Appreciation: the whole poem is centered on the word "spring", which conveys feelings in scenes and reveals the poet's happy and relaxed mood between the lines.