The poet takes one word as his contribution, which is well known all over the world, but Lao Du's changes are endless and almost impossible to trace back. For example, "the mountains and rivers have Bashu, and the towers and terraces are all harmonious", which is thousands of miles apart and only between the word "you" and the word "zi", while swallowing mountains and rivers and pitching ancient and modern times is beyond words. The rattan king pavilion is "pink wall and bamboo color, and the empty pavilion sounds." If you don't use the words "Jude" and "Zi", you can use them in any pavilion without rattan king. This is a wonderful work, beyond the reach of human resources, but this old man is a leisurely man, divorced from nature and unable to see his own strength. Nowadays, people are more likely to imitate the words they have used, to suppress their own narrowness and to stutter. They don't know the meaning and situation, so they can use any word.
Poetic language is so clever, but it has its own natural workmanship. Although it is clever, there is no trace of carving. Lao Du "Fish comes out in the drizzle, and Yan is inclined in the breeze." This cross is almost empty, the rain is fine on the water, and fish often drift around, but if it rains, it can't get out; Yan is light and weak, but the wind is fierce, so he can't win. It's just that the breeze is affected by the situation, so there is also a saying that "the light swallow leans with the wind". When it comes to "wearing a butterfly deep, flying slowly", the word "deep" without the word "wear" and the word "idle" without the word "point", we can't see its subtlety. It's easy to read like a breeze, so it doesn't hinder its superiority, which makes the late Tang philosophers feel that the word "fish" is difficult to be magnificent, but the words are powerful and meaningful. Since Lao Du had such sentences as "Silk River with bright spring, floating between heaven and earth, like a jade peak and a ray of cloud, between ancient and modern times" and "Drums and drums, and the Milky Way has crossed three mountains", he has tasted the hatred of those who have not survived.
There are three kinds of words in Zen's cloud theory: one is to go with the flow, which means to respond to the situation with things, not to reason; The second is to cut off the multi-flow sentence, which means beyond the text, not what you know; The third is to cover Gankun's sentence with letters, which means that everything is harmonious and can wait; Its depth is in the order of magnitude. When I was a student, I tasted the drama, saying that Lao Du had these three languages, but they were different successively. Taking "the waves sink and the lotus floor powder" as the letter to cover the sentence of Gan Kun, taking "the falling flowers are quiet in the daytime, the pigeons are deep" as the drift sentence, and taking "a hundred years of seclusion in Chai Men, and the grass pavilion in Jiang Shen is cold in May" as the cut-off sentence. If there is a solution, it should be with the canal.
00[ from Ye Song Shao Yun's Shi Lin Shi Hua]