The Book of Songs has a lofty position and far-reaching influence in the history of China literature, which has laid a fine tradition of China's poetry, nurtured generations of poets and formed the national characteristics of China's poetry art.
1. The Book of Songs is mainly a lyric work. Since The Book of Songs, China's poetry has been advancing along the road of expressing feelings and aspirations, and lyric poetry has become the main form of China's poetry.
Secondly, the enthusiasm for reality, strong political and moral consciousness and sincere and positive attitude towards life shown in The Book of Songs were summarized as "elegance" by later generations, which directly influenced the creation of later poets. Qu Yuan's Lisao, Yuefu poems in Han Dynasty and Jian 'an poets are the direct inheritors of this spirit. Later poets often advocate the spirit of elegance to carry out literary innovation. Such as Chen Ziang, Du Fu, Bai Juyi and New Yuefu, are the embodiment of refined spirit.
3. Bi Xing provided a model for later writers in artistic expression. The Book of Songs touches people with things, expresses feelings with feelings, and uses the metaphor of image thinking to create a distinctive artistic image and form an artistic realm of scene blending, which is of great significance to the development of China's poetry. Nineteen Ancient Poems of Folk Songs in Han Yuefu is obviously an inheritance of the method of The Book of Songs. The use of Bi Xing has formed the artistic characteristics of China's ancient poems with implicit implication and endless charm.
Fourthly, The Book of Songs has a far-reaching influence on the genre structure and language art of China's poems in later generations. The four-character poems written by Cao Cao, Ji Kang and Tao Yuanming directly inherited the four-character sentence pattern in the Book of Songs. The dialect four sentences, ci fu and parallel prose in the style of admonition, inscription, chanting and praise in later generations, with four or six sentences as the basic sentence pattern, can also be traced back to the Book of Songs. In a word, The Book of Songs has been imprisoned for thousands of years, which is worthy of being the glorious starting point of China's ancient poetry.
The position and influence of The Book of Songs in the history of literature
The Book of Songs has a lofty position and far-reaching influence in the history of China literature, which has laid a fine tradition of China's poetry, nurtured generations of poets and formed the national characteristics of China's poetry art.
1. The Book of Songs is mainly a lyric work. Since The Book of Songs, China's poetry has been advancing along the road of expressing feelings and aspirations, and lyric poetry has become the main form of China's poetry.
Secondly, the enthusiasm for reality, strong political and moral consciousness and sincere and positive attitude towards life shown in The Book of Songs were summarized as "elegance" by later generations, which directly influenced the creation of later poets. Qu Yuan's Lisao, Yuefu poems in Han Dynasty and Jian 'an poets are the direct inheritors of this spirit. Later poets often advocate the spirit of elegance to carry out literary innovation. Such as Chen Ziang, Du Fu, Bai Juyi and New Yuefu, are the embodiment of refined spirit.
3. Bi Xing provided a model for later writers in artistic expression. The Book of Songs touches people with things, expresses feelings with feelings, and uses the metaphor of image thinking to create a distinctive artistic image and form an artistic realm of scene blending, which is of great significance to the development of China's poetry. Nineteen Ancient Poems of Folk Songs in Han Yuefu is obviously an inheritance of the method of The Book of Songs. The use of Bi Xing has formed the artistic characteristics of China's ancient poems with implicit implication and endless charm.
Fourthly, The Book of Songs has a far-reaching influence on the genre structure and language art of China's poems in later generations. The four-character poems written by Cao Cao, Ji Kang and Tao Yuanming directly inherited the four-character sentence pattern in the Book of Songs. The dialect four sentences, ci fu and parallel prose in the style of admonition, inscription, chanting and praise in later generations, with four or six sentences as the basic sentence pattern, can also be traced back to the Book of Songs. In a word, The Book of Songs has been imprisoned for thousands of years, which is worthy of being the glorious starting point of China's ancient poetry.
Qu Fu's artistic achievements also have a great influence on later generations. Lu Xun said that Qu Yuan's works were "outstanding" and that Chu Ci had a far-reaching and extensive influence in the history of China literature.
First of all, Chuci created a new style of poetry, which can more effectively shape artistic images and express complex and strong feelings. Secondly, Chu Ci shows the romantic spirit. It is mainly manifested in passionate feelings, the pursuit of ideals, highlighting the image and fantasy imagination of lyric heroes, and creating a magnificent picture. It makes poetry present hazy, strange and magical aesthetic characteristics, which has a great influence on later poets such as Li Bai and Li He. Thirdly, the symbolism of Chu Ci has a great influence on the literary creation of later generations. The image of vanilla beauty in Chu Ci has become a common creative technique in the history of China literature. The image packaging of vanilla beauty in Chu Ci combines Qu Yuan's life experience, personality spirit and emotional experience, which is more authentic and rich, and has been recognized by later scholars, forming a long-standing literary tradition of vanilla beauty. For example, Pu Songling said to himself, "If you know me, you are between Qinglin and Hesse!" Obviously influenced by the tradition of vanilla beauty in Chu Ci.