How to distinguish dynamic scenery from static scenery in China's ancient poems? Please give an example. Thank you very much.

In ancient Chinese poetry, in order to create Taoist ethereal artistic conception, poets pay special attention to dynamic description, and the combination of dynamic and static is a common way to write scenery. In the use of this technique, it is unique, with "every word is the best" and "the realm is the best". As a combination of dynamic and static scenery, it often depicts the dynamic and static in an artistic conception, and it is mainly static, with the dynamic setting static (the "dynamic" here includes dynamic and sound, such as "the sound of bamboo in the Qing Dynasty, the sound of lotus leaves in front of fishing boats", "noisy" is sound, and "dynamic" is dynamic), forming a harmonious unity of artistic conception and image. Therefore, the combination of dynamic and static scenery writing techniques can not be completely separated from the foil

Writing articles about scenery, writing dynamic or static in isolation is often not impressive. If we can combine dynamic description with static description, we can create vivid literary scenes by writing static and reacting static to dynamic.