Lin was a poetess with great personality in the 1930s. As a poet in the later period of Crescent Poetry School, although she began to write poems when Crescent Poetry School gradually disappeared, her poetry creation was undoubtedly influenced by Crescent Poetry School. Therefore, Lin's poems also have the characteristics of musical beauty and architectural beauty advocated by the Crescent Poetry School, and there are many similarities in the pursuit of poetic rhythm. At the same time, however, the metrical features of Lin's poems are relatively free and flexible in terms of tone, rhyme, stanza, line and level. Her poems have their own unique style. While pursuing rhythm, they are beautiful, graceful, harmonious and fluent.
The pursuit of meter in Lin's poems is not rigid, but harmonious. She doesn't stick to the fixed poetic style, scale and words per line, but is more like Xu Zhimo. She is driven by primitive poetry and poetic sense, and almost intuitively makes emotions meet the internal syllables and rhythms of poetry. Therefore, what emerges in Lin's poems is a light, free and lively charm, with few traces of deliberate carving. It not only makes the human body taste the beauty of the soul, but also enjoys it visually, showing its meticulous and unique artistic motivation.