The second sentence closely follows the first sentence, which describes the scenery after the rain. It's green from a distance, but it's not green from a close look. It depicts the hazy scene of grass soaking in rain in early spring. This can be compared to fog. When I enter them, they disappear, and the color of the mountain is Wang Wei's or not.
Praise the scenery in early spring: the most important thing is that the benefits of spring are better than cigarettes and willows. The light rain and grass color in early spring are the most beautiful things in the spring of a year, far exceeding the late spring scenery of the city of smoke and willow. Poetry about spring scenery, in Tang poetry, mostly takes beautiful late spring, but this poem takes early spring chant, thinking that early spring scenery is better than late spring, which is innovative.
This poem praises the early spring, which can capture the soul of the early spring and give readers endless aesthetic interest, even surpassing painting. The poet has no crayons, but he paints a color that is extremely difficult to describe in poetic language-a pale color that seems to be absent. Without keen observation and superb poetry, it is impossible to refine the natural beauty of early spring into artistic beauty.