The sunflower in the green garden. Morning dew is waiting for the sun. Spring fills the earth with hope, and everything presents a scene of prosperity.
I am always afraid that when the cold autumn comes, the trees in Ye Er will turn yellow and the grass will wither. A hundred rivers go east to the sea, when will they return to the west?
A lazy youth, a lousy age.
Appreciate:
This poem begins with "Sunflowers in the Garden", and then the water flows to the sea and never returns, indicating that time is like running water and never returns. Finally, we should persuade people to cherish their youth and work hard, and don't wait until they are old to regret it. This poem uses things to express meaning. First, it uses the sunflower in the garden as a metaphor. "Green" means it is flourishing. In fact, under the sunshine and rain in the whole spring, everything is scrambling to grow. Why is this happening? Because they are all afraid that autumn is coming, they all know that autumn wind will wither a hundred herbs. The rhythm of life in nature is like this, and so is life? If a person doesn't work hard when he is in a good time, it will be too late to regret when he is old. This poem thinks that life is fleeting from the beautiful scenery of youth in front of us, and encourages young people to cherish time, make warnings and inspire people to forge ahead.
Brief comments:
This is a famous Yuefu poem in Han Dynasty. The poem uses a series of metaphors to show that we should cherish time and work hard as soon as possible. The first four sentences of this poem paint us a beautiful spring scene. There are dewdrops on the green sunflowers in the garden. After sunrise, the dew dried and the sunflowers were bathed in the sun. Everything in the world is blessed by the rain and dew of nature in spring, shining with unparalleled brilliance. However, when autumn comes, they will lose their bright luster, turn yellow and fade. Everything has ups and downs, and people also have a process from adolescence to old age. Time is like the water of a big river, which flows eastward into the sea and never returns. If you don't cherish time and work hard when you are young, you will only be sad when you are old!
Wang Ji in Wild Hope
Looking at Gao Dong at dusk, the disciples (three voices of xi) leaned on what they wanted. Trees are all autumn colors, and mountains are only sparkling. The shepherd brought the calf back, and the fierce horse brought the bird back. Care for no acquaintances, Long song pregnant with Cai Wei.
Make an appreciative comment
Shan Ye's "Wang Ye" and "autumn scenery" are Wang Ji's representative works, which are somewhat hesitant and melancholy in a leisurely mood.
The whole poem reveals a lonely and melancholy mood in the bleak and quiet scenery description.
"I hope I will look forward to it and I will rely on it." Gao is a water town. Gaodong refers to a place in Longmen, Jiangzhou, his hometown. After retirement, he often traveled to Beishan and Gaodong, calling himself "Donggaozi". "Depend" means wandering. "What do you want?" In Cao Cao's "Short Songs", the meaning of "the moon stars are scarce, blackbirds fly south, and there are no branches to lean on" shows the feeling of boredom and hesitation.
The following four sentences describe the scenery seen at dusk: "All trees are in autumn, only the hills and mountains are bright. The shepherd brought the calf back, hunted the horse and brought the bird back. " Looking around, it is autumn everywhere, and it is more and more bleak in the afterglow of the sunset. On this quiet background, the close-ups of shepherds and hunting horses, with an idyllic pastoral atmosphere, enliven the whole picture. These four poems are like a picture of Shan Jutu on an autumn night. Light and color, long-range and close-range, static and dynamic match well.
However, Wang Ji could not find comfort from the countryside like Tao Yuanming, so he finally said, "I don't know each other, and Long song loves Wei." He said that he was lonely in reality, so he wanted to make friends with people like Boyi and Shu Qi.
People who are familiar with Tang poetry may not find this poem particularly beneficial. However, if we read this poem by Song, Qi, Liang and Chen in the Southern Dynasties in the order of poetic history, we will suddenly applaud its simplicity. The poetic style of the Southern Dynasties is mostly gorgeous, like a jewel-like lady wrapped in satin. Walking out of the women's group, I suddenly met a village girl with a cloth skirt. Without makeup, there will be a special charm. Ji Wang's ambition has such a simple advantage.
The genre of this poem is five-character verse. Since Shen Yue and others applied legal knowledge to poetry creation in the first year of Qiyong in the Southern Dynasties, this new genre of legal poetry has been brewing. In the early Tang Dynasty, Shen Quanqi's and Song's regular poems became an important poetic genre. Wang Ji, more than 60 years earlier than Shen and Song, can write such a mature poem as Wild Hope, which shows that he is a man who dares to try new forms. The beginning and end of this poem are lyrical, and the middle is lyrical. After the repetition of emotion-scene-emotion, the meaning of poetry has deepened. This is in line with a basic composition of metrical poetry.
comment
Comments: Wang Ji's Wild Hope is one of the earliest five-character poems in the early Tang Dynasty, with a wide range of themes and fresh style. Qu said: This poem is the clearest style, so it should be rolled up. Accordingly, it is obvious that the transition from inheritance to integration is legal. (Interpretation of Ancient Tang Poetry Combination)
Meng Haoran's Pregnant on the Early Cold River
Leaves fall to the south and the north wind is bleak. My home is wandering by the river, and the sea of clouds is far away.
Tears of homesickness in the journey, see the back of the sail on the horizon. The smoke in the wind blurs where the ferry can be, and the vast river ripples in the sunset.
Comments:
This is a lyric poem about homesickness. Began in prosperity, borrowed Hongyan to fly south, and made guests homesick. I saw the distant solitary sail in the middle, thought of my own disappointment, and finally wrote the stagnation I wanted to return to.
The whole poem has complicated emotions. The poet envies rural life and intends to retire, but he also wants to ask officials to do things in order to make a big difference. This contradiction constitutes the content of this poem.
Meng Haoran from Wang Dongting to Prime Minister Zhang.
The autumn water rises and almost blends with the shore, mixing water and sky with the sky. Ozawa's water vapor transpiration on the cloud soil is white, and the waves seem to shake the whole Yueyang.
I'm going to cross the water to find a boat and paddle. It's a shame to return home in the sacred age. Sitting around watching other people's hard river fishing can only envy the fish caught in the fish.
Poetry appreciation
Zhang Jiuling, the Prime Minister of Zhang, is also a famous poet with official position and integrity. Meng Haoran wants to go into politics and realize his ideal. I hope someone can introduce him. This is the meaning of writing this poem to Zhang Jiuling before he went to Beijing to take the exam.
The first four sentences of the poem describe the magnificent scene and momentum of Dongting Lake, and the last four sentences are used to express their political enthusiasm and hope.
The first two sentences explain the time and write the vast lake. The lake and sky are integrated, and the scene is vast. "Han" means tolerance. "Virtual" is high altitude. The sky is contained by water, which means the sky is reflected in the water. "Too clear" refers to the sky. "muddy and clear" means that water and sky are connected. These two sentences are about standing by the lake overlooking the lake. Three or four sentences continue to write about the vastness of the lake, but the eyes are from far to near. From the lake, I can see the scenery of the reflection in the lake: the water vapor hanging over the lake evaporates and engulfs the clouds and dreams. "Cloud and Dream" are the names of two ancient lakes. It is said that Yun Ze is in the north of the Yangtze River, while Mengze is in the south. Later, most of them silted up and became land. "Shake", shake (verb, vivid). "Yueyang City" is located on the northeast bank of Dongting Lake, which is now Yueyang City, Hunan Province. When the southwest wind blows, the waves rush to the northeast shore, as if to shake Yueyang City. When you read this, you will naturally think of Wang Wei's poem "People's residence seems to be rippling in the distant sky". The whole city is floating on the water, the breeze is blowing waves, and the distant sky is shaking in the water. They really have the same effect.
Facing the vast Dongting Lake, I want to cross it, but there is no boat. Living in a wise era, we should contribute our strength, but no one recommended us, so we have to live at home. It is really shameful in such a good era. The implication is that I hope the other party will introduce me. "Economy" means crossing. "Ba", the paddle on the boat, also refers to the boat here. "end residence", living in leisure; "Ming Sheng", the era of Ming Sheng, here refers to peace and prosperity. In the last two sentences, I said that I sat by the lake and watched those people fishing with poles, but envy was in vain. There is an old saying: "It is better to go home and weave a net than to fish near the river." The poet uses this proverb to imply that he wants to do something, but he is afraid that no one will introduce him, so he says "only" here. I hope that the mood of the other party's help will naturally show between the lines.
On the one hand, scholars use it to pave the way for entering the body, so there are many restrictions on the use of words and expressions, and they often try their best to make it. On the other hand, because readers are senior officials or social elites, most of them show implicit aesthetic characteristics, which the author often compares.
This is a dry poem. In the 21st year of Emperor Xuanzong of the Tang Dynasty (733), Meng Haoran traveled to Chang 'an and wrote this poem as a gift to Zhang Jiuling at that time. Its purpose is to gain Zhang's appreciation and appointment, but only to maintain his own identity. He writes so tactfully and tries his best to eliminate the traces of dryness.
Autumn water is rising, and Dongting Lake is full in August, almost flush with the shore. Looking from a distance, water and sky are one color, and Dongting Lake is connected with the sky. In the first two sentences, Dongting Lake is very cheerful and muddy. Wang Yang is vast, connected with the sky, with lush flowers and trees, which can accommodate large and small rivers.
Three or four sentences about the lake. The sentence "steaming" is about the rich accumulation of lakes, as if the vast swamp area has been nourished by lakes, which makes it look so lush and lush. The word "wave shake" is placed on "Yueyang city", which sets off the turmoil of the surging lake and is also very imposing. In people's eyes, this lakeside city seems to crouch uneasily under its feet and become extremely small. These two sentences are called famous sentences describing Dongting Lake. But there are still differences between the two sentences: the first sentence uses a broad plane to set off the vastness of the lake, and the second sentence uses a narrow three-dimensional to reflect the momentum of the lake. Dongting Lake described by the poet is not only vast, but also full of vitality.
The following four sentences become lyrical. "I want to go there, but I can't find the boat" is triggered by the scenery in front of me. Facing the vast lake, the poet thought he was still in the wild, but no one took the lead in finding the way, just as he wanted to cross the lake without a boat. "I am more ashamed to be idle than you politicians" means that in this era of "enlightened" peace and prosperity, I am not willing to be idle and want to do something. These two sentences are a formal confession to Prime Minister Zhang, indicating that although he is a hermit at present, he is unwilling to do so. He still yearns for the official position, but he still can't find a way.
So let's go one step further and call on Prime Minister Zhang. "angler" refers to the person in power at that time, but it is actually for Prime Minister Zhang. These last two sentences mean: Mr. Zhang, who is in power, I admire you for coming out to preside over state affairs, but as an opposition person, I can't stay with you and work for you, so I can only admire you for nothing. In these words, the poet skillfully used the phrase "it is better to retire and form a net than to catch a fisherman in the forest" ("Huai Nan Zi? Xun Lin said) the old saying, once again refurbished; And "fishing" also happens to take care of the "lake", so there is no trace, but it is not difficult to understand his mood of asking for quotations.
As a dry poem, the most important thing is to write it properly and praise the other party for being measured and not losing his identity. The wording should be neither supercilious nor condescending, which is the first-class writing. This poem is tactful, unconventional and has its own artistic characteristics.
"Dongting Lake to Premier Zhang" is a lyric poem, which is written euphemistically. The gate system in the Tang Dynasty was very strict, and ordinary intellectuals rarely got on the political stage. If intellectuals want to find a way out politically, they must ask for help from powerful people, write some poems and contribute, hoping to gain common sense, be recommended and promoted. In 733 AD, Meng Haoran traveled to Chang 'an, and when Zhang Jiuling became the prime minister of the imperial court, he wrote this poem and dedicated it to Zhang Jiuling, hoping that he would help himself. But the poet refused to say that he wanted to be an official because he was worried and loved face, so he had to express his wishes euphemistically. This depressed mood is not difficult to understand.
The artistic feature of this poem is the organic combination of scenery description and lyricism, touching the scene and containing feelings in the scene. The first four sentences of this poem describe the scenery of Dongting Lake. "Here, the lake in August and heaven are one air." The implication is the illusion that the sky is reflected in the water. The sky is too clear. During the Mid-Autumn Festival, the water level of Dongting Lake rises to the height of the lake shore. When you look at the clouds, you can see that the lakes and mountains set each other off, and the water and sky are the same, which is very beautiful. "Clouds are foggy, covering Yueyang City." On this vast lake and Yunmengze, water vapor transpiration and roaring waves shocked Yueyang City, which is located by the lake. These four poems vividly depict the scenery of Dongting Lake. Writing the scenery in this way sets off the poet's positive and enterprising mental state, suggesting that the poet is in his prime and willing to serve the country and make a difference. This is a wonderful use of writing about scenery.
Yellow Crane Tower in Cui Hao.
The fairy of the past has flown away by the yellow crane, leaving only an empty Yellow Crane Tower. The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass. But I looked at my hometown, and the twilight was getting thicker, and the mist of sadness was filled on the river waves.
Brief analysis
In the Tang Dynasty, Yellow Crane Tower, Yueyang Tower and Wangtengting were called the three famous scenic spots on the south bank of the Yangtze River. The Yellow Crane Tower was built in the second year of Wu (223), the pavilion was built in the thirteenth year of Tang Zhenguan (639) and Yueyang Tower was built in the fourth year of Kaiyuan (7 16). According to Lu You's Book of Entering Shu, Volume 5 says: "Yellow Crane Tower, according to legend, Fei Yi rose here, and then suddenly returned by yellow crane, hence its name, which is the best scenery in the world." Wang Tengting was founded by Tang Gaozu's son Li Yuanying, who was then governor of Hongzhou. Yueyang Tower was built on the basis of the old parade platform when Zhang Shuo, secretary of the Central Secretariat, was guarding Baling. In terms of origin, the Yellow Crane Tower is the oldest.
There are many works dedicated to the Yellow Crane Tower, but it is universally acknowledged that Cui Hao's The Yellow Crane Tower is a swan song. Even the great poet Li Bai stopped writing because "Cui Hao wrote this poem on it". So, what's good about Cui Hao's poem The Yellow Crane Tower? This involves grasping the essential characteristics of the Yellow Crane Tower. Because the Yellow Crane Tower overlooks Jianghan, it is difficult to distinguish the advantages and disadvantages from the Ganjiang River in front of Wang Tengting and Dongting Lake under Yueyang Tower. As far as architectural forms are concerned, they are also different and equal. If ink falls from these aspects, even if there is a good pen, it can only look like it at best. The genius of Cui Hao's poem The Yellow Crane Tower lies in that it completely abandons the external features such as the position and shape of the Yellow Crane Tower, and makes a big fuss about its name. As far as naming theory is concerned, the connection between the Yellow Crane Tower and the magical legend is its charm, which is incomparable to Yueyang Tower and Wang Tengting. The first two couplets of the poem are written under the Yellow Crane Tower. Looking up at the sky, I feel something. When the poet first saw the Yellow Crane Tower, the most prominent impression in his infinite reverie was the story of the rise of the ancients here. The "old man" was originally an ordinary person, but he was born in fairyland because he learned from immortals. Later, he revisited the old place of the Yellow Crane, and the Yellow Crane Tower should still remember his sage like type. The yellow crane is naturally a crane of consciousness. After flying across the sky in front of it, it still belongs to this world. Facing the white clouds, the poet realized the eternity of time and the shortness of life in the universe. Although there is no series of feelings of "Tian Wen", readers feel the ups and downs of the poet's mood with the help of images such as "yellow crane" and "white clouds", and realize the poet's thinking about the universe and the true meaning of life. The first four poems are good, because they are triggered by the Yellow Crane Tower and cannot be moved elsewhere. Naturally, it seems to come out of the mouth, without any trace of axe chisel. It is visual, it doesn't tell the whole story, but it can make people think in infinity. In this way, although the shape of the Yellow Crane Tower is not specifically described, it successfully shows its spiritual outlook.
In the last four sentences of the poem, from another angle, write what you saw and felt when you climbed the Yellow Crane Tower overlooking Jianghan. The poet is condescending, just like observing the world from the sky. He feels detached from the outside world. This feeling is also carried out from the perspectives of space and time. Compared with the vast space, the sense of distance in the world should be insignificant. On a sunny day, the scenery on the vast Jianghan Plain is vivid; The grass on Nautilus Island grows faster than before, but my hometown is far away and I can't see it. The range of activities in a person's life is too limited Compared with immortals, it's really as different as sparrows flying among Artemisia selengensis and Dapeng birds spreading their wings in Wan Li. As far as time is concerned, people's life span is measured in years. In the blink of an eye, it is a hundred years, and people's life is over. Compared with the ghost spirit of "taking 500 years as spring and 500 years as autumn", it is already pitifully short; Compared with "seven days in the sky, a thousand years on earth", it is unparalleled. Where am I in the coordinate system of this space and this life? This day will be dusk, and smoke will start from the river. The "I" on the Yellow Crane Tower is really unclear. It can be seen that the poet's "worry" has rich connotations, not just for homesickness. In the last four sentences, the description of scenery is more prominent, but they are all handy prospects, and the author does not deliberately describe them; Especially when these landscape words are integrated into the poet's deep feelings, their characteristics as landscapes tend to fade. It is inferred that Li Bai's statement that "there is a scene in front of him" largely stems from this.
Predecessors recommended this poem. Some people say that it is "flying like flying, amazing, and ambitious" (the language of Wang Fuzhi), while others say that it is "like meaning first, but it is beyond the word of God, so it is good at the wonders of the ages" (Shen Deqian language), all of which focus on the broad artistic conception and elegant brushwork of this poem, which is the artistic charm of this poem.
Li Bai, send a friend.
Green mountains are located on the north side of the city wall, and the sparkling water surrounds the east of the city. Here you must leave me, drift away, and sign alone. Floating clouds are like wanderers, like wandering, and the sunset slowly goes down the mountain, which seems to be nostalgic. With a wave of his hand, he will be separated from now on, and his friend on horseback will carry him on a long journey, blowing a long wind, as if reluctant to leave.
Make an appreciative comment
This is an affectionate farewell poem. The author expresses the meaning of farewell by describing the farewell environment and rendering the atmosphere.
The first couplet points out the place of farewell. The poet and his friends came to the city side by side and looked up. There was a touch of green hills across the north of the city and a bay of clear water gurgled around the east of the city. This is a scene, but full of emotion. The distant castle peak is out of reach, which leads to a trace of dismay and reveals the poet's helplessness in leaving at present; The flowing water around the city seems to be a symbol of continuous separation and gurgling. This couplet "Qingshan", "Baishui", "Northland" and "Dongcheng" are arranged neatly, and "green" and "white" set each other off, and the whole painting is beautiful. The word "horizontal" is used to write the stillness of the castle peak, and the word "around" is used to write the movement of white water, which is also quite accurate.
The following two sentences are about love. The poet described his friend's wandering life with a lonely canopy, saying: If you leave here, you will float thousands of miles away like loose grass dancing with the wind. These two sentences express the poet's deep concern for his friends, and they are written smoothly and naturally, with sincere feelings.
The tie "I will think of you in the clouds, so think of me in the sunset" shows the broad background of parting: a white cloud is floating away on the horizon, and a red sun is slowly falling to the horizon. At this point, this scene makes people more sad and painful to leave. These two sentences "floating clouds" to "sunset" and "wandering" to "old human feelings" are also neat and to the point. Poets not only write landscapes, but also skillfully use "floating clouds" to compare friends. He is like a floating cloud on the horizon, with uncertain whereabouts and everything. Who knows where he will drift? Infinite concern for natural overflow. And the red sun in the west ended so slowly, and I was reluctant to throw the last light into the white water of Qingshan, as if reluctant to leave abruptly. And this is the symbol of the poet's mood at the moment!
Write the parting scene in the last two sentences. Poets and friends immediately waved goodbye and greeted frequently; The two horses seem to be connected with their master's heart and honk their horns from time to time. Although the poet did not directly say his feelings of parting, the horse could not bear the bitterness of parting and raised his mane and neighed. What a shame!
This poem is written naturally and brightly, with warm feelings. The green mountains, clear water, fiery sunset and white clouds in the poem, together with Ma Changming at work, constitute a vivid picture, full of infinite warmth and touching feelings.
. Liu Yuxi in Autumn Poems
Since ancient times, I feel sad and lonely every autumn. I think autumn is more than spring. There is no one in the clear sky in Wan Li, and a crane, Ling Yunfei, has aroused my meditation on the blue sky.
Make an appreciative comment
"Autumn has been sad and lonely since ancient times, and I said that autumn wins the spring tide." Since Song Yu left a famous sentence in Nine Arguments, sadness has become a hue and an emotion in autumn. Sadness has become the autumn in my heart. However, at the beginning of the poem, the poet begins with a discussion, categorically denying the previous concept of sorrowful autumn, showing a radical and upward poetry. I'm talking about the poet's self-confidence, which, although infected, is an unfortunate color. However, the poet's broad mind has significantly resolved this misfortune. "Winning the Spring Tide" is the poet's full affirmation of autumn scenery. This kind of recognition is not only a temporary emotional impulse, but a poet's rational thinking on autumn at a higher level.
"Clouds are scattered by cranes in the clear sky, which brings poetry to Bixiao." The poet grasped the unique landscape of "crane flying in the sky" in autumn, showing the open scene of crisp autumn, clear skies in Wan Li and white clouds fluttering. The crane in Lingyun, also carrying the poet's poems, swam to the sky together. Although this crane is lonely, its momentum is extraordinary. The meaning of a word "beat" is self-evident. Perhaps, the poet uses "crane" as a metaphor, or perhaps, the poet regards "crane" as an unyielding embodiment. There is philosophical implication, artistic charm, thought-provoking and memorable. It gives readers not only the vitality and plain color of autumn, but also a noble spirit and noble sentiment.
Reading such a poem, we don't have a sad breath in our hearts. With the poet's "poetry" and the wings of the poet's imagination, we gallop in the blue sky like horses. As a result, the crane flies into the sky, and its poetry is far-reaching. The combination of "reality" and "emptiness" gives you a good feeling of inspirational emotion.
The whole poem is magnificent, artistic conception is magnificent, emotion, scenery and reason are integrated in one furnace, showing high spirit and broad mind, singing the extraordinary Qiu Ge and leaving us precious spiritual wealth.
"Journey to Lushan Mountain" by Mei Yao Chen
In the early morning, the rolling Lushan Mountain, with thousands of peaks competing and beautiful, is spectacular, which just caters to my interest in natural scenery. Along the way, the mountain range in front of me is constantly changing, and a person is immersed in the winding and deep wild road, but forgets where to go. The sun rises, the snow melts, the mountains look more silent and empty, the silly bear is slowly climbing the tree, and the deer is leisurely sipping the stream. Where is he? There are chickens outside the cloud.
Make an appreciative comment
This poem is about the scenery of Shan Ye seen in Lushan Mountain.
The first sentence expresses my love for Shan Ye scenery, and the second sentence explains the reason for my love: "Qianshan Mountain is high and low". According to common sense, it should be the scene of "Qian Shan is high, and the water is low", which makes the poet feel that it is just in line with his interest in Shan Ye scenery. Now he writes in reverse, emphasizing the poet's love for Shan Ye scenery, which is also determined by the conception of the poem. In the first sentence of the second couplet, Qian Shan wrote that "the heroic style can be changed everywhere". "Shanfeng" is "Qianshan"; "Changing everywhere" can be seen everywhere in Qianshan's different gestures, which is the embodiment of "high recycling and low". The title of the fourth sentence is "hiking". It is easy for a person to get lost when walking on a deep path, which is also the result of the change of good peaks everywhere. Of course, through the "secluded path", the depth of the good peak in Qian Shan was written, which opened up the realm of Shan Ye. The last two sentences further describe the scenery of Shan Ye through Xiong Sheng Shu and Lu Yin Xi, and point out the hiking festival: "first frost". If "the height of Qianshan Mountain is low" is a relatively static landscape, these two sentences are devoted to dynamic landscape. So the two sentences in the middle have the effect of dynamic and static contrast. Write the last two sentences about where people are. Where is he? There are white clouds far away outside, because I heard the cock crow.
The language of this poem is simple, describing nature, in which feelings are born by scenes, and scenes move with feelings, expressing the poet's "wild feelings" with typical scenery. In addition, the revelation and development of poetic realm also left people with endless aftertaste.
Su Shi in Huanxisha
At the foot of the mountain, the blue buds in the stream are short, and the sand road between the pines is quiet and muddy. It rained at dusk. Who says life is indispensable? The water in front of the door can also flow west! Don't bemoan the passage of old age!
Make an appreciative comment
This is a small word that touches the scene and contains the philosophy of life, which embodies the author's love for life and optimistic attitude towards life.
The first movie is about the elegant scenery you saw when you visited Qingquan Temple in late spring. The stream at the foot of the mountain is gurgling, and the bluegrass beside the stream is sprouting, spreading and infiltrating in the stream. The sandy road between pine and cypress is washed by spring rain and clean without mud. It is dusk, and the cuckoo in the pine forest is singing in the drizzle. What a beautiful and peaceful mountain view it is! The first seven words not only point out the season when traveling in Qingquan Temple, but also point out the origin of Lanxi's name. The word "immersion" and "Gaolan is getting smaller and smaller" ("Chu Ci? The word "gradually" in evocation means "spread". At this time, bluegrass began to sprout. Its buds are still "short", but they are full of vitality and grow rapidly. It has spread from the shore to the stream. Cuckoo whines, which is easy to cause travel troubles. However, the author is walking by the stream at the moment, seeing nothing but business, forgetting the noise of the world and the filth of officialdom, and feeling happy. At the same time, the disease began to heal and the doctor accompanied him to enjoy it, so the cuckoo's cry failed to disturb the author's qingxing at this time. In a word, the first film only writes real scenes, and what it evokes should be the love of nature and the aftertaste of life, which leads to the philosophical thinking of life in the next film.
The following film expresses emotion and comments on the scene of "a stream flowing west". "A hundred rivers go east to the sea, when will they go west" (Han? "Long Songs"). "Flowers have a reopening day, and there are no fewer people." Rivers do not return to the east, just as a person's youth is only once. This is an irresistible natural law, and countless people in ancient and modern times lament it. At this moment, facing the Lanxi water flowing westward, the author has a wonderful reverie: since the stream can flow westward, why can't people regain their youth? "Having fewer children" is not the "rejuvenation" that Taoism wants, but to maintain a young and optimistic attitude. Because people cannot change the world; What people can change is only their attitude and view of the world. Bai Juyi's poem "Drunk Songs" has "Who told you not to understand? Listen to the yellow chicken and the sky The yellow chicken is ugly when it urges the dawn, and it urges the year before by day. The red ribbon at the waist is unstable, and Zhu Yan has been lost in the mirror. " These sentences are old-fashioned exclamations. The author's last sentence uses its meaning in reverse, thinking that even in his twilight years, he should not have the decadent mentality of "yellow chickens rush to dawn" and "Zhu Yan has lost", which reflects the author's broad-minded and upward mental state during his relegation.
The characteristics of the whole word are to express the feelings of the scene, and to write the scene with pure line drawing, which is meticulous and elegant; High spirits, inspiring and full of philosophy. Previously, in Yu Xining for six years (1073), the author once wrote a poem: "The riverside has a long history and is as long as the surging waves." Creation also knows that people are easy to get old, so they teach the river to flow west "(the third of" Five Wonders of Watching Tides on August 15th "). It is the feeling that the river is born when it comes back from Qiantang chamber, which is similar to the main idea of this word. However, at that time, the author was invited from outside, with the title of Dr. Taichang directly under the History Museum, to be a judge in the beautiful and rich Hangzhou. He was sent by Beijing officials as a local official, and his disappointment with his official career was not strong. At this time, he was placed in a remote Huangzhou, as an official awaiting punishment, and his lonely mood could not be easily shaken off. Therefore, the next film of this word shows the call for youthful vitality and the rejection of the view of old inaction, which is particularly valuable. It can be said that this optimistic spirit in the adversity of "life is overwhelming" is one of the important reasons why Su Shi is highly praised by later generations.
1 1 land trip of the storm on the 4th of the month.
I lay sprawled in my lonely country, not feeling sad about my situation, but thinking about defending the frontier of the country. The night will be over, I lie in bed listening to the sound of wind and rain, in a daze in my dream, riding an armored horse across the frozen river to the northern battlefield.
Make an appreciative comment
This poem was written by Lu You when he lived in seclusion in Yinshan in November of three years (1 192), at the age of 68.
Like many patriotic poems by Lu You, it occupies an important position in all patriotic poems in ancient China and has written a positive and heavy stroke in the history of classical poetry. This poem is full of patriotic pride, magnificent momentum and solemn and stirring style. It also adds a unique color to the vast ocean of poetry with a heroic and tragic style, expressing the author's thoughts and feelings of loving the motherland.
At that time, the poet was old and sick, lying alone in the desolate countryside, and naturally he would think of many past events. A hundred years of life has passed by in a hurry. Looking back on the past, although it is like a passing cloud, it is inevitable that it will be filled with emotion. The ideals of childhood, the frustrations of youth, the ambitions of middle age, the frustrations of old age, and so on are inevitably entangled in the poet's thoughts, and scenes are active in front of the poet.
Anyone with a little literary experience may know that Lu You was an outstanding patriotic poet in the Song Dynasty. Like many patriotic poets, he was "humble" in spirit, but the court was corrupt and incompetent and could only serve the country with an empty mind.
At that time, the Jin people invaded, and most of the country was lost in the Song Dynasty. The poet was dismissed from office and returned to his hometown because he advocated resisting the Jin Dynasty. In a lonely village, stubborn and frustrated thoughts, experienced sadness, suffering from illness, and sadness of home and country all impact the poet's mind at the same time. But the poet did not immerse himself in sadness, loss and decadence, but wrote a book, Lonely Village without Self-pity. This kind of "no self-pity", as Ji Hongchang Xue wrote: "The country is still broken, why should we cherish this head"? The country is still like this, and personal unhappiness is also worth mentioning! ? From another point of view, there is another more important reason for the poet to "lie dead without feeling sorry for himself", that is, "thinking about defending the country." An old man, dragging his tired and sick body, was lying in a lonely and desolate country. What he thinks is not personal sorrow, but worrying about the country and the people. He wants to defend the country personally, and he is determined to be a thousand miles away.
It can be seen from a large number of works of the poet that his patriotism for serving the country is unshakable, and it should be said that it has always been accompanied by Lu You's life. At present, the country is ruined and the mountains and rivers are broken. He is old and ill. He can only fall asleep with the helplessness of "lying down and listening to the wind and rain", and realize a uniform in his dream, riding a horse, crossing the frozen rivers in the north, fighting with the enemy on the battlefield and recovering the lost mountains and rivers. What a dream this is!
Lu You's poems, from "I dare not forget to worry about my country" to "I am sad but I don't see Kyushu", and then to this poem "I think about defending my country", all reveal the poet's firm ambition to serve the country and the sadness that is hard to calm down. But this is only in thought, and the artistic achievements of the poet can not be ignored. This poem is a model in structural treatment. The first three sentences of the poem are "stiff sleep", "thinking" and "sleeping at night", which skillfully paves the way for the fourth sentence to dream and realize the poet's long-cherished wish for many years, so that the work achieves a high degree of unity of thought and art.