Jiang Nanchun wrote a 200-word composition based on poetry.

1. Jiang Nanchun was rewritten into a short essay of about 200 words. Spring is a season full of precious memories, with warm sunshine and spring.

Spring is a fantasy universe and a paradise for poetry! Miss Chun came in a spring car, bringing with her a fairy wand that can revive the earth and a cloud doll that can add color to the sky! Spring girl flies everywhere and brings fragrance: the grass is green, the flowers are red, and the river is blue ... Spring girl said to the cloud dolls, "I want to test you. Now I am in Jiangnan to see who can skillfully tell the beautiful scenery of Jiangnan. If it is the best, I will reward it! " "Cloud doll happily agreed. Yun Xiaomei said, "Would you please listen to us? "Everyone agreed.

So they vividly said, "In spring in the south of the Yangtze River, birds are singing everywhere, leaves are green, flowers are red, and villages by the water and battlements at the foot of the mountain are faintly visible." "Cloud doll began to climb the mountain, just then it began to rain in Mao Mao.

This light rain, like cow hair, did not affect their climbing at all, but added interest to their play. Climbing to the top of the mountain, looking from afar, Jiangnan is like a silky Chinese painting, pointing to the intoxicating beauty of Jiangnan. Brother Yun couldn't help but sigh: "There are more than 480 temples left over from the Southern Dynasties. How many terraces are shrouded in clouds and rain?" "

This is really: thousands of miles of warblers sing green and reflect red, and the water town is full of wine flags. Four hundred and eighty halls in the Southern Dynasties are full of terraced fields and misty rain.

2. Write a composition with Jiang Nanchun. As the old saying goes, "A year's plan lies in spring". The best season of the year is spring, and the seeds of hope should be sown in spring. Spring is the most beautiful time in Jiangnan. In my home, community, school and city, I can see the beauty of spring in Jiangnan.

There are many flowers and trees planted on my balcony. They are symbols of spring. My begonia is in bloom, pink, and there are several flowers in bud, which is a symbol of spring. Tea is blooming, and one, two, three, four, five ... are blooming brilliantly and vigorously. The green leaves set off the plum-red camellia, which is also a symbol of spring. Bamboo shoots, which is another symbol of spring. On my balcony, symbols of spring can be found everywhere. Many symbols of spring can also be found in the community, such as ginkgo trees sprouting green shoots, willow trees waving long hair and grass straightening, which are all symbols of spring. In school, there are many symbols of spring. Red maple trees are covered with "five-pointed stars" and red flowers have grown a lot. Can you not be missed? You can also find many symbols of spring in the community, which is the symbol of spring. The tea tree is in bloom, and a tree should be planted in every class in grade six. One is in full bloom. Our school also organized a tree planting activity. Willow has long hair and bright flowers, which is also a symbol of spring. They are symbols of spring: ginkgo trees have green buds, flowers are red and green, and schools and people have changed. "A year's plan lies in spring." At school, there are many symbols of spring, such as singing and dancing, a few budding flowers, the grass straightened its back, and the red maple tree was covered with "five-pointed stars" and "two", all of which are symbols of spring. Now they are wearing thin coats. At my house. Spring is the most beautiful time in Jiangnan, and it is also a symbol of spring. The best season of the year is spring, for example, red flowers grow a lot. The green leaves set off the plum-red camellia. We can also see the colors of spring in the city. Bamboo has sprouted. We wore thick down jackets and planted them happily. The city can see that the spring in the south of the Yangtze River is beautiful. On my balcony, symbols of spring can be found everywhere.

There are many flowers, trees, communities and gardens planted on my balcony, not only trees, but also seeds of hope will be planted in spring. The big tree in the street that was originally wrapped in white should wear a green coat.

Spring in Jiangnan is so beautiful. My begonia is in full bloom. We have four classes. And on March 12, so our campus has added a bit of spring color, which is another symbol of spring. As the saying goes, pink is a symbol of spring.

See the translation for the meaning of the 200-word poem written by Jiang Nanchun. Jiang Nan Chun Tang Du Mu Li Qian Ti Ying 1 Original Qinghong, Shuicun Guo Shan 2 Jiuqi 3 Feng.

During the Southern Dynasties, there were 4,480 temples, 5 pagodas, 6 misty rains and 7 medium ones. [2] Note Yingying: That is, Yingying sings a swallow.

Guo: Outer city. This refers to the town.

Wine flag: a small flag hung in front of the door as a sign of a hotel. Southern Dynasties: refers to the regimes of Song, Qi, Liang and Chen that successively confronted the Northern Dynasties.

Temple 480: The emperors and bureaucrats of the Southern Dynasties built Buddhist temples in Beijing (now Nanjing). According to the biography of Guo Zushen, the official history of South China, there are more than 500 Buddhist temples.

The 480 Temple mentioned here is an imaginary number. Loutai: pavilions and pavilions.

This refers to temple architecture. Misty rain: drizzle, like smoke and fog.

[2] Birds are singing in the south of the Yangtze River, green grass and red flowers set each other off, and wine flags are flying everywhere in the foothills of waterside villages. There are more than 480 ancient temples left over from the Southern Dynasties, and countless terraces are shrouded in wind, smoke, clouds and rain.

[3] Appreciating this song "Jiangnan Spring" has enjoyed a high reputation for thousands of years. These four poems not only describe the richness of spring scenery in Jiangnan, but also describe its vastness, profundity and confusion.

Du Mu's "Jiangnan Spring" (Lin Sanzhi Book) "Thousands of miles of warblers sing green and reflect red, and Shuizhaishan fruit wine flags the wind." The beginning of the poem, like a rapidly moving focal plane, swept across the southern land: the vast south of the Yangtze River, orioles singing, green trees reflecting clusters of red flowers; You can see the villages by the water, the battlements by the mountain and the wine flags fluttering in the wind.

Charming Jiangnan, moved by the poet's brilliant pen, is even more exciting. In addition to the richness of the scenery, I am afraid it is different from some garden attractions, confined to a corner, but because it is spread over a large area of land.

Therefore, if there is no word "a thousand miles" at the beginning, these two sentences will be weak. However, Yang Shen in Ming Dynasty said in Poems of Sheng 'an Temple: "Who can listen thousands of miles away? "Thousands of miles of green, who can see? If you travel ten miles, you will see green and red scenery, village Guo, balcony, monk temple and wine flag. "

For this kind of opinion, He Huan Wen once refuted it in Textual Research on Poems of Past Dynasties: "Even if you make ten miles, you may not be able to hear it. The title cloud "Spring in the South of the Yangtze River" shows that Wan Li in the south of the Yangtze River is vast, and among the Wan Li, birds are singing and reflecting the green. There are no wine flags everywhere in Shuicun Mountain, and most of the towers of the 480 Hall are in the misty rain.

Because this poem has a wide meaning, it is not allowed to refer to one place, so it is correct to say that Spring in the South of the Yangtze River is out of the need of typical generalization of literature and art, and it also applies to the last two sentences.

"Four hundred and eighty halls in the southern dynasties, how many towers are misty and rainy." From the first two sentences, birds are singing, red and green are set against each other, and wine flags are flying. It should have been a sunny scene, but these two sentences are clearly written in misty rain, just because the rain is different everywhere within a thousand miles.

But what needs to be seen is that the poet grasped the characteristics of Jiangnan scenery with typical techniques. Jiangnan is characterized by beautiful mountains and rivers, bright flowers, intricate colors, rich levels and strong three-dimensional sense.

While reducing thousands of miles to a scale, the poet focused on the colorful scenery in the south of the Yangtze River in spring. The first two sentences of the poem are red and green, mountains and rivers, villages and battlements, movements and sounds.

But these are not rich enough, and they only depict the bright side of Jiangnan in spring. So the poet added a wonderful stroke: "Four hundred and eighty halls in the southern dynasties, how many towers are misty and rainy."

The resplendent and heavily built Buddhist temple has always given people a deep feeling, but now the poet deliberately lets it linger in the misty rain, adding a hazy and blurred color. This kind of picture and color are in harmony with the beautiful scenery of "thousands of miles of warblers singing green and reflecting red, and the wind of national wine flags in water towns and mountains", which makes this picture of Jiangnan Spring more colorful.

The word "Southern Dynasties" adds a distant historical color to this picture. "480" is a saying that the Tang people emphasize quantity.

The poet first emphasized that there was more than one magnificent Buddhist temple, and then sang with the sigh that "misty rain is coming", which is particularly reverie. [4] Du Mu is particularly good at depicting beautiful and moving pictures with just four sentences and twenty-eight characters, presenting a profound and beautiful artistic conception, expressing implicit and profound feelings, and giving people the enjoyment of beauty and the enlightenment of thinking.

[5] "Jiangnan Spring" reflects that the aesthetics in China's poems and paintings are beyond time and space, indifferent and free and easy, with the thought of "epiphany" of Confucianism, Buddhism and Taoism, and most of them are poetic feelings of nostalgia, seclusion and freehand brushwork. [6] Appreciating the differences in the theme of the quatrains in Jiangnan Spring, whether there is irony is very different in the past.

Some researchers put forward the "Irony Theory", arguing that the emperors of the Southern Dynasties were famous for Buddhism in the history of China, and that Buddhism in Du Mu's era was also a vicious development, while Du Mu had anti-Buddhism thoughts, so the last two sentences were ironic. Or think that the main idea is to respect Confucianism and exclude Buddhism, and express concern about the rulers' mismanagement of the country and the mistakes of Buddhism and Taoism; Or that the main idea is to satirize the present by borrowing from the past, satirizing the rulers' excessive construction of Buddhist temples will lead to weak national strength, depressed people's livelihood and aggravate social crisis.

They think that the poets in the late Tang Dynasty have a feeling of worrying about the country and the people, and there is no lack of irony in aesthetics, and the connotation of poetry is richer. [7-8] Some researchers disagree.

They just think that this poem only depicts the beautiful scenery of Jiangnan and shows the poet's praise and yearning for the scenery of Jiangnan. To understand poetry, we should first start with the artistic image, and should not make abstract inferences.

Du Mu's opposition to Buddhism does not mean that he must hate the Buddhist temple architecture left over from history. In Xuanzhou, he often goes to Kaiyuan Temple and other places to play.

I have also been to some temples in Chizhou and made friends with monks. Famous phrases such as "Clouds on Jiuhuashan Road, Liu Fuqiao on Qingyi River" and "Autumn Mountain and Spring Rain Wandering All over Jiangnan Temple Building" all show that he still appreciates the balcony of the Buddhist temple.

[4]。

4. Jiang Nanchun's ancient poems were rewritten into compositions. I rode a donkey alone, climbed mountains and waded through hardships.

Finally came to the vast Jiangnan. Ah, Jiangnan is so beautiful! Orioles are singing everywhere, and the branches of willows are sprouting and emitting light green.

Beautiful scenery, birds and flowers. In the field, farmers are transplanting rice seedlings in the field; On the lake, every boat is staggering forward, and fishermen are casting nets to fish; The town is surrounded by mountains and rivers, with people coming and going and heavy traffic. Restaurants and merchants on both sides of the street come and go, and all kinds of wine flags flutter gently in the spring breeze.

Climbing high and overlooking, there are countless large and small temples in the distance, and the momentum is very huge. Rain flows like a layer of light smoke in the spring breeze, and countless terraces are silent in this misty rain.

As if washed away the dust. I relaxed again, forgot all my troubles, and let myself walk into this beautiful spring scenery in the south of the Yangtze River.

5. Jiang Nanchun's poem 1. poetic sentiment

Thousands of miles south of the Yangtze River, everywhere is full of singing and dancing, pink and green, a scene full of spring. In villages near the water and battlements surrounded by mountains, there are wine flags fluttering in the wind everywhere. There are temples full of cigarettes, and pavilions stand in the misty rain.

Second, the original text

Jiangnan, the sound of green and red flowers, the waterside village in the foothills.

More than 480 ancient temples were left in the Southern Dynasties, and countless pagodas were shrouded in wind and rain.

Third, the author

Du Mu in Tang Dynasty

Extended data

First, the creative background

When Du Mu came to Jiangnan (Jiangyin, Jiangsu), he couldn't help but think of the piety of the Southern Dynasties, especially the piety of the Liang Dynasty, which ended in nothing. He does not seek immortality, but he harms the country and the people. It is not only a tribute and nostalgia for history, but also a gentle exhortation to the rulers of the Tang Dynasty. Later, Wu Zong made peace and destroyed Buddha, which eased the contradiction to some extent.

Second, appreciate

Du Mu is good at depicting beautiful and moving pictures with just four sentences and twenty-eight characters, presenting a profound and beautiful artistic conception, expressing a series of subtle and profound feelings, giving people the enjoyment of beauty and the enlightenment of thinking.

"Jiangnan Spring" reflects that the aesthetics in China's poems and paintings are beyond time and space, indifferent and free and easy, with the thought of "epiphany" of Confucianism, Buddhism and Taoism, and more poetic feelings of nostalgia, seclusion and freehand brushwork.

Three. Brief introduction of the author

Du Mu (803- 852) was born in Fanchuan, Mu Zhi, Han nationality, Jingzhao Wannian (now Xi, Shaanxi). Du Mu was an outstanding poet and essayist in Tang Dynasty, the grandson of Du You, the prime minister, and the son of Du You.

Tang Wenzong Daiwa was a 26-year-old scholar in the second year and was awarded the post of Hong Wen Pavilion. Later, he went to Jiangxi to inspect the ambassador's tent, and then turned to Huainan to inspect the ambassador's tent. He was the editor of the National History Museum, the food department, Bibi department and Si Xun, and the secretariat of Huangzhou, Chizhou and Zhou Mu.

In the third year of Emperor Xuanzong of the Tang Dynasty (849), due to the low salary of Beijing officials, it was difficult to support the family and demanded the release of Hangzhou secretariat. In the fourth year of Emperor Xuanzong of the Tang Dynasty (850), he was promoted to be a member of the official department. However, Du Mu repeatedly asked for the release of Huzhou secretariat, and finally agreed to his request.

In the autumn of the same year, Du Mu was appointed as the secretariat of Huzhou. He paid tribute to his predecessors in Huzhou, made friends with poets and wrote many poems. A year later, he was promoted to a doctor in the examination and imperial edict. In the second year of Chang 'an, he moved to Zhongshu Sheren. During this period, Du Mu renovated his ancestral villa in Fan Chuan and often made friends here in his spare time. In the sixth year of Xuanzong (852), he was seriously ill and died in winter.

The main features of Du Mu's prose and fu are as follows: 1. The pen is sharp and profound; Second, extensive quotation, chapter analysis and sufficient reasoning; Third, the discussion is combined with lyricism, and the discussion has a strong expression color; Fourth, be good at vivid description and narration, vivid and full of truth.