Flowers and snow are never tired of seeing in the wind, and I would rather lose the forest. The sad man is under the book window, and the cold is flying.
1
Like a light snow fluttering in the wind, I can't get tired of watching it; More snowflakes are still willing to drift in the mountains.
The poor man is sitting under the window of his study; I saw a snowflake flying, bringing a coolness.
Step 2 enjoy
This is a light snow poem by Dai Shulun, a poet in the Tang Dynasty.
There are many poems about snow, but few have the theme of "what is in front of us should not be placed in the immediate future". Dai Shulun's poems attach great importance to the writing skill of "separation", that is, to achieve the "separation" between man and snow through "separation", thus stimulating the hidden feelings between them.
Like a light snow fluttering in the wind, I can't get tired of watching it; More snowflakes are still willing to drift in the mountains. This is about the shape and interest of light snow.
Xiaoxue is like a flower, full of enthusiasm and freedom, depicting the shape of snow; On the surface, the word "mountain" is a light snow drifting to Shan Ye, but in fact it contains the poet's yearning for seclusion.
This "forest" is full of poets' interests and pursuits. The poor man is sitting under the window of his study; I saw a snowflake flying, bringing a coolness.
This is written "light snow is cold". The days of seclusion in the mountains are both free and boring, and the arrival of Xiaoxue undoubtedly brought a little happiness and comfort to the sad poet. Who is the poet's bosom friend in this vast world? Presumably only the light snow in front of this window can understand the sadness in the poet's heart.
On the surface, it is to write "sadness", but in fact it is to write "joy" when snowflakes come. This endless chill is the poet's unique and beautiful seclusion world. Although bitter and cold, it is full of lofty interest, clear and beautiful.
At this point, the poet connected himself with the same aesthetic interest as snowflake through "distance view" rather than "touch", reached the realm of "separation" and "never leaving", and realized his poetic proposition that "a poet's scenery, like a sunny Lantian, is in front of us and cannot be placed in front of us".