Mao Zedong?
The red army is not afraid of the expedition, and Qianshan is just idle.
Wuling makes waves, and Wumeng takes mud pills.
Jinsha River is warm in the clouds and cliffs, and Dadu Bridge is cold in the iron bars.
I'm glad to see that Minshan Mountain is covered with snow and stretches for miles. Our soldiers crossed it and showed a bright smile.
Historical sympathy is another manifestation of historical consciousness in Hu Qiuling's long poems. Zunyi Conference is a great turning point in China's party and military history. However, the poet's pen did not fall into its glorious historical significance. Instead, he drew a series of historical negatives around the conference with the place name Zunyi as the center, and unfolded the tangled relationship of history itself on these negatives.
Because "blindly burning passion" led to "massive bleeding" of the Red Army, it became an intractable "stone" in the chest of the leaders of the Central Red Army Party. So the disease has become a wonderful metaphor here. The "fierce medicine" of the future and destiny of the Party and the Red Army finally "made the Red Army gradually recover and increased many antibodies" in the double suffering of slow fire and fierce fire.
Extended data:
In the face of those "positions" on the way to the Long March, there are as many "stones" as there are, because "the position is a stone mountain, a stone that sleeps in the mountain and does not want to be awakened by gunshots." After all, history forcibly blasted the silence of a mountain with a gun, so "the bodies of two different colors of clothes shed the same color."
In the combination of images with a strong sense of scene, the poet once again exposed the disorder and brutality of history: two soldiers stabbed each other with different bayonets for this rock. The four protruding eyes found that the other was their own brother, a brother who was taken away and had to go to war, and a brother who resolutely went to war to avenge his brother because his brother was taken away.
If history shows its violent and disorderly side again and again in a barbaric way, then Hu Qiuling, a poet, reorganized those disorderly and unrestrained histories with a poetic tension. However, this reorganization is not a submission to the aesthetics of historical violence and the new historical laws, but a historical understanding and sympathy in a quiet narrative.