The rain outside the curtain is gurgling, and the spring is fading. Allred-rochow is too cold to stand. I don't know if I am a dream guest, but I am insatiable in one day. Don't lean against the fence alone, it is infinite, and it is easier to see when you are away. Running water is gone, and spring is gone. 1. Appreciation: The first movie of this word used flashbacks, and it rained outside the curtain, which was colder, which was the aftermath of a dream; It is a dream to forget your identity and have a good time. Continuous spring rain and intermittent cold springs awaken lingering dreams, and make the lyric hero return to the bleak situation of real life. After love and love, it is actually the ratio of the past and the present. There is a sentence in Li Yu's Bodhisattva Man: "The dream of my old country has returned, and I am in tears." The writing situation is the same as this. But "Bodhisattva Man" is straightforward, while the words are tactfully tortuous. The natural environment and physical and mental feelings in ci are more symbolic and typical. The word "Mo" in the first sentence of the next movie "Mo Alone Column" can be pronounced in two ways: entering tone and leaving tone (dusk). Write "impartial column" because you look at the motherland and mountains and rivers by leaning on the column, which will cause infinite sadness. Write "leaning against the bar at dusk" because you look at the distant mountains and rivers at night and feel that "it is easier to see when you are away". You can say both. "Water Fades to Spring" echoes the last film "Spring Fades", but it also implies that there are not many days to come, and it is about to die. The phrase "heaven and earth" is quite confusing, and opinions vary. In fact, Bai Juyi's Song of Eternal Sorrow: "Our souls belong to each other," she said, "just like this gold and this shell." Somewhere, at some time, on earth or in heaven, we will definitely be together. ""heaven and earth "is a proper noun, not a juxtaposition of heaven and earth. Li Yu, as used here, seems to refer to his final destination. It should be pointed out that the lyrical features of Li Yu's ci are good at expressing true feelings from his own life experience, natural, clear and implicit. This is the most natural thing in lyric poetry. Therefore, his words are sad and touching whether they hurt the spring or the old country. At the same time, Li Yu is good at combining his life experience with a high degree of artistic generalization. As the monarch of national subjugation, Li Yu seldom tells his misfortune and sorrow in the words of emperors, but as an almost ordinary person. These words have the factors that can communicate with people emotionally and resonate with them. "Young Beauty" (when is the spring flower and the autumn moon) is like this, and so are the words. In other words, "it is easy to see when it is difficult", that is to say, what people usually experience in life is a life experience. It is not so much a mourning for the emperor as a summary of the common experience when people leave. Li Yu's poems are mostly four or five crosses, and there are not many short words, but they are extremely rich and profound, which can't be done without a high degree of artistic generalization.
2. Li Yu of Langtaosha in Southern Tang Dynasty
The past is only sad, but it is difficult to arrange the scenery. Moss invaded the courtyard in the autumn wind. A bead curtain is idle, who will come all day! The golden lock has been buried and is extremely strong. On a cool night, the moonlight blooms. I want to see the shadow of Yuta Yao Temple, and the sky shines on Qinhuai.
3. Langtaosha Mountain Temple listens to Zhong Song Xin Qiji at midnight.
Everything in the cup of life is empty. The ancient heroes of March 5th. Where the rain blows, Qin Gong in the Han Palace. Dream of youth, singing and dancing in a hurry. The old monk rang the doorbell by mistake in the middle of the night. Starts up the west window, can't sleep, the west wind rolls.
4. Langtaosha Song Chenliang
Xia Wei is light, the wind shakes the willows, and the rainbow breaks the hillside. From ancient times to the present, smoke is far away from water. Wild geese return to Pingqiao, and their eyes are broken and their souls are sold. The setting sun is boundless all over the river, and the willows and apricot blossoms are relatively late, each of which is boring.
5. Langtaosha Pines the God of Wealth
Downstairs, flowing water gurgling, outside the building, Pingfeng Mountain, the light smoke cage is cold at night, and the jade man once held hands and leaned on it. Dreams are hard to round and full of sadness. The old tour is too heavy to watch. How many tears have you shed in your life before the moonlight blooms?
6. Langtaosha Song Ouyang Xiu
Drinking east wind, and * * * calmly, hanging in the east of Luocheng, always holding hands at that time and traveling around the Champs. It is endless hate to gather and disperse in a hurry. This year's flowers are better than last year's, but next year's flowers are better. We know who we are with. 6. Appreciate the words of this song "Traveling with Friends in the East Old Place of Luoyang in Spring" and feel it. The first paragraph recalls the flower picking in Los Angeles in the past. The sentence "Drinking" begins with a banquet, and especially puts forward the poet's wishes: May the spring breeze be long, the spring scenery be bright and beautiful, and let friends "see the spring scenery leisurely", that is, enjoy the banquet and have a good time, showing the beauty of Luoyang's spring scenery. The banquet is rare and will be rare. The sentence "weeping willows" supplemented the place and environment of friends' gathering, and then it was made clear that this "leisure" was gathering in Los Angeles, enjoying flowers and "traveling all over the fragrant bushes". After today's trip, my friends are breaking up again. Who can predict what will happen today next year? Then I gave birth to the next film to express my feelings. The phrase "gathering and dispersing" sums up the life feelings of people in officialdom who always come and go in a hurry, mixed with bitterness and hatred, and impermanent gathering and dispersing. Finally, this year's flowers are better than last year's, and it is expected that "next year's flowers will be better", reflecting the difficulty of friends' gathering and parting next year. I don't know who to go back to Los Angeles with, which deepens this feeling of impermanence in life. It is a wonderful pen in the article to melt special feelings into flower appreciation, compare the flowers of three years, push them forward layer by layer, and write farewell with precious flowers. The idea is novel and poetic, and the weight of special feelings also shows the deep friendship with friends.
7. Langtaosha, Song Yan, Dao Ji
Little green and long red, dew and smoke. Flowers bloom and fall the same as in the past, but I hate holding hands in front of flowers. The past is empty. The mountains are far away and the water is heavy, so it is hard to meet a smile. After a long separation, first frost knew that he had left, and there were still a few spring breeze.
8. Langtaosha Song Wuqian
I remember when the clothes were covered with snow last year, beautiful women joined hands to draw the west of the building. Nowadays, the mountains are thousands of miles away. Who knows this? Want to see the green window is low, the boudoir is still empty, cherish spring or cherish flowers, even if there are bees stealing, fighting like a curtain.
9. Langtaosha Song Suzhe
Looking at Hanyangchuan in the distance, the horses and chariots were full of lights, the river bank was leaning against the railing, and the waves were in Tung Chung, and he died in the sea. No one can compare with melancholy. The rain is bleak, the wind is strong, and the leaves are broken. I haven't been happy for four years. Suddenly remembering how many things happened in Wubiao, I talked about Jiangnan.
10. Smoke from Liu Cui Opera in Langtaosha
The love story of Legend of the Sword and the Chivalrous Man 3 hides the ending. Liu Cui plays with smoke, shows grass and sparse columns, and Taoyuan has a day. Let's relax and let it go. Yuanyang is not envious of immortals. What year is this year? There is wine in life, so you need to live it well. You can lie in the deepest part of the world of mortals and look at Qian Shan from a distance.
1 1. Langtaosha in Beidaihe, Mao Zedong
/kloc-in the summer of 0/954, in Youyan, it was raining cats and dogs, and fishing boats were set up outside Qinhuangdao. We can't see a piece of Wang Yang, so who can we turn to for help? Over the past 1000 years, Wei Wu's whip has left a legacy in the East. The bleak autumn wind is changing the world again today. 1 1. background 1953 the party put forward the first five-year plan for developing the national economy to the people of the whole country. In February of the following year, the Party Central Committee held the Fourth Plenary Session of the Seventh Central Committee in Beidaihe, completely smashing the anti-party alliance between Gao Qian and Rao Shushi. In the summer of the same year, Mao Zedong came to Beidaihe to rest and work. During Mao Zedong's recuperation in Beidaihe, there was a storm at the seaside. He looked at Wei Wu with deep eyes and deep eyes, his interest doubled, and he was so excited that he was going into the water. The guards around him advised him not to go swimming because of the heavy wind and waves, but he said, "The bigger the wind and waves, the better. It can exercise people's will." So I went swimming in the sea and fought in the wind and waves. After landing, I was still wanting more and wrote this immortal masterpiece "Langtaosha Beidaihe". "Langtaosha Beidaihe" shows the unprecedented grandeur of proletarian revolutionaries and Wang Yang's broad mind, and has a clearer sense of the times, a deeper sense of history, a broader sense of the universe and a richer aesthetic capacity than "Watching the Sea". In the twelfth year of Jian 'an of Emperor Xian of Han Dynasty (2007), Cao Cao, then a general, led a great army to conquer Wuhuan in the north in order to clear the border. In August, he broke away from the Fifth Ring Road in Liucheng (now south of Chaoyang, Liaoning Province) and returned home in triumph, passing through Shishan, a moral mother near the Bohai Sea estuary, and boarded the ship. He painted a magnificent picture of the sea with a poem "Looking at the Sea", expressing the poet's ambition to pacify the separatist regime and unify China, as well as his lofty aspirations of self-improvement and omnipotence. 1954, Mao Zedong was in Beidaihe. One day, there was a storm at the seaside and the waves were rough. He jumped into the water, swimming in the sea and fighting in the wind and waves, regardless of the dissuasion of the guards around him. After landing, I was still wanting more, so I wrote this immortal masterpiece "Langtaosha Beidaihe", which showed the unprecedented grandeur of proletarian revolutionaries and the vast mind of Wang Yang. Compared with Looking at the Sea, it has a more distinct sense of the times, a deeper sense of history, a broader sense of the universe and a richer aesthetic ability. "The imagery of poetry is intended to shock people" (Ron Gilnas, On the Sublime). From the beginning, the word showed people magnificent natural scenery. The sentence "heavy rain falls on the secluded swallow" is empty, giving people the feeling that the rain is like a drum arrow; Followed by "white waves", the momentum is greatly increased. It's about stormy waves like thunder, "heavy rain" and "white waves" flying down and soaring, touching each other, the wind roaring, sweeping the rain and adding fuel to the fire. This scene is really magnificent and magnificent. With Cao's poem "What is water? The first two sentences of the last film, one is looking up and the other is looking forward to it. With the change of visual angle, the spatial picture also changes from land to sea and from top to bottom. The last three sentences are the gradual passage of sight from near to far, which is very layered. The first sentence of Fishing Boat Outside Qinhuangdao responded to "Youyan", pointed out the location and matched the topic. The artistic conception of "fishing boat" and "you can't see a piece of Wang Yang, so you can know who to go to" may also be taken from the description of the stormy waves by the ancients, but "Langtaosha" is a poem written in refined rhetorical sentences, which turns reality into fiction and controls complexity with simplicity. It's a stroke of genius! Instead of writing about people and ships, it is better to put small images in a vast and huge space, further highlighting the fierceness of rendering "white waves are sky-high" and highlighting the scene of sea and sky in the storm, which is boundless and chaotic, with no cliffs and no boundaries, thus expanding the spatial capacity of the works and showing a vast and profound sense of the universe. In the first part, the scenery is full of emotion, while in the second part, it is lyrical and full of emotion. Outside Qinhuangdao, there are white waves and Wang Yang everywhere. This scene here and now will naturally remind people of 1000 years ago when Cao Cao boarded Jieshi Mountain to watch the sea and the poem "Watching the Sea". "Cao Cao is a very capable person, at least a hero" (Lu Xun's Wei and Jin demeanor and the relationship between articles and medicinal liquor). During the Mo period of the Eastern Han Dynasty, powerful people began to split up. "Snobbery makes people fight, and heirs also fight with each other" (Cao Cao's Ge). After years of melee, the people were miserable, and Cao Cao's talents rose, "holding the emperor to make the princes." After decades of fighting, it finally swept away the divided clan warlords and powerful forces, unified the northern part of China, promoted the development of productive forces, and played a certain progressive role in history. At the same time, he is also a famous writer, and his poems are "vigorous and powerful enough to cover everything." (Liu Xizai's A Brief Introduction to Arts and Literature in Qing Dynasty) shows his political ambition, great talent and enterprising spirit, and also reflects the miserable life of the people at the end of Han Dynasty, which is the first example of Jian 'an literature. The next paragraph begins with nostalgia, reverses time and space with the phrase "the past goes back to the Millennium" and shows the picture of history. "Wei Wu brandished a whip, and Jieshi was left to the east" is like a vivid silhouette, which simply and vividly outlines the majestic posture of Cao Mengde riding his horse and whipping up the mountain and landing on the sea. "Whipping" is a typical dynamic image with rich connotations. As a fragmented process, it summarizes the military career of the characters galloping on the battlefield and fighting in the south and the north. As an instant action, it shows the personality characteristics of the characters, such as heroic, bold and unrestrained, fierce victory and so on. "Legacy" refers to Cao Cao's poem "Viewing the Sea", and "Dongjieshi" is the first sentence of the poem. When it is introduced into the word, the word "I" is changed to "He". Bai Juyi's translation of Langtaosha White waves are boundless with the sea and flat sand is boundless. I couldn't find it before, and the East China Sea became a mulberry field. At first glance, white waves are connected with the sea, and so is the sand on the shore. Day after day, year after year, the waves never stopped washing away the sand, so the evolution of the ocean changed. This poem points out the law and great power of tidal fluctuation, which constantly impacts the coast and makes it constantly change. Although this change is not easy to measure, Hong Tao is becoming Ye Ping and Green Island is unconsciously becoming a mulberry field.
12. Liu Yuxi
(1) Tao Tao's slanders are as deep as waves, and Mo Yanke is as heavy as sand. Although the wild sand is hard to wash away, it begins to reach gold. (2) The flowing water in Tao Sha is not suspended, and the waves are not extinguished. People suddenly think of Xiaoxiang Island and greet God in the dark. (3) The sunshine shines on the Chengzhou River in Tao Sha, and the gold diggers fill the river. Behind the beautiful jewels is sand full of waves. (4) August waves roar, head several feet high, touching the back of the mountain. In a blink of an eye, I arrived at Haimen, and the rolled sand was like a snowdrift. (5) The water flowing eastward in Langtaosha has tiger's eyes, and the Huaihe River is clear and duck's head is spring. Look at the sand washing place at the ferry, but how many people have crossed the world. (6) The waves and sands of the Yellow River swept away. Since you are from the sky, and now you seem to fly directly to the Milky Way, please take me to the sky, gather in the Milky Way, and go to the home of Cowherd and Weaver Girl together. (7) The side of Luoshui Bridge in Langtaosha has an oblique spring scenery and a shallow blue stream. Strangers for no reason met with strong winds, which made Yuanyang splash. (8) Langtaosha parrot island head Langtaosha, the brothel is inclined in spring. Swallows with mud fight for home, and crazy people don't remember home alone. (9) The waves wash the sand, the flowers on both sides of Jinjiang River, and the spring breeze blows the waves and washes the sand. When a girl cuts a mandarin duck brocade, there will be a sunset glow in the middle stream. Langtaosha (Tang Dynasty) Bai Juyi was boundless with the sea and flat sand. I couldn't find it before, and the East China Sea became a mulberry field. Interpretation: Langtaosha (Part 9) (Tang Dynasty) Liu Yuxi plucked flowers on both sides of Jinjiang River, and the spring breeze blew Langtaosha. When a girl cuts a mandarin duck brocade, there will be a sunset glow in the middle stream.