Magnificent image and lofty artistic conception
Appreciation of Mao Zedong's "Qinyuanchun Changsha"
Image is a term in China's classical aesthetics, including meaning and image. The meaning here refers to the thoughts and feelings of the creative subject, and the image here refers to the objective image as the creative object. The image of poetry is the fusion of the poet's thoughts and feelings and objective images, while the artistic conception is the artistic realm of poetry created by the combination of various images. Mao Zedong's Qin Changsha is not only rich in content, but also magnificent, with magnificent pictures, magnificent images and lofty artistic conception. The author thinks that if we appreciate this word from the perspective of image beauty, we may find another way to accurately grasp the ideological content and artistic characteristics of this word.
The image beauty of the word "Qinyuanchun Changsha" is highlighted in the choice of scenery. The author has a broad vision, and the selected scenery is either vast, magnificent or majestic. Take the word "look" as an example. There are "layers of forests" in the mountains, "hundred ge" in the river, eagles in the air and fish in the water. Judging from the state of the scenery, there are static flaming maple forests, as well as dynamic "rushing" and "rushing" and so on. The author from a distance to a close view, from looking up to looking down, the sky is high and wide, the mountains are red and the water is green, "cage the heavens and the earth in shape, and frustrate everything in writing" (Lu Ji's Wen Fu).
The author's choice of scenery is largely restricted by his conception, and the poems of ancient literati such as "mourning for autumn", "hurting autumn" and "sighing autumn" are determined by their specific meanings. For example, in Ma Zhiyuan's Tianjingsha Qiu Si, the meaning is "heartbroken people are at the end of the world", and the selected images are naturally "dead vines", "old trees", "faint crows" and "thin horses". Du Fu's "Climbing to the Top" bases its meaning on "Wan Li mourns autumn" and "coming through all the hardships", and the images taken naturally cannot be separated from "mourning for apes" and "falling trees". Mao Zedong's ideas are positive and enterprising, and the "elephants" he takes are naturally vibrant scenery, such as mountains, layered forests, white doves, eagles, swimming fish and so on.
The image beauty of the word "Qinyuanchun Changsha" is also reflected in the expression of images. The choice of image is very important, but the expression of image should be more ingenious. The images in the poet's works should not be objective sketches, but "images full of life" (Kandi). Mao Zedong in "Qinyuanchun? In Changsha, in order to inject more life into the selected objective images, great attention is paid to the expression of objects, such as a group of objects headed by the word "look" in Shanghai Beach, in which "mountains are everywhere", "layers are stacked", "people" and "everywhere". The poet not only shows the beauty of static scenery of mountains, red, water and green, but also deliberately describes the dynamic magnificence of things. The word "struggle" in "Hundred Struggles" adds a high-spirited and enterprising atmosphere to the green and dust-free river surface, vividly showing the warm scene of Qian Fan's struggle for beauty. Because of the use of two creative and expressive verbs "strike" and "Xiang" in "Eagle Strikes the Sky", it accurately and vividly depicts the agility of the eagle flying in the sky of Wan Li and the joy and freedom of the fish swimming in the crystal clear river. If "striking" and "flying" are replaced by "flying" and "swimming", the agility of the eagle when spreading its wings and flying can not be expressed. The poet's use of the word "quiet" in "Ten Thousand Frosts Fight for Freedom" strongly highlights the vitality of everything in the cold autumn, making people feel the poet's infinite love for nature and sincere praise.
The image body of Qinyuanchun Changsha Ci is now in the combination of images. The connotation of poetic artistic conception is not only contained in one image, but also reflected in the combination of images. When creating poems, poets often combine single images into organic, spatio-temporal and hierarchical pictures according to the law of beauty, so that they have the functions of coherence, contrast, contrast and suggestion, show readers colorful life pictures and convey colorful thoughts and feelings. Poets often use many methods to realize the combination of images. Mao Zedong mainly used juxtaposition and radiation in Spring in Changsha Garden.
The juxtaposition of poetic images, like the montage of focal plane, mainly juxtaposes individual images with each other in the form of juxtaposition, thus forming the "beauty of compound images" of the whole word, that is, the beauty of combination. A group of image group, always headed by the word "Kan" in "Shanghai Beach", is in a parallel relationship as a whole. Poets combine images in a parallel way, pay attention to dynamic and static collocation, and combine far and near, thus forming a colorful "Xiangjiang Autumn Color Map". Another example is the past lives recalled in the second poem, which are also juxtaposed in pairs, highlighting the spirit of young revolutionaries to make progress and dare to do things, and depicting a lively "picture scroll of young students" for us.
The radiation of poetic images refers to "radiating" around one of the group images to form a image group. Take the seven sentences of the word "look" as an example. Under the radiation of the central image "ten thousand kinds of frosty days", images such as "mountains", "layered forests", "white pigeons", "eagles" and "swimming fish" are formed, and the two juxtaposed composite images of "pointing out the mountains and inspiring words" in Xiatan are also elegant. From the whole word, the central image should be the "I" of "independent and cold autumn", and other images are formed under the "radiation" of this central image. Here, people who look at the scenery with a broad mind will become "scenery" and a magnificent "great man map"!
Abstract: Mao Zedong created a lofty artistic conception and formed a magnificent picture in "Qinyuanchun Changsha". Typical images, vivid expressions and ingenious image combinations make this word have a strong aesthetic effect.
Appreciation of Spring Snow in Qinyuan
First, the scene blends and the narrative is integrated.
This word is divided into two parts, each with its own emphasis, but closely linked and integrated. Writing about the scenery in the uptown, every sentence is affectionate. When describing the symbols of the Great Wall, rivers, mountains and plateaus, he devoted himself to patriotism and praised the rivers and mountains of the motherland. The following comments, combined with lyricism, inject the feeling of praising contemporary heroes when commenting on ancient emperors and contemporary heroes. Shangque's scenery writing is the basis of Xiaque's lyric theory and the inevitable result of Shangque's scenery writing. In this way, the author praised the magnificent rivers and mountains and the heroes of the proletarian revolution by combining scenery writing, lyricism and discussion.
Second, the words are precise, vivid and accurate.
The words used in this word are very precise. For example, "Busy", "Wei" and "Dun" in Duntuo are all adverbs, which play a role of modification and restriction. The word "Wei" emphasizes that whiteness is the only sight, and nothing else can be seen. The word "dun" in the sentence emphasizes the sudden loss of momentum of the waves rolling up and down the Yellow River, and highlights the speed at which it is freezing in cold weather and the river freezes. Another example is the verbs "dance" and "eat". Dance, dancing and flying, describes the twists and turns of snow-covered mountains like "silver snakes"; "Chi", Mercedes-Benz, running, describe the snow-covered mountains galloping like giant elephants. These two verbs are used vividly, making the snow-covered alpine plateau lifelike, giving the static scenery dynamic and full of vitality. This word is not only concise, but also skillfully uses rhetorical methods such as metaphor, personification and duality. The above-mentioned "mountain dancing silver snake" and "original wax elephant" are clever metaphors. It is more imaginative and accurate to compare the magnificent scene of red sun and white snow as a girl in red. The word "desire" personifies "mountain" and "original", vividly writing their ambitious mental outlook and high-spirited spirit.
Mao Zedong since the note:
Xue: Anti-feudalism was criticized in 2000.
Literary talent, coquettish, and big carvings can only be like this, knowing that the Lord is writing poetry! Can we abuse these people? It's wrong not to explain.
The last three sentences refer to the proletariat.