Name of the work
Dianjiang Lip Boudoir Thought
Alias of the work
Dianjiang Lip Lonely Boudoir
Creation year
Northern Song Dynasty
Source of the work
Shuyu Ci
Literary genre
Word
Author
Li Qingzhao < Cherish the spring to go, and urge the flowers to rain.
lean all over (4), but have no mood. Where people are [5], even the sky is fragrant, and the road to return is broken [6]. [1]
Comment on words
(1) Diancrimson lips: epigraph name. This tune was named after Jiang Yan's poem "Ode to a Beautiful Woman for a Spring Tour", which contained the sentence "The white snow condenses the beautiful appearance, and the pearl touches the crimson lips". Double tone forty-one characters. Four sentences in the upper part and five sentences in the lower part.
⑵ "Lonely" sentence: This is an implicit and new change of the related sentences in Ying Tianchang, which was sent by Wei Zhuang. Rou: "Continued Selection of Caotang Poems" is called "Sorrow".
(3) flower shower: spring rain.
(4) withered: same as "railing".
(5) Where are you? Where are the people you miss? The word "person" here, when agreed with the word "Wu Lingren" in "Recalling the Flute on the Phoenix Platform" and "No One Arrives" in "Man Ting Fang Xiao Ge Cang Chun", both refer to the author's husband Zhao Mingcheng.
[6] "Liantian" sentence: Use the sentence meaning of "Wang Sun swims and never returns, and spring grass grows and thrives" in The Songs of the South to express the hope of waiting for a good man to return. Fangcao: "Flowers and Plants Nazi Compilation" and "Poems of Ancient and Modern Celebrities" are "declining grasses"; "The Sequel of Caotang Poems" notes that "one work is' declining' and wrong"; Ci Synopsis, Poems of Past Dynasties, Poems of Celebrities in Dynasties, and Shuyu Ci, a four-printed edition, are regarded as "fragrant trees". [2]
In the late spring, the endless loneliness in the boudoir comes like a flood, but this inch of tender heart has to accommodate countless sorrows. The more we cherish spring, the easier it is for it to pass away. The sound of falling rain urges us to turn red, and it also urges us to return home.
In this lonely late spring, I lean on every inch. Even though spring is as good as it is, I feel no emotion. Ask softly, "My lover, where are you?" At present, there is only the endless decaying grass as far as the eye can see, spreading the road that a lover must pass. [2]
This word is an early work of Li Qingzhao, which was created in Qingzhou. According to Chen Zumei's Concise Chronology of Li Qingzhao, this word was written from the first year of Chonghe to the second year of Xuanhe (1118-112). At that time, Zhao Mingcheng had a foreign post, and Li Qingzhao lived alone in Qingzhou. [3]
Overall appreciation
This is a always in my heart poem written by hurting spring to get rid of hatred. The first film writes about the feelings of hurting spring, and the next film writes about the feelings of hurting others. Injury to spring and farewell melts into a thousand strands of deep sorrow.
At the beginning, the poet poured out all his worries, and compared "one inch" with "a thousand strands" of worries. This disproportionate juxtaposition gave people a strong sense of oppression. It's as if I saw the sad scene that the persistent and heavy sadness pressed on the lonely and lonely < P > weak woman in the boudoir, which made her heartbroken and unbearable. The following two sentences of "cherishing spring" show women's psychological activities in the contradiction of "cherishing spring and going away", although they no longer speak out their worries. The patter of rain urges the feet to go home in spring. The only spring flower that can give a little comfort to a boudoir woman has also withered, and the raindrops that urge flowers can only leave a few empty echoes in a woman's heart. This is how people's youth quietly passes away. Cherish spring and flowers, it is also a portrayal of cherish youth and cherish youth. Therefore, in the sharp contradiction of "cherish spring and go", more melancholy sadness is brewing.
write the next picture and look at it from afar. In China's classical poems, "leaning on the column" is often used to indicate that the characters are depressed and bored. Here, the poet affixes the word "times" after the verb "leaning", which vividly dyes the boredom and distress of the boudoir woman; In the next sentence, "only
yes" and "leaning all over" echo each other, revealing the "no emotion" caused by sorrow, which effectively shows the depth and weight of the sorrow, which cannot be resolved. At the end, I asked "Where are people" from a distance, which clearly showed the purpose of women looking from afar, and at the same time implied that the root cause of "caring for a thousand threads in one inch" and "just having no emotion" was missing the lover who was far away. However, at the end of the day, I saw only "the sky is full of grass" and no lover was seen. This bleak picture is a ruthless answer to the eager woman. Loneliness and injury to spring have made her feel sad; If the husband doesn't return, the woman's sadness will be deeper, heavier and stronger. This is naturally implied.
The whole poem, from writing about loneliness, to writing about hurting spring, to writing about hurting farewell, to writing about longing for home, comprehensively and profoundly shows the process of the precipitation and accumulation of sadness in women's hearts. By the end of the horse, the feelings have accumulated to the highest peak, and the whole word has reached a climax. [1]
Ming Dynasty Mao Yuan's "Ci De" Volume I: Yi An made it, and it can't be recovered. Pay a glass of wine for each lyric.
Qian Yunzhi's "Remaining Poems of Cottage" in the Ming Dynasty, on the volume, the grass is full of long distance, and the lover does not return, and it is empty to stir up the ears.
Shen Jifei's The Sequel to the Poems of Caotang in Ming Dynasty: A Brief Introduction.
Huang Heqing's Preface to the Remaining Poems of Caotang in Ming Dynasty: The style of husband's ci is delicate, but the strong husband does not do it. Only cherish the loneliness of the article, and those who sing "Golden wisps" and "Willow Branches" will turn their voices to poor ears. In the Sequel, such as Li Houzhu's "Autumn Boudoir", Yi Lee's "Boudoir Thinking", Yan Shuyuan's "Spring Scenery", Xiao Zhuwu's "Ji Meng" and "Nostalgia", Zhou Meicheng's "Chun Qing", a small green moth was awarded, a silver Zheng was dialed, and a voice was made by leaning against the green window.
Lu Yunlong's Ci Jing in Ming Dynasty, Volume 1: Tears are exhausted.
Yun Shao Ji by Chen Tingzhuo in the Qing Dynasty, Volume 1: Love and words win together and charm is carefree. [2]
Li Qingzhao, a poetess in Song Dynasty. No. Yi 'an Jushi was born in Zhangqiu, Qizhou (now Shandong). In his early life, he lived comfortably, and devoted himself to the collection and arrangement of calligraphy and painting stones with his husband Zhao Mingcheng. Nomads from the army entered the Central Plains and lived in the south. Ming Cheng died of illness and the situation was lonely. In his poems, he wrote about his leisure life in the early stage, and lamented his life experience in the later stage, which also revealed his nostalgia for the Central Plains. In form, we make good use of line drawing, develop our own ways and use beautiful language. On ci, it emphasizes harmony, advocates elegance and emotion, puts forward the theory that ci is "different from one family" and opposes using the method of poetry to write ci. And he can write
poems, which have not been preserved much. Some of the chapters are time-honored and generous, which is different from their ci style. There are "Yi 'an Jushi Collection" and "Yi 'an Ci", which have been lost. Later generations have a collection of Shu Yu Ci. Today, there is "Li Qingzhao's Collection of School Notes". [4]
[1]? Hou Jian et al. Appreciation Dictionary of Tang and Song Ci (Tang, Five Dynasties and Northern Song Dynasty). Shanghai: Shanghai Dictionary Publishing House, 1988: 1215-1216
[2]? Chen Zumei. Appreciation of Li Qingzhao's Works. Chengdu: Bashu Bookstore, 1992: 71-75
[3]? Chen Zumei. Collection of Appreciation of Li Qingzhao's Works. Chengdu: Bashu Bookstore, 1992: 252 < P > [4]? Xia Zhengnong et al. Ci Hai (abbreviated edition). Shanghai: Shanghai Dictionary Publishing House, 2: 1533.