What kind of artistic style does the poem Nora on the shore show?

Shian Nora, a Japanese girl, is the representative work of the poet Xu Zhimo, and it is also the shortest and most popular representative work of the "New Moon" poem. 1924 April, Indian poet Tagore came to China to give lectures. Xu Zhimo worships Tagore very much and regards him as wisdom and light. He accompanied Tagore to Japan in late May and returned in July. Nora of shian is a work of this period, mostly written in Japan, with 18 poems. This poem was written by Xu Zhimo when he left Japan. The gentleness of the bow is the most, just like the shyness of a water lotus, saying "treasure" and "treasure". There is sweet sadness in that treasure-Shian Nora "Shian Nora" is a transliteration of Japanese "goodbye". Reading this poem gently, I seem to see the "gentle" behavior and "shy" expression of Japanese girls when they wear kimonos to bid farewell to their friends, and realize the "sweet" sadness contained in the tone of Japanese girls. This poem can bring readers such a beautiful feeling, which shows the poet's vivid artistic skill. First, the language is fresh and natural, concise and vivid. Shian Nora for a Japanese girl has only five lines. It is composed of the poet's refined spoken language. It has no bitter and artificial feeling. It conveys the charm of a Japanese girl, vividly reproduces her charm and reveals her complex and subtle thoughts. The first sentence is "the gentleness of bowing", which is the poet's visual impression. "Bowing the head" is a woman's gesture as seen by the poet, and "tenderness" is the poet's intuitive feeling for her. The word "most" in the sentence strengthens this feeling, and together, it vividly dyes the modality of Japanese girls. The second sentence, "Like a hibiscus out of water, you can't be ashamed in the cool breeze", compared with a small lotus with a graceful back in the cool breeze, further deepens and concretizes the intuitive impression in front of you, which not only writes a weak appearance of a Japanese girl, but also sets off her complex inner feelings. At this point, it can be said that the atmosphere, mood and image are exhausted. The third sentence, "treasure the Tao with one sound, treasure the Tao with one sound", is the poet's auditory impression, creating images with overlapping sentences, showing the scene of reluctant farewell and sadness; Then, "there is a sweet sadness in that treasure" makes the auditory feeling concrete, and "sadness" is also "sweet", and complex feelings are exposed in this treasure. Readers can experience the deep affection of poets and girls from this kind of "sweet" and "sad" voice. The last sentence, "Poem Anna La", should be a mutual language between poets and girls. It is a deep farewell and a deep expectation, which includes "the sweetness of honey" and "sadness". This last sentence, "Poem Anna La", points out the environmental situation to be expressed in the poem, with stronger rhyme and deeper meaning. Second, the double "beauty" of rhyme and artistic conception. The poet Xu Zhimo is good at sketching and lyric, and pursues the double beauty of rhyme and artistic conception. He was never satisfied with singing a wisp of emotion, describing a landscape and a story. He pays attention to convey the hidden interest in his heart, creates infinite charm with rich implication, and urges people to do all kinds of reverie. As he said in the preface of Tiger Collection: "I have nothing else to say. I just want you to remember that there is a bird that sings every day and keeps vomiting blood. In his songs, it knows the joy of another world alone, and also knows the sadness and pain alone; A poet is also a silly bird. He stuck his soft heart on the thorn of the rose and sang the brilliance of the stars and the hope of mankind. He won't stop until his hard work is wasted and the white flowers are dyed red. In other words, the poet's pain and joy are integrated, only he knows it "alone" and never shows it. This is the case with the "Shiana La Gift Girl". He grasped the feeling of the moment brilliantly and created a series of farewell scenes, where there were "gentle" gestures, "shy" expressions and "sad" voices. Sincerely, both in form and spirit. Vividly sketched a beautiful image of a gentle, beautiful, weak and modest Japanese girl, conveying thousands of amorous feelings. He effectively demonstrated the poet's language skills in capturing images and feelings. Zhu Ziqing commented on Xu Zhimo's poetry creation in this way: "He is jumping and splashing a water of life that stays up all night." This sentence really hit the nail on the head Many of his poems are full of youthful spirit and mentality. We can get a glimpse of the poet's spirit and style from the well-known poem Annala for a Japanese girl, and write a gentle expression of a Japanese girl in the form of a lotus flower, which is vivid, vivid, pure and lovely. Exquisite ideas and novel images make this short poem contain infinite meanings, showing the unique gentle charm of Xu Zhimo's poems and his extraordinary skills in mastering language. Source: Modern Chinese (Literature Studies)