"Take the wall, in order to hope to close. I didn't see the resumption of customs, so I cried. I am full of laughter when I see the resumption of GATT. " The lover's every move touches her heartstrings, and her tears and smiles are only related to that man. For a long time in the future, she still remembers their "total angle banquet, laughing and laughing" when they were teenagers.
The man coaxed the heroine into being poor at home and willing to work hard for him without a rich bride price. At the time of "mulberry leaves flourish first and then fall", the man and she made a vow to grow old together, but when "mulberry leaves fall first and their yellow leaves fall", it just became empty talk. Finally, the man told her that "everything he said was done, as for violence", and finally it became "a brother doesn't know, but still laughs".
Main appreciation:
Although the poem is mainly lyrical, the narrative story is not complete and detailed, but it truly reflects the heroine's experience and fate, lyrical narrative is integrated, and sometimes accompanied by lamentation. In these respects, this poem has initially possessed some features of China's narrative poems.
The structure of the poem Feng Wei's Self-Defense is in line with its story, and it is also in line with the author's passionate and fluctuating emotions when describing this poem. Each chapter has six chapters and ten sentences, but different from other chapters in The Book of Songs, it is written naturally according to the development order of characters' fate. Give priority to with fu, also use BiXing. It is better to strengthen narrative and lyricism than to give it narrative and enhance lyricism.
The tone of this poem is sonorous and natural, full of true feelings. The overlapping of adjectives such as "Chichi", "Lianlian", "Tang Tang", "Yan Yan" and "Dandan" is used in the poem, which not only plays the role of imitating sound and painting posture, but also enhances the musicality of the poem. The composition of folk songs in The Book of Songs is mostly repetitive. The author of Feng Weimang's poem stopped singing out of chapter because of his complicated feelings and tortuous narration, which is rare in national folk songs.