"The Muse of the Left Hand", Wen Xing, 1963.
"Rain on the Palm", Wen Xing, 1964.
"Xiaoyaoyou", Wen Xing, 1965.
"The Faun Looking Homeward", Pure Literature, 1968.
"The Crane Burner", pure literature, 1972.
"Listen to the Cold Rain", Pure Literature, 1974.
"Sorrow on the Green Side", Pure Literature, 1977.
"On the Watershed-Collected Commentary by Yu Guangzhong", Pure Literature, 1981.
"Memory is as Long as a Railroad Track", Hong Fan, 1987.
"With a Map", Jiuge, 1988.
"Calling across the Water", Jiuge, 1990. "From Xu Xiake to Van Gogh", Jiuge, 1994.
"In Order", Jiuge, 1996.
"The Sun Never Sets at Home", Jiuge, 1998.
"Downstream of Blue Ink", Jiuge, 1998.
"Serial Strategy", Shanghai Literature and Art, 1999
Yu Guangzhong was born in Nanjing in 1928 and his ancestral home is Yongchun, Fujian. My mother is originally from Wujin, Jiangsu Province, so she also calls herself a "Jiangnan native". Yu Guangzhong has been engaged in poetry, prose, commentary, and translation throughout his life, and calls himself the "fourth-dimensional space" of his writing. He has been in the literary world for more than half a century, covering a wide range of topics, and is known as an "artistic polygamist."
His literary career is long, vast and profound. He is a master of contemporary poetry, an important prose writer, a famous critic and an excellent translator. So far, 21 collections of poetry, 11 collections of essays, 5 collections of commentaries, 13 collections of translations, and more than 40 collections have been published. His representative works include "White Jade Bitter Melon" (a collection of poems), "Memory is as Long as a Railroad Track" (a collection of essays), and "On the Watershed: Collected Commentary of Yu Guangzhong" (a collection of commentary).